Joan of Arc

I am lucky enough to have a video of the uncut version of this film, in which the trial is shown in full. This is the part of the film in which we see Ingrid's best acting. It's so immensely moving! Ingrid believed in Joan and it shows. She had just come from a triumphant Broadway run in Joan of Lorraine, the play on which this movie is based. The movie is a more straightforward telling of Joan's story [the play is a play within a play] and I would say it's accurate, though some details have to be left out, due to lack of time. Sadly, Ingrid's popularity in the USA had waned when this film was released. What a tragedy! I am amazed that a so-called enlightened and free nation could turn against this honest woman, because of her love for an Italian film director and the birth [out of wedlock] of their beautiful son. I think Ingrid would have won another Oscar with "Joan of Arc", had it not been for the "scandal". It's definitely the best film version of this remarkable saint's story and a fulfilment of Ingrid's lifetime wish. Long live Ingrid Bergman - and her favourite saint! Mary Hutchings [Founder, Ingrid Bergman International, Yahoo clubs]

A very poor film translation of a stage play--rather than being tailored to the movie medium, this is very stagy, overly talky. The dialogue is arty and artificial. Everyone is obviously acting, giving a performance, though Bergman is radiant and her performance is passionate and sincere.

All of the exteriors (outdoor shots) which feature close ups of the lead actors are obviously shot on a sound stage. Some beautiful outdoor footage is used occasionally for establishing shots or transitions between scenes, but Bergman never leaves the soundstage.

On the positive side, the film is beautifully photographed, many individual shots are works of art, masterfully lit and composed. However, the camera moves only when necessary to follow the actors, the shots are static, adding to the staginess of the production. Which reminds me of CB DeMille; you could get a good idea of this film by saying it's like a DeMille film, only with more high art pretensions and less spectacle (no cast of thousands here).

The most outstanding aspect of 'Joan of Arc' is the music, it's prominently featured, good and loud, and it deserves to be--it's gorgeous.

The DVD has no extras at all, though the image and sound are excellent--a very good restoration job. A commentary track would have been very welcome; my guess is this was a challenging production, possibly with a long production period (three cinematographers are listed). It was a commercial failure, at least in part because of public condemnation of Bergman's personal life. I believe director Victor Flemming died soon after production. Lots of meat here for an interesting commentary or two.

In Europa,I've often heard people complaining .Why has the movie been boiled down to a digest of barely 100 min? In France,Joan's native country,it's a scandal!It was broadcast on the history channel yesterday and again in the "short" editing.It seems that many scenes were replaced by a voice over which is infuriating ,cause Fleming's version of "Joan Of Arc" ,although inferior to Preminger's and Dreyer's works, is quite interesting.

Although too old for the part,Ingrid Bergman had enough charisma to make you forget that Joan was 17 when her epic began.Fleming's style is far away from Dreyer's bare aestheticism or Luc Besson's video game battles.Holy picture best describes his way of filming Joan,which makes sense ,cause it begins with the heroine's canonization (only in 1920!).

Good things:La Tremouille's bad influence on the king;Joan who did not realize in 1430 that fighting had been replaced by negotiations;the abjuration: in Rouen,you can see a commemorative plaque which reads "Here ,in 1431, Joan of Arc suffered the infamous ordeal of abjuration" .On the "Place du Vieux Marché" ,where she was burnt alive,another plaque reads "To you,Joan,who knew that a hero's grave was the heart of the living." (André Malraux)

Joan of Arc is perhaps Bergman's finest "high acting" performances. (Her greatest performance is still her "minimalist" performance in "Casablanca"). This is a better than good movie, but not great. With the cast, it should have been GREAT! It is, however, well worth seeing; Bergman is in fine form.

(NOTE: This review concerns the 100-minute edited cut shown on TCM.)

This 1948 version of Joan of Arc's story is a big disappointment considering the talent involved: director Victor Fleming, who directed both GONE WITH THE WIND and THE WIZARD OF OZ in 1939, and a cast including Ingrid Bergman, José Ferrer, and Ward Bond. JOAN OF ARC (1948) fails to live up to any expectations.

The editing is amateurish. There are abrupt cuts from one shot to the next, often cutting off bits of dialogue on the soundtrack. The voice- over does its job in setting the scenes within a historical narrative, but gives the movie an air of vintage "making of" TV specials. It almost seems as if stand-alone scenes were shot without knowing how to weave them together.

The storytelling is too sincere and sentimental, giving the film an awkward hokey sensibility. Whereas Carl Theodor Dreyer's 1928 masterpiece THE PASSION OF JOAN OF ARC left room for interpretation regarding matters of divine intervention, this version is pretty straightforward about holy miracles, playing like a Sunday school movie. That is to say it's a religious fable about Ste. Joan of Arc, rather than a historical piece about Joan rallying her countrymen against English rule. (Not that there's anything wrong with that.)

Ingrid Bergman was actually nominated for an Academy Award for her portrayal of Joan, a French teenager in the 1400s who believed she was called upon by God to raise an army against the English occupation of her country, later to be convicted of heresy by a council of pro-English clergymen. (It was Bergman's fourth nomination out of a career total of seven, including three wins.) José Ferrer also earned a nomination, playing the French Dauphin whom Joan fought to put on the throne. The top performances were by Bergman as Joan, Francis L. Sullivan as the corrupt judge, and J. Carrol Naish as a slimy one-eyed nobleman. Much of the supporting cast is second-rate.

Maybe JOAN OF ARC is only unimpressive today as viewed by modern cynics. Or perhaps the trouble lies with the existing copies of the film. Whatever the case may be, the movie earned seven Oscar nods (including Best Editing!) and won an honorary award for its moral values.

NOTE: Apparently the original release was a 145-minute cut, which was trimmed down to 100 minutes with added voice-over narration. This chopped-down version is shown on TV and is an embarrassing mess. The 145-minute version won the awards and is supposedly available on DVD.

UPDATE 1/9/12: The full 145-minute version (just shown on TCM) is clearly superior to the edited-down version with the awful narration. It's an ambitious production, although its Sunday School tone is still a bit over-the-top (at least for this reviewer). The film takes itself way too seriously overall, but Jose Ferrer brings personality to the proceedings and Francis L. Sullivan stands out in his villainous role. The second half, with Joan's trial at the hands of the wicked Sullivan, is more effective than the first half and Ingrid Bergman's best moments are in her final scene.

5/10 for the butchered version; 6.5/10 for the full-length epic