Easter Parade

For those readers who favor Ann Miller's performance please forgive me, but no one can ignore the amazing performances of both Fred Astaire and Judy Garland in their only appearance on screen together. I just thought Ann Miller and Peter Lawford's performances were the fillers so that we the audience could take a breather in anticipation for Astaire and Garland's next on screen song and dance number together.

The color and cinematography in Easter Parade is second to none, even some seventy (72) plus years later. If for nothing else, please watch Fred Astaire perform his solo song and dance number early on in this film when he enters a toy store and attempts to purchase but first must grab a big stuffed toy rabbit from a young boy. This scene has Fred tap dancing his way into our living rooms like only he and maybe Gene Kelly (who had to turn this role down because he broke his ankle and was not available when filming began) could have done. This song and dance scene alone is worth the price of admission as the choreography and especially Astaire's uncanny ability to work his way through the toy store tap dancing, drumming, jumping, and singing in this one scene is simply pure entertainment.

I give it a 7 out of 10 IMDB rating.

Perhaps not quite reaching the heights that the talent involved suggests it should, Easter Parade is still none the less a delightful musical full of skill, vigour and heart warming attributes. The story sees Fred Astaire's Don Hewes getting dumped by his dance partner Nadine Hale {Ann Miller}. Vowing revenge, he boasts that he could get any basic lady performer and make her a star alongside him. Enter Judy Garland as chorus girl Hannah Brown…… But for a volleyball accident, Don Hewes would have been played by Gene Kelly, who suggested that since he was out of the picture, the makers should try and get Astaire on board. Astaire had retired from Hollywood but jumped at the chance to replace the then present incumbent of the role, Mickey Rooney. Worked out OK in the end, because, as was normally the way, Astaire gave another masterful song and dance performance. Garland on the other hand had to dig deep to enthuse the role with some quality. In a rut with the formula of the films she was making, and nearing exhaustion because of the hectic schedules, it took a guiding hand from Astaire to see her thru the production. The end result? Garland still managing to enchant and whisk the viewer to a nice place where troubles don't exist.

The piece contains 17 of Irving Berlin's tunes, with Steppin' Out with My Baby and A Couple of Swells particularly standing out, with the latter expertly played out on a moving floor. While admirably supporting the principals is Peter Lawford as Jonathan Harrow III. It's a foot tapper to warm the cockles on a blustery winters day, never mind only at easter! 7/10

Don't you just love those old 40's musicals? Easter Parade is certainly one of the best, with Fred Astaire doing his amazing flashy but precise dancing, Judy Garland using her legendary voice to sing right from her heart into yours, and Ann Miller doing her own unique style of dancing and tapping while belting out great songs. And of course, everybody in the film uses any excuse to sing yet another song, usually dancing to it as well.

One of the special sequences has Fred Astaire dancing in slow motion while the rest of the cast dance at normal speed behind him! Sure, we can do that these days with computers, but remember this film was made in 1948!!

Of course there's the usual plot - Boy meets girl, they fall in love, have a misunderstanding, but get together again just in time for the big finishing number. That used to really get the audiences in, in those days, and they repeated that theme in every musical that ever was.

Any weak spots? Several of the film's routines seem a little amateurish by today's standards. For example, the waiter tossing his invisible salad just to do a bit of clowning seems a little contrived. Also, the film is supposedly set in 1912, so all the 1948 fashions and hairstyles are completely anachronistic - but what does that matter, after all, it's just an enjoyable romp.

I've given this film eight out of ten, but if I could just vote on Judy Garland's singing and Fred Astaire's dancing, I'd certainly give them ten out of ten. This is definitely a "must-see" film, just for those two incredible talents!

I don't know why I haven't checked this out on DVD yet. I imagine it looks spectacular, because even the VHS looked super. I'm talking about the Technicolor. Man, those Technicolor films in the '40s were beautiful, as this certainly is.

For entertainment, you get Fred Astaire dancing, Judy Garland singing, Ann Miller dancing, and Peter Lawford singing. I didn't think Lawford could sing, but he's not bad here. The other talent must have elevated his.

Astaire consistently amazed audiences with his innovative dance routines and smooth style. He does a number here in a toy store that is really something! Miller also gives us a good tap number and Garland's songs are all winners.

This movie is more vehicle for those above-mentioned stars than it is in telling some profound the story. The story is not much, but who cares? It's the dancing, singing, the incredible costumes, overall color, nice people and just plain feel-good musical atmosphere that makes this a popular film, even to this day.

By far the best bit of this movie is early on in the running time, when the wonderful Fred Astaire has a routine in a toy shop, to the Berlin number ‘Drum Crazy'. He's there to get an Easter present for his dancing partner (played with energy by Ann Miller), but she has a bombshell to drop: she's leaving him to join a bigger name stage show, and he's left high and dry without an act.

Step forward Judy Garland, as a waitress who Fred thinks might be able to sing and dance. At first she's reluctant, and hopeless, but of course, this being MGM mush she falls for Fred and suddenly finds her talent. At this sort of thing Garland had no peer.

Also in the cast are Peter Lawford, as a rich no-hoper with a heart who first pursues Garland, and then steps aside for Fred (heading for Miller on the rebound). He sings A Fella With An Umbrella – not very well – but is certainly easier on the eye than Astaire. A tiny but scene-stealing role is given to Jules Munshin, who would be seen the following year in ‘On The Town', as a waiter describing just how the green onion salad listed on the menu is prepared.

The lead was not originally planned for Fred, but for the younger and more athletic dancer Gene Kelly, but when Kelly injured his leg the way was clear for Astaire to be coaxed out of retirement. He continued to appear in musicals for another twenty years.

The songs in ‘Easter Parade' are a bit of a rag-bag – classics such as Easter Parade, Steppin' Out With My Baby, Shakin' The Blues Away etc. jostle with old vaudeville numbers like When The Midnight Choo-Choo Leaves For Alabam'. The result is a bit of a mish-mash. Perhaps the best song shot for the movie was the one omitted before release – Mr Monotony, performed by Garland in her trademark costume of the top half of a tux and tights (two years before ‘Summer Stock' and the Get Happy number). This number can be seen in That's Entertainment III, released in 1994.

‘Easter Parade' is good, but unbelievable. I never could understand the appeal of Fred Astaire beyond his dancing, and the supposition that a character of Garland's age would be interested in him is stretching things a bit. That aside, it has excellent Technicolor and moves along at a steady pace.