Casbah

Surprisingly good remake of Pepe Le Moko with crooner Tony Martin giving a good account of himself as the cool, ultra-popular master criminal who enjoys a spurious life of liberty in the maze-like Casbah. Journeyman director John Berry does a good job of creating a sultry, claustrophobic atmosphere, and while the songs are largely unnecessary they don't really slow things down too much.

Wrong headed semi musical remake of Algiers which is missing all the ingredients that made the first film stand out. Whoever thought that Tony Martin(?!) could be an acceptable substitute for Charles Boyer was seriously misguided or just plain crazy. While he has a fine singing voice he has zero screen presence so starting out the film has a black hole at it's center. Then there's Marta Toren in the Hedy Lamaar role, while she is certainly lovely she does not possess that elusive star quality which Hedy, although a spotty actress, had in spades. Yvonne de Carlo, an effective actress when properly cast, seems a natural for the Hedy Lamaar role but is wasted in a secondary part although top billed. Peter Lorre is the best thing here but he is similarly underused. All in all a throughly forgettable enterprise.

Pepe Le Moko is a great film role. Jean Gabin introduced the character to screen in the same named French Flick in 1937.

Charles Boyer brought the moody mobster to Hollywood's ALGIERS in 1938.

But in 1948, Tony Martin and director John Berry collaborated to create the most dramatic and entertaining version of the downfall of the exiled jewel thief in CASBAH.

Casbah is a film very alive with energy, style, suspense and romance. Brilliant casting; Tony Martin plays the suave thief with easy conviction and delivers the Harold Arlen songs skill, charm and gusto.

Marta Toren was arguably the most beautiful woman in films, prior to the arrival of Audrey Hepburn.

Peter Lorre...I can't believe how powerful his complex performance is as the dedicated policeman, committed to the capture of the thief who became also his friend.

Yvonne De Carlo, Douglas Dick, Katherine Dunham, acting, singing, dancing, love, passion, treachery...where is this great film on DVD? John Berry and Jules Dassin were contemporary artists and spirits. Their films even show a similarity of style and influence, possibly each upon the other.

They were also fingered as American Pinko Fellow Travelers right about this time and both moved to England. Dassin prevailed and prospered, probably with some initial support from Darryl F. Zanuck. Berry also prevailed, but without achieving anything like Dassin's level of success or recognition. Still, CASBAH, for my money is, value for value, the most under-acknowledged film out of Hollywood.

I was 15 when I first saw this film. Tony Martin played Pepe le Moko. I wanted to be like him. Because when you're 15 you think of how lucky you must be to play opposite beautiful girls such as Yvonne De Carlo and Marta Toren. These three actor/actresses had much more talent than they were given credit for. Tony seems cast perfectly as the gangster, yet no director gave him another chance in that type of roll. Unfortunately the gorgeous Marta Toren died several years later. But Yvonne carried on, appearing in other good films and the Munsters TV series. I hear she is now living in California. Good luck to her. Thanks for the memories (especially Casbah)

When Tony Martin was discharged from the Navy he was looking for a vehicle that would reestablish him as a top musical lead in Hollywood and decided that a musical adaption of Algiers was just the ticket. He gathered a good supporting cast and the results, while entertaining were a mixed bag.

The best thing that Casbah had going for it was the great musical score that Harold Arlen and Leo Robin wrote for this picture. Four numbers were sung by Martin and co-star Yvonne DeCarlo. Every one of them became a big hit and were a staple of Tony Martin's nightclub act for years. Hooray for Love, What's Good About Goodbye, For Every Man There's A Woman, and It Was Written in the Stars are the songs that Martin does. The last one was identified by Ella Fitzgerald as her favorite Harold Arlen tune and one she insisted on including in her Harold Arlen songbook album.

The score greatly benefited Tony Martin's singing career, but he never did reach the heights on screen as a musical leading man. Acting wise Peter Lorre steals the show as the wily, serpentine Inspector Slimane. Lorre's Slimane is charming, cunning, and treacherous as he uses all of his "little gray cells" to bring down arch criminal Pepe Le Moko, played by Martin who is unassailable in the Casbah section of Algiers.

Yvonne DeCarlo is the tobacco shop owner who's crushing out on Martin and I'm sure that given the location of the story, one could probably get more than tobacco to smoke from her place. The other lead is the jet setting Marta Toren who Martin is panting after and forces him to make a life or death decision. Toren was extraordinarily beautiful woman in the Hedy Lamarr tradition who after a short stay in Hollywood went back to Europe and died there way too young of leukemia in 1957.

If you are a fan of Tony Martin's singing as I am, this is an absolute must. Martin had not yet met and married Cyd Charisse who became wife number two. I think the film might really have been a classic had she done it with Tony. As it is she never did anything together while she was at MGM with her husband and we're the worst for it.