IMDb रेटिंग
7.1/10
2.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn escaped convict tries to hide out at his former lover's house, but she has since married and is reluctant to help him.An escaped convict tries to hide out at his former lover's house, but she has since married and is reluctant to help him.An escaped convict tries to hide out at his former lover's house, but she has since married and is reluctant to help him.
- पुरस्कार
- कुल 1 नामांकन
David Liney
- Alfie Sandigate
- (as David Lines)
फ़ीचर्ड समीक्षाएं
The film was made and set in the bleak environment of post-war east London and shows Robert Hamer to be an extremely talented and sophisticated film maker. Unlike Dearden and Relph, Hamer does not impose a moral framework on his characters. The film shows two sides of adultery between Googie Withers and the escaped convict and between her daughter and a Jewish shopkeeper. What makes this film stand out is its intentioned 'realism' and complex character portrayals. This little known classic is probably one of Ealing's finest films.
i have to disagree with the other reviewer. this a good, solid drama that captures the mood of post war london expertly. the stories mesh together well and the performances, with one notable exception, are first rate. the atmospheric photgraphy adds to the overall feel of the piece and the climax is very exciting.
Dynamic British romantic thriller with a cracking script and an outstanding final reel, crammed full of delectable performances from a fine group of character actors. Above the title are the ever-excellent Googie Withers and charismatic Australian hunk John McCullum: they married soon after shooting was over, which certainly goes some way to explaining their on-screen chemistry. With them is dear old Jack Warner, whose folksy old copper in the TV series DIXON OF DOCK GREEN used to irritate me when I was a child, but here he's playing a detective with a bit of grit in him, and it's a pleasure to discover that Mr Warner was perfectly up to the task. Of the supporting cast, Edward Chapman deserves mention for his self-effacing but nevertheless affecting performance as Ms Withers' husband.
There is a certain amount of caricature in the writing (and perhaps in the playing too) of a couple of roles, but on the whole the script succeeds in delineating personalities rather than types, unusual in a film of the period presenting a mainly working- and lower-middle-class milieu, a good deal of it filmed (by the great Douglas Slocombe) on location.
Director Hamer's final reel is a daring chase followed by a strangely affecting coda. The chase is slightly marred by the intrusion of a couple of model shots which the sequence could easily have done without. But it says something about the power of Hamer's vision that he imagined long shots at those points: it was just unfortunate that the only way to achieve them was by using miniatures.
Highly recommended.
There is a certain amount of caricature in the writing (and perhaps in the playing too) of a couple of roles, but on the whole the script succeeds in delineating personalities rather than types, unusual in a film of the period presenting a mainly working- and lower-middle-class milieu, a good deal of it filmed (by the great Douglas Slocombe) on location.
Director Hamer's final reel is a daring chase followed by a strangely affecting coda. The chase is slightly marred by the intrusion of a couple of model shots which the sequence could easily have done without. But it says something about the power of Hamer's vision that he imagined long shots at those points: it was just unfortunate that the only way to achieve them was by using miniatures.
Highly recommended.
A superb study by Ealing studios, of a working class family, in the east end of London, after the 2nd World War. Googie Withers plays a harassed housewife, who during one Sunday lunchtime, discovers that her old boy friend, Tommy Swan, has broken out of jail and is in need of help.Local policeman Jack Warner is given the task of hunting him down. This film gives the viewer a fascinating look at life in England, in the late 1940's and early 50's. Look out for one scene, featuring the milkman, delivering milk, and his horse, walking up the centre of the street, and knowing just when to stop and when to go. Well worth watching.
"London Live" t.v. channel no 8 are currently showing a season of Ealing Films and not just the well known comedies for which they were better known.I had obviously seen these comedies but on 1st June 2015 I saw "It Always Rains on Sunday" (1947) for the first time.I was familiar with Googie Withers from the time of her support role to Margaret Lockwood in the Hitchcock film "The Lady Vanishes" (1938).Talking of this great director one James Hitchcock has given a definitive user review dated 7/9/05 (first above) which satisfactorily explains the plot and other production values for which I commended him.Yes the film set rain machine was very much in evidence to add verisimilitude to the film title.A few reviewers from foreign parts I notice had an understandable problem with the London vernacular accents but it was obviously produced with the home market in mind as were many American movies.Being a 69 year old Londoner myself I understood all the East End dialogue, having worked in Stratford near Bethnal Green myself.In line with IMDb.com general average I rated it 7/10.
क्या आपको पता है
- ट्रिवियाGoogie Withers, who played Rose Sandigate, and John McCallum, who played Tommy Swann, met on this movie and were married the next year. They were married for 62 years, until his death.
- गूफ़Tommy Swan is imprisoned and his girl, Rose marries George Sandigate so he wouldn't know where she lives when he escapes from prison.
- भाव
Joe: We don't cater to the criminal classes.
Detective Sergeant Fothergill: Turned over a new leaf?
Joe: There's such a thing as a law of libel.
Detective Sergeant Fothergill: There's such a thing as ham, but there's none in this sandwich.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is It Always Rains on Sunday?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Kisa uvek pada nedeljom
- फ़िल्माने की जगहें
- 64 Clarence Way, कैमडन, लंदन, इंग्लैंड, यूनाइटेड किंगडम(Exterior of the Sandigates' house)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $14,276
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $7,177
- 9 मार्च 2008
- दुनिया भर में सकल
- $38,313
- चलने की अवधि
- 1 घं 32 मि(92 min)
- रंग
- पक्ष अनुपात
- 1.33 : 1
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