उपयोगकर्ता समीक्षाएं

ROGUE'S YARN is an intriguing little murder mystery, shot in Brighton by director Vernon Sewell and featuring his famous yacht that had previously appeared in the likes of GHOST SHIP alongside many other productions. As some other reviewers on here have noted, the structure of the film and the content make it feel very much like a COLUMBO episode, with the murderer introduced to the viewer at the outset.

The dashing Derek Bond plays an adulterous husband who plots to bump off his invalid wife with the help of his mistress. All goes according to plan, until a dogged detective shows up and threatens exposure. What follows is a fun police procedural movie, with a lot of screen time spent on the unravelling of a perfect alibi.

The unknown Elwyn Brook-Jones stars as the detective, with the familiar Hugh Latimer in comic relief support as his sergeant. I wasn't familiar with Brook-Jones before this film, but the Roy Kinnear lookalike does a good job at bringing his working class character to life. He makes Walker both a realistic and likable presence. Although ROGUE'S YARN is undoubtedly a B-movie in terms of budget and narrative, Sewell is one of those directors with the capability to make any film look good and there's a great suspense sequence involving a leaking gas tap.

The opening scene between Derek Bond and Nicole Maurey was so stilted I fully expected it to be revealed to be a scene from a play in front of an audience.

But no, it was the actual plot being hatched; and throughout the film stagy dialogue scenes indoors were punctuated by the occasional breath of fresh air provided by scenes shot outdoors; especially those where director Vernon Sewell was permitted to indulge his evident love of boats. Fortunately the plot is sufficiently interesting to continue holding your attention until the dramatic final shot of Ms Maurey (on board a boat, naturally).

The resemblance of Elwyn Brook-Jones's pipe-smoking detective to Columbo has already been pointed out. But Sewell evidently also had in mind insurance investigator Barton Keyes in 'Double Indemnity'; which is actually name-checked at one point by a character who says of Bond "If this was a movie I'd say he dunnit!" and that "If Edward G. Robinson were here he'd have the murderer!!"

This British B movie, one with important nautical elements in its plot, reminded me of an episode of Columbo. It's a tale of murder and detection where we know "who dunnit", and how the killer fixed himself the "perfect alibi", from the start.

Egged on by his greedy mistress, a middle aged man of what was once called "good breeding", kills his rich, termagant of a wife (who was expected to die, but is in recovery) for her money, and gives himself a seemingly unbreakable alibi. Initially the murder appears to have been the work of a burglar, but enter our hero, Inspector Walker, a short, not handsome or attractive police detective, who cleverly suspects the husband almost from the start, and sets about looking for the evidence to get him. Walker is a much more conventional type than Columbo, but still something of a maverick as an investigator (though he doesn't harass and irritate his suspects to death!) nor is he such an eccentric personality as Peter Falk's character, there are no real moments of Columbo reminiscent comedy in the portrayal. Unlike Columbo, Walker is often seen working with a police underling (the man playing that part resembling comic actor Edward Everett Horton!).

Elwyn Brook-Jones, whose appearance meant he often played villainous parts on screen, here gets a chance to be a good guy (sadly this distinctive actor died in 1962 aged only 50). Derek Bond (once a screen Nicholas Nickleby, whose career was on the slide by the time this movie was made) is the distinguished looking murderer. Nicole Maurey was a very attractive lady, but here she overacts at times as the grasping mistress - a character who is somewhat inconsistently written.

There is one completely risible scene where our detective escapes death in a way that stretches coincidence way beyond the even remotely plausible, but on the whole I quite enjoyed the film. The performance by Mr Brook-Jones interested me enough to find out more about this rather obscure character actor.

Vernon must have been a fan of Freeman Wills Crofts. The detective here could easily have been Inspector French - a portly pipe-smoker determinedly dismantling an alibi involving a devilish bit of engineering on a means of transport. He gets stuck but finally makes the breakthrough. He needs to travel to France, three times I think. He responds with stoicism to the doubts of his superior. A little more affability would have made the match perfect. There is surely a debt here to Crofts.

A mildly interesting B pic that pitches itself as an inferior version of the classic Double Indemnity but without the clout. Enough plot holes to formulate Swiss cheese - would the vessel really maintain its course without diversion or collision while our antihero (Derek Bond) swims back to shore in a pair of big pants, does away with his nagging wife, catches the (hopefully considerably faster) ferry to Le Havre, gets on another boat and then steers his original boat into harbour in fully suited glory? Hmmmm.

As mentioned in previous reviews, the real star is a rather dour, seemingly humourless, portly, pipe-smoking ( this last point significant) and persistent detective played by the little-known Elwyn Brook-Jones, who brings some unexpected charisma to the role as the investigating Detective, backed up by his Sergeant (Hugh Latimer) who plays it for laughs in true "silly ass" style. Overall not a bad time waster but no classic.

Not a very compelling film at all, I erroneously believed it was from the late thirties, perhaps an English suspense drama. Upon looking it up, I see it is from 1956! Inexcusably dull film.

Derek Bond as the husband agrees with his French mistress Nicole Maurey that he will kill his invalid wife so they can be together. He devises 'an ingenious plot' by making sure he is seen voyaging out in a yacht, racing back in a rented speedboat or something, murdering her, then hurrying back, establishing his alibi. Apparently automatic pilot was still a bit of a novelty as that seemed to be the evidence that turned the tide. French witnesses to an unidentified speedboat and a gas fume leak in the yacht were also little tidbits to pay attention to. Pity Hitchcock couldn't have gotten hold of this one.

Bond sought to off the Inspector with that gas fume leak on the yacht when he lit a match but the Inspector was out of matches. Suddenly Maurey was shocked by the man she saw. Why, when she had pushed him into murdering his wife? Maurey and Bond are for some reason listed as the stars but the investigating detectives were more compelling to watch.

Look for 'Double Indemnity' instead.

Derek Bond has a waspish wife who is bedridden. He's carrying on an affair with Nicole Maurey, who wants to know when he's going to get a divorce and they can be together. He doesn't want a divorce, so he murders her with an airtight alibi: he was at sea piloting his boat to France at the time. This looks like a great alibi, since we see him docking the boat and having French Inspector Jean Serret tell him about his wife's murder, even though we have already seen him climbing out of the sea to murder the missus.

Very clever. It takes Inspector Elwyn Brook-Jones about thirty minutes to crack the alibi, but he needs proof to get a warrant for Bond's arrest. Can he do it over the objections of his superior? With the physical evidence show up in time? Frankly, I never had any doubt.