Canon City

"Canon City" is an interesting prison movie. It has a VERY unusual pedigree, as it was filmed at an actual prison and most of the inmates are real ones! Additionally, the story is true and was filmed in the actual locations where the events unfolded. This, along with the narration, give this a documentary feel much of the time. However, I really don't think the narration was even needed. But, I did like the strange way it was used at the beginning. Reed Hadley (who has a very unmistakable voice and starred in "Racket Squad") begins telling about the story and then introduces the Warden to the audience. Then, the warden begins talking with Hadley and it's all seen from Hadley's perspective--so when he walks about, so does the camera. Innovative but as the film progressed it just seemed a bit intrusive.

The story is about a mass prison break. The plot depended on a guy who initially had no interest in breaking out--Sherbondy (Scott Brady). However, they use extortion to force him into participating. While this did make the escape possible, the prisoners might have chosen better, as Sherbondy seemed to have a soul and several times prevented the escaped goons from committing atrocities. This and the family's reaction to this make the film rather interesting. I also thought it was interesting to see Jeff Corey playing such a nasty part, as it was a bit of a departure for him playing such a role.

This is not a great prison film--and there are a lot of them. But it is very good and its realism is quite a plus. Good acting and a lot of tension also helped.

Canon City (1948)

A simple loud warning up front--the first twenty minutes or so is a horrible, stiff, documentary kind of lead-in to the movie proper. When the dramatic action gets going, it becomes fully a movie with suspense, character, speed, and even at times complexity. In fact, you could even fast forward to where you see the buy in the jail cell doing a model of a ship.

The stuff before that is not needed. It tells us what we already know about prison, though it seems to use real inmates in brief interviews, as if to set up the later jailbreak as something more tangible and believable.

It isn't giving anything away to say that some inmates escape--that's the whole hook of the movie--and then what happens to each group or individual in their attempts to get out of Canon City is what drives the movie in a series of somewhat independent vignettes. The encounters with regular town people in their homes is a little contrived but also has the edge of fear to it, and suspense. It works pretty well, the cops gradually closing in on this or that escapee.

The end result is still almost a public relations piece about the prison system, about ordinary Americans who rise up and do heroic things, and about the different kinds of attitudes of the inmates, who are people after all. I actually liked the second half of the movie, even it it wasn't completely original or brilliant. The acting is meant to be believable in a vernacular kind of way, and it is. Give it a look, especially if you like prison flicks.

Noirish docu-drama based on 1947 Colorado State Prison break.

The movie's best parts are the location shots in and around the Colorado State Pen. We get at least a flavor of prison routines and the small town atmosphere. At the same time, the chase sequence at the Royal Gorge provides a scenic, if fictionalized, passage. Then too, ace photographer Alton's studio recreation of the actual winter-time blizzard lends good noirish atmosphere. There's also some tension around convict Schwartzmiller's home invasion; otherwise, the movie's a pretty routine slice of thick ear.

To me, the screenplay surrounding the break and its aftermath seems muddled. Scenes follow in no particular developmental order. Characters are glimpsed and then dropped. It may be that writer Wilbur felt constrained by the film's factual basis and hurry-up schedule. After all, the movie wrap-up came only four months (January-May) after the breakout itself. (Contrast this rather disjointed narrative with the streamlined smoothness of the fictional, albeit thematically similar, Crashout {1955}.)

As a youngster growing up a few miles from Canon City, I still have a recollection of the hubbub surrounding the breakout. The name Sherbondi suddenly became a household alarm, though I'm not sure he was the sympathetic character of the screenplay. Guns abruptly sprouted across the Arkansas (river) Valley like deer season. Speaking of those memorable few days, I'm glad the movie re-creates the blizzard that certainly hampered the getaway. That rural part of the state seldom made Denver news, let alone national headlines. So it was a pretty big deal for us living there. (In passing--- Warden Roy Best, featured in the movie, later suffered big professional damage when his liberal use of a whipping post for unruly prisoners got statewide exposure.)

Choppy narrative and personal recollections aside, the film remains an interesting example of noirish docu-drama, which the results here strongly resemble.

For anyone who enjoys mid-20th century movies, "Canon City" is a perfect choice. I had the good fortune to watch this movie in the wee hours of the morning, when old black-and-white movies are best viewed. Tension abounds in this surprisingly gripping story. That it's based on real events and filmed on location is a plus. If you have ever visited the Royal Gorge Bridge and tram in Colorado, you will enjoy the cat-and-mouse chase scene near the end of the movie. The women are heroic in this film, much more so than the men. With their calming words, warm food, hot cocoa, and hammer-wielding ways, they demonstrate courage in the face of danger. "Star Trek" fans will find a treat in the prisoner known as Smalley. He is played by DeForest Kelley, best known to Trekkies everywhere as Dr. Leonard "Bones" McCoy. "Canon City" is a thoroughly enjoyable film. Catch it on late-night TV if you can.

This movie proudly bears the label of a semi-documentary and comes complete with the usual Foreword about all the incidents being portrayed exactly as they happened, and all photographed on their actual locations, using real warders, guards and convicts, etc.

Personally, I doubt that the movie was shot in its entirety inside the actual prison — there's even a credit for 2nd unit direction and photography. But be this as it may, the studio material is certainly extremely well integrated with the location footage. Credit for this achievement is mostly due to John Alton, whose masterful photography makes Canon City must watching for connoisseurs. True, Alton's work here is less tantalizing than usual as he was required to match up his shots with Strenge's rather dull location work. Nonetheless, there are still more than a few indications (the profile silhouette on Brady's face) of genius behind the camera.

Crane Wilbur's screenplay is less praiseworthy, but typical of that writer's detached, tabloid newspaper-style approach. He loves the sort of narrated rhetoric employed by contemporary newsreel commentators (Reed Hadley does a good job here with the actual narration), but fortunately his dialogue is less flowery and more realistic.

Generally Wilbur's direction rates as rather dull, but here his handling is even occasionally inventive, although his experiments are not always successful (as for example in the oddly oblique use of the first-person camera right at the beginning, with the on-screen characters swapping words with the disembodied narrator).

In all, however, the film emerges as a reasonably engrossing prison melodrama, convincingly acted (except oddly by the non-professionals), compellingly photographed, and tautly written. Despite its foregone conclusion, the storyline does build up a moderate amount of excitement and tension.