A Date with Judy

Sweet comedy, a time capsule of teen-hood in the movies in the 40's with wonderful music courtesy of Xavier Cugat and his band.

Jane Powell is charmingly pert, full of youthful exuberance something she excelled at. According to her autobiography though that very spryness became a type of prison limiting her casting and when musicals declined in popularity made it impossible for her to transition to other types of pictures.

Someone who certainly didn't suffer the same issue is Elizabeth Taylor, very young and very beautiful, this was one of her first roles that flirted with adulthood.

The doomed Scotty Beckett, a major child star throughout his youth, plays Jane's gangly boyfriend, the unfortunately named Oogie, struggling with puberty in one of the roles attempting to ease him into adult roles. He couldn't make the leap and within the year started the long slide into trouble with the law and drug addiction that ended in his suicide two decades later at 38.

In one of his last roles Wallace Beery is full of warm understanding as Jane's father in a departure from his usual bluster, he and Selena Royale at well matched as a long married couple.

Lastly Carmen Miranda is a delight as always, her clothes and hats are outlandish, take special note of her shoes and wonder how she could possibly walk in them! One quibble, the Technicolor is unusually garish and at times the cast practically glows orange.

Jane Powell plays Judy--a kooky teenager who can sing like a bird but who has difficulty picking friends. That's because her best friend, Carol (Elizabeth Taylor) is a rich, meddling, spoiled jerk--yet Judy doesn't seem to recognize this. And throughout the film, Carol does her best to make Judy's life miserable. For no particular reason, Carol drives a wedge between her brother, Oogie, and Judy--who are sweethearts. However, this backfires when Judy ends up with a much handsomer and older man, Stephen (Robert Stack). Now, jealous, Carol is determined to take Stephen for herself. But Stephen is no dummy--he sees that Carol is gorgeous but also lets her know that he can see right through her and her wiles.

In a smaller side story, Judy's father (Wallace Beery) is a nice guy--but a nice guy who is embarrassed that he doesn't know how to dance. With his anniversary coming up, he decides to secretly take dance lessons (with Carmen Miranda) but due to Carol's meddling, people begin to think that he and Carmen are in love! SO, Judy decides the best way to fight this is to make her father feel loved--and she and the family lay it on thick. Clearly this is Beery at his best--and he's easy to love (despite his very nasty personality off-screen).

This is the sort of light family musical-comedy that MGM did best. Films like "On Moonlight Bay" and "Meet Me in St. Louis" are just a small sampling of the sort of genre that the studio made to perfection. They also made some non-musicals with similar plots that just can't be beat, such as "Life With Father", the Andy Hardy films and "Cheaper By the Dozen" (the original--not the new crappy version). These films aren't especially deep but are filled with pleasant plots, a bit of minor melodrama, some laughs and, most importantly, nice folks you'd like to meet. My only complaint is that although Powell has a good voice, her high-toned style and high pitch is NOT to my liking. It's far less simple and pleasant than Judy Garland ("Meet Me in St. Louis") or Doris Day ("By the Light of the Silvery Moon" and "On Moonlight Bay"). I am also not a huge Carmen Miranda fan, though when she wasn't singing, she was just fine. Overall, while not a great family musical comedy, it's a good one and well worth your time.

"A Date with Judy" was a typical entertainment that MGM produced over and over as a way of showing its contract players. This film was a showcase to present Jane Powell and Elizabeth Taylor, two of the popular young actresses at the time. While the movie will not add anything to either one of the stars resumes, it's a pleasant way for watching how times have changed. The film was directed by Richard Thorpe, and produced by Joe Pasternak.

Judy and Carol are friends from school. Judy is the talented singer who is going to perform at a school party. Carol is the spoiled rich girl who is jealous of Judy. Oogie, Carol's brother, the band leader, is in love with Judy. To complicate things a newly arrived young man, Stephen, has come into town to work for the summer and he is the object of both Judy's and Carol's attention.

Wallace Beery is the best thing in the film. He plays Melvin Foster, Judy's father. He refuses to dance at the party with his wife, and thanks to Xavier Cugat's suggestion, he decides to engage Rosita, the voluptuous Carmen Miranda, to give him private lessons. Since the tutoring takes place in his office, and it's surrounded by a cloud of mystery, it appears Melvin and Rosita are having an affair. But the biggest surprise comes at the end of the film when the Fosters are celebrating their 20th anniversary and we watch Melvin, who by now is an experienced dancer, shows off on the dance floor. A delicious moment, indeed.

Jane Powell and Elizabeth Taylor are charming in their roles. Robert Stack and Scotty Beckett are also good. Leon Ames, Xavier Cugat, and the effervescent Carmen Miranda make excellent contributions, but it's Wallace Beery, who steals the show.

"A Date with Judy" will delight viewers looking for a nostalgic look at an uncomplicated time in America.

This film is a real riot of charm, song, wit and dazzling color. This kind of movie-making has been dead for a very long time, to my everlasting regret. Scotty Beckett and Jane Powell stand out. Unfortunately, Carmen Miranda is made to sing Hollywood's version of Brazilian songs, rather than the authentic stuff. It is disappointing that foreigners should so often be the object of amusement in American films. They are not allowed any dignity. However, Miranda makes the best of what she is given, and shines like a star.

The fun is wholesome, but not too wholesome. The plot involves suspected adultery by a venerable father!!! Plots and subplots are gloriously interwoven. Every time I see this film I am reassured that there IS such a thing as perfection.

As somebody who would see anything with Elizabeth Taylor and Jane Powell in it, and who has gotten a lot of pleasure out of Carmen Miranda, 'A Date With Judy' was quite the treat. It is an utterly charming film with much to like and difficult to hate.

It may feel overlong and twee by today's standards for some, both feelings understandable. Personally thought that there was very little to dislike about 'A Date With Judy', and its flaws are just a couple actually and very minor. It does to me go on a little longer than necessary for a story that is relatively slight, so a couple of parts lose momentum just a tad. Robert Stack, while handsome, is also a little too stiff for my liking.

However, 'A Date With Judy' is a lovely-looking film, lovingly shot in glorious Technicolor (that clearly loves Taylor and Powell, not quite so kind to Wallace Beery, often seen in black and white and towards the end of his life, though) and elegant and cosy production and costume design. While not unforgettable or timeless as such, the music and songs are still very good. "Love is Where You Find It" is heart-warming and heartfelt, and it is similarly easy to see why "A Most Unusual Day" was such a hit.

The script warms and touches the heart, and the storytelling while slight is warm, touching and amusing, losing very little if any of its appeal so long after the film was made and released. Richard Thorpe's direction never undermines the film's tone, which is always clear, and there is the sense that he knew what to do with the film and how to do it and that his heart was in it.

Stack aside, the cast are on point. Cute as a button and exuberantly youthful Powell effortlessly charms the viewer and her singing is divine. Taylor in one of her earliest roles is so beautiful here (if not quite as much as in 'Ivanhoe' and 'Cat On a Hot Tin Roof') one can't take her eyes off her, she had a character that could easily annoy but she makes the role endearing. Scotty Beckett is amusing, while Leon Ames is movingly dignified and George Cleveland is a memorable grandfather figure.

Carmen Miranda is quite the Brazilian bombshell and a definite scene stealer. A big surprise was a more restrained and sympathetic than usual Wallace Beery, who tended to be in larger-than-life and large-slice-of-ham roles, this side to him was done remarkably by him and his learning of the rumba with Miranda stays with one forever, very sweet and moving.

Overall, an utterly charming film. 8/10 Bethany Cox