Toast of the Town

I used to watch this program sometimes when I was growing up. Technically,of course, it is light years out of date--no flashy special effects, no elaborate staging, nothing except a host that acts like either a marble statue come to life, or a cold fish (take your choice!), and singers(pop and otherwise), actors, dancers, comedians, classical music virtuosos (such as then 13-year old Itzhak Perlman) and acrobats simply "doing their thing".

I took it for granted then. I didn't realize that we were sometimes seeing rare, priceless footage that we would seldom, if ever, see again in the future, and that it contained such gems as original cast performers singing the hit songs from legendary Broadway classics such as "My Fair Lady", "West Side Story", "Camelot", and "Man of La Mancha"-in full costume, yet. I always thought, "Well,we have the albums,and there's no reason these segments wouldn't be rerun someday. Besides,we'll have the film versions of the shows,so who needs to be so eager to catch the Broadway performers?"

How wrong I was.

Because, up until the advent of video remastering and restoration, and the invention of the VCR, these shows disappeared, apparently gathering dust in the CBS archives because modern-day programming and technology had made them seem so old-fashioned. Now they are back. Some years ago,Disney had the foresight to issue a video called "The Best of Broadway Musicals from the Ed Sullivan Show", and this priceless tape, which has since been transferred to DVD, contained Julie Andrews singing "Wouldn't It Be Loverly?", Andrews and Richard Burton singing "What Do The Simple Folk Do?", Carol Lawrence and Larry Kert singing "Tonight",Richard Kiley singing "The Impossible Dream",etc. And recently, when Ed Sullivan was broadcast on Nick-At-Nite,not only was Kiley shown singing this song, but we were also given the rare treat of seeing the original Aldonza/Dulcinea, Joan Diener, singing the lovely "What Does He Want of Me", a song omitted from the film version of "Man of La Mancha".

That is the kind of program this was.

Ed Sullivan always had brilliant timing. He came along as a gossip columnist and writer for the New York Daily News, as people were starting to tire of Walter Winchell. And he basically chased Winchell from his seat at the top of the newspaper world with his "Little Old New York" columns.

But also, at that same moment, television was in its infancy, and someone had to create programming for people to watch. Sullivan was a smart choice to use as a host, as he was already known by and equally aware of most of the stars of the day. So, he could easily cull performers to appear.

"The Toast of the Town," as the show was first called, eventually to be named after the host, was to be a showcase of the acts that were worthy of attention. And Sullivan, like the maestro he was, orchestrated every episode to provide something for every family member: comics, music, a performance from Broadway, something from Carnegie Hall or the Metropolitan Opera, a novelty performer like a juggler or acrobat, an act that appealed to the kids. It was the very definition of "Variety."

But beyond the performances of the day, Sullivan also frequently brought in politicians, sports figures, news makers who weren't in the entertainment business and did brief softball interviews with them, which made the program not just a variety show, but a record of what was going on in the country at the moment of that episode's airing.

The program was the original "Must See TV" and was popular right from the start, but Sullivan himself was parodied for his stilted delivery and rigid appearance on camera. Being of good humor about it, he frequently booked impressionists who did impersonations of him as a part of their acts. Notably Will Jordan, who appeared on the program, eventually played the role of Sullivan in the music video for Billy Joel's song "Tell Her About It."

Ed Sullivan was a true visionary, knowing what acts were on the verge of success and giving them the push to launch them into orbit! The down side was he was very strict about keeping the program "family oriented," and as the rock era began with Elvis Presley and eventually The British Invasion, he often forced musicians of the day to change their lyrics, wardrobe, act so that they didn't offend the sensibilities of "Middle America." And performers frequently, if not begrudgingly, kowtowed to Sullivan because they knew what it meant for their careers: Everyone in the United States would see them perform on the program, a literal "Overnight Success."

Eventually, tastes changed, and Fred Silverman, television programmer extraordinaire, decided that 1971 was the year to end the series. Though Sullivan did return for a few specials after the program's cancellation, the window onto this slice of twenty plus years of the 20th Century remains as a document, an historic record of the time, and notably collections of clips from the program have become treasured for their capturing performances of the superstars of yesterday, from when they were just starting their legendary careers.

One of the most popular shows of that era. You would never see a show like it on television today. Except, now you can watch the original by tuning to the Decades network. If you do be prepared to watch something almost surreal. Opera singers, ballet dancers, stand up comedians, vaudeville acts, mimes, circus acts, ventriloquists, the best rock and pop acts of the day(The Beatles!) and of course weird acts like Senor Wences, and the guy with the spinning dinner plates. Want to feel nostalgic, amused, and beguiled? Check it out.

What everyone remembers are the Beatles and Elvis. What they forget is what people were forced to sit through.

This was before Tivo, videotape, or streaming. The only way to see the classic performances was to sit through 40 minutes of tedious bad circus performers, over the hill vaudeville comics with jokes that were old before you were born, and corny schmaltzy over the top "singers."

If you had to work, or even ran to the bathroom, you missed it. This also means even the greatest performances on Sullivan became badly overrated. The Beatles were amazing songwriters, but as live performers were just slightly better than average. Elvis was amazing live, that is, before his Vegas days. But on Sullivan they notoriously censored him from the waist down.

So watch, but be prepared to fast forward a lot. A lot. You'll finish a 40 minute episode in seven minutes.

I've been watching reruns of this show and it is just great!! The music, comedy everything is awesome. I wish there was a show like that around now!!! I can't believe I'm the first one to comment on this great show