द टेन कमांडमेंट्स

Every time it played at our local cinemas I went to see it and sat through it at least twice. I cannot remember how many times I have seen this wonderful movie. I first saw it when I was about 11 and marvelled at it as a spectacle. I wept when Heston wept and rejoiced when he did. As I grew older I came to love Brynner's fantastic performance and lust after Anne Baxter (only better in All About Eve). Cedric Hardwicke, Edward G. and Debra Paget (Hubba Hubba)all impressed me. I was sorry Vincent Price was killed so early - what a great villain. It still demands my attention when it appears on TV. I swear I have seen it enough, but if I catch a glimpse then I have to see it again!! I find it unbelievable that it won almost nothing at the Oscars. At least best Actor for Brynner and best supporting actor for Edward G.!! No costume design? No set design? No Music? A travesty!! See this if you have not already - you are in for a treat- it still stands up. Long but absorbing.

It doesn't get any better than this. You can count on this perennial favorite to show up every Easter just as you can count on "A Christmas Carol" during the yuletide season. The daddy of all contemporary religious instruction, 1956's "The Ten Commandments" is blockbuster spiritual entertainment in every way, shape and form, as Cecil B. DeMille depicts the life of Moses from his birth to slavery to Mt. Sinai in grandiose, reverential style. And what a life!

This was the first movie I ever saw at the drive-in. I was only 6 at the time but I can remember the neighbors taking me to see this, snuggled up in pajamas and stuffed in the back seat. The parting of the Red Sea waters, the turning of the staff to a viperous snake, the green-colored pestilence of death seeping into the homes of every first-born, the creation of the tablets, the burning bush, the booming narrative. I sat in absolute silence and wonderment. This is my first remembrance of any kind of movie-making and the Oscar-winning visual effects and vivid pageantry are still pretty amazing, even by today's standards.

Charlton Heston, the icon of biblical story-telling, still towers over anybody who has ever TRIED to played Moses – before or since. Stalwart and stoic to a fault, he possess THE look...cut out of pages of my old religious instructions book....the look that radiates magnificence and glory...the look of a man who has definitely seen God. His commanding stature and voice with its slow, deliberate intonation is eerie and unmatched. Yul Brynner portrays Ramses II as if he were the King of Siam in Egyptian pants. Nobody poses or plays majestic like Yul. He's forceful, regal, imperious...everything a biblical foe should be. Anne Baxter as the tempting Nefretiri, Queen of Egypt, borders on total camp in her role, her stylized line readings and breathy allure is laughable now, with posturings and reaction shots not seen since Theda Bara. But who cares? Baxter provides the most fun and its her florid scenes that I now look most forward to – whether she's throwing herself at the totally disinterested Moses or verbally sparring with Ramses, slyly pushing his emotional buttons. She alone puts the "k" in kitsch. The rest of the huge cast is appropriately stiff and solemn.

DeMille's 1923 original version of "The Ten Commandments" is hardly subtle as well, but still impressive and certainly worth a look. In the 1956 remake, DeMille organizes a cavalcade of thousands to lend authenticity to the massive exodus scenes, while the ultimate picture-perfect frame for me is the three beautiful slave extras posing exotically and dramatically on a rock in front of a vivid blue-gray backdrop of furious, threatening clouds as Moses parts the sea. That vision alone is one for the books.

Whenever I am tempted to break a commandment or embrace that golden calf, I know I'll always have to answer to Charlton – glaring down from Mt. Sinai ready to throw those heavy tablets at me for my transgression. Charlton not only sets you straight, he makes you BELIEVE!

So let it be written - so let it be done! This is an all-time classic, which probably deserves more attention that it has got. Yes, it's hammy sometimes, cheezy too, but always good value, the special effects are excellent for its age, and the whole thing has EPIC written all over it. Charlton Heston gives an excellent performance as Moses, Edward G Robinson is suitably nefarious as Dathan, and there's great performances all round from Anne Baxter and Yul Brynner. The expression "total cinema" always comes to mind, and it stands up perfectly to repeated viewings... especially around Passover.

Baka - "Would you lose the throne because Moses builds a city ?" Rameses - "The city that he builds shall bear my name. The woman that he loves shall bear my child. So it shall be written. So it shall be done......"

Hats off to the persons who wrote his lines and designed his costumes. Yul Brynner played Rameses to the hilt . I really believe he was the only actor at that time fit to play that role , his deep voice ,his accent,his bow-legged walk, his well-defined body even his scorching insults were done with a Princely flare that only Brynner could have pulled off.

Rameses - "....you are going to be mine, all mine like my dog or my horse or my falcon, only, I would love you more and trust you less......" - speaking to Nefretiri.

and there's more . Great,just Great...

What a fantastic movie to climax DeMille's illustrious career.

Charlton Heston, king of the biblical epics, shines brightly as Moses, the one time Egyptian Prince, who now carries staff and perm in order to work Gods will and free his enslaved people from bondage.

Yul Brynner, in what I believe to be his finest turn before the camera plays Rameses the Pharoah who's hateful relationship with Moses spans the entire epic. He is charismatic and shows off the arrogance of a stubborn Pharoah to perfection. This is indeed a film stealing performance.

The beautiful Anne Baxter is at her sultry best as Nefretiri, the woman who would be queen to Rameses, but a slave in love to Moses. However the character is complex and I certainly had trouble in deciding who's side she was on in this epic battle of good verses evil. In the beginning she claims not to care for Moses' discovered background and is willing to be with him no matter what, however as the film progresses she does nothing but ridicule him and belittle him in true anti-semitic fashion.

Edward G. Robinson, Vincent Price, John Derek, Sir Cedric Hardwicke, Yvonne De Carlo, Nina Foch, John Carradine, and Debra Paget all lend fine and memorable support, to an already colourful and breathtaking experience.

Incidentally it is worth mentioning that so convincing was Martha Scott in her role as Moses' mother Yochabel, that she was given the chance to play Charlton Heston's mother again in the later epic Ben-Hur.

Another interesting fact is, it was Charlton Heston's own voice who spoke the words of God. It was Heston's own idea that to hear God would be to feel God from within, which is why he thought it would be interesting to hear His voice as his own.

A remake of DeMille's earlier screen adaptation of the fine book of Exodus, many can see why this film ranks as his ultimate achievement. The sets were lavish and the story handled with suitable reverence and dignity.

People today often make the mistake of comparing older films like this to the modern epics of today with regards to their effects and they quite wrongly categorize them as inferior. Today anyone can create CGI images on their PC. Even my three year old daughter can make something look convincing with a mouse and a keyboard and although these effects are great, people have to remember that CGI was not available in 1956.

Okay there are a few obvious matte backdrops used here, but to achieve the effects they did nearly fifty years ago was an outstanding and impressive feat which took talent and knowledge. I tend to look upon these effects as superior because it took the use of mans own brain to bring them about. The human brain is the best computer available, yet one seldom used in todays world. So please take this on board before you slam The Ten Commandments for it's "cheap and nasty" look as one reviewer called it.

This movie is ALMOST faultless, even the length is forgivable as I was so engrossed, I hardly notice the time passing.

One fact that did rouse my curiosity was Moses' appearance throughout the film. I know he went to speak to God at the burning bush, but did he really have to stop off at the salon on the way back? Or did God appear to Moses complete with curling tongs and hair dryer? "Just a little off the top Oh Lord."

And why did Moses seem to age more than everyone else? It seemed like he went from a youthful dark to everyones favourite Santa in the space of a week.

This aside, this film is a fantastic piece of cinema and must rate as a personal favourite of all fans of Biblical epics.