Richard III

I just can't find words to describe how I like this film. It is the most magnificent film I've ever seen. And it is certainly the best work of Laurence Olivier. I came to learn about this film quite accidentally. I was watching on TV some program about Shakespeare's plays and their adaptations. There were a number of fragments from different films and from this one too… It was the moment where Richard is offered a crown, he refuses at first and then accepts. I was stunned when Buckingham approached Richard to congratulate and Richard suddenly made him kneel down and kiss his hand. The gesture was so majestic, imperative and full of evil triumph. I understood at once that it was a great film. I've bought VHS tape as soon as I've found it and I've already seen it about dozen times. It's superb. Everything is splendid – screenplay, costumes, scenery and acting. I like John Gielgud as noble Clarence and Ralf Richardson as cunning Buckingham, and especially Claire Bloom as gentle and unhappy Lady Anne. However I still admire Laurence Olivier more than anybody else. I just can't forget his terrific voice and acting at the scene of first Richard's monologue that reveals malicious ambitious, mercilessness and devilish ingenuity of the Duke of Gloucester. Another scene I adore is his wooing Lady Anne. Both actors are great. Olivier is so convincing and moving that I believe any woman could surrender. Olivier maintains high standards of these impressive scenes through the whole film until the final battle. Richard is desperate and courageous at the end, he is killed but his spirit is not broken (he can be afraid of ghosts, not real enemies). Shakespearean play is brilliant and the film is worthy of the original. It's the most glorious historical movie of all times. I recommend everyone to see it.

It's quite a gap that Laurence Olivier covers between his portrayal of heroic Henry V and the evil Richard III. But he certainly does cover it well.

In fact this production boasts the talents of five knighted thespians in its cast, Olivier as Richard, John Gielgud as Clarence, Ralph Richardson as Buckingham, Cedric Hardwicke as Edward IV and Stanley Baker as the Earl of Richmond. That is probably some kind of record.

Once seen you will not forget the heavily made up Olivier with a shylock type nose and hunchbacked form. Unlike in Henry V and in Hamlet the title character's soliliquys are delivered straight to the audience rather than in voice-over. I think Olivier like Shakespeare wanted to emphasize the evilness of Richard as opposed to the tormenting doubts that Henry and Hamlet suffer. No doubts here, he's got his evil course well planned and he's very matter of factly telling his audience what's in store.

Of course when Shakespeare wrote this he was gearing up the Tudor dynasty propaganda machine. Stanley Baker's Earl of Richmond becomes Henry VII grandfather of the Queen whose patronage Shakespeare enjoyed. It was in Tudor family interest to blacken Richard's name to support their own dynastic claims. There have been several plausible theories put forth to claim the murders of Edward V and his brother were done by others.

One guy who in all the stories about Richard III who gets a whitewash is the Duke of Clarence. As portrayed by John Gielgud, Clarence is an innocent sacrificed in Richard's march for the throne. Actually Clarence was quite the schemer himself. He was in communication with Louis XI of France looking for aid in some plotting he was doing. Edward IV overlooked an incredible amount of treachery with him.

One very big flaw is that the film opens with Edward IV being restored to the throne again in 1471 and he has his son with him. Edward IV died in 1483 and the sons have not aged a mite. I believe they were 12 and 9 when they were put to death in the Tower of London in 1483. I'm surprised Olivier had that in his film.

Still and all it's a fabulous production and one should never miss a chance of seeing all that acting nobility in one film.

In many ways this is a stage-bound adaptation and with Olivier in the lead role this is not a bad thing. After all he was one of the theatre greats of the twentieth century.

In Richard III, Olivier constantly turns and talks to the audience with his devilish plans to ascend to the throne of England. Aided by his cousin the Duke of Buckingham (Ralph Richardson) he soon replaces King Edward IV (Cedric Hardwicke), rids himself of his other brother George (John Gielgud) and dispatches his young nephews to the tower and then brings their tender lives to a premature end.

The deformed, despicable hunchback even seduces the widow of a man he murdered for his own purposes, Lady Anne (Claire Bloom).

Once Richard ascends to the throne he finds that he has to do battle with a rival who also stakes a claim to the hollow crown.

This is a chance to see Olivier, still in his pomp speaking the Bard's verse. Unfortunately the accompanying music is too bombastic and Olivier's death scene verges on the ham.

This excellent production of "Richard III" features a terrific performance by Laurence Olivier in the lead role, plus a fine supporting cast, good color photography, and plenty of color and pageantry to set off the action. Richard III can be one of Shakespeare's most entertaining plays when it is done well, and this version does full justice to this classic play. It's especially enjoyable if you get the restored widescreen version.

Olivier is unsurpassed at performing Shakespeare, keeping the balance between giving life to his characters while making sure that they remain part of the play as a whole, rather than drawing all the attention to himself. This might be the best of all his screen Shakespearean roles, since Richard gives him so much to work with, and also because he has such an accomplished supporting cast to complement his own performance. Playing Richard gives him a chance to be charming, devious, tyrannical, and more, and the role offers some choice solo speeches plus other scenes that have excellent give-and-take with the other characters.

The rest of the cast also deserves praise. Ralph Richardson is ideally cast as Buckingham, a character who is so important both to the plot and also to showing us what Richard himself is all about. The rest of the cast includes good performances from Cedric Hardwicke, John Gielgud, Claire Bloom, and others. Olivier's adaptation/revision of the script also works pretty well, maintaining the feel of the play while often highlighting scenes that make for particularly good cinema. It all makes this just what a movie version of Shakespeare should be.

Many great actors made their names with this Richard, and it turns out to be Olivier's greatest Shakepearean role as well. He captures the whole production coiling his way around the Crown of England: his asides to us through the camera are lovely. They say all actors love to play a villain. Well, it works for me.

The movie is beautiful, rich; the costumes are awesome; and the dialogue, of course, is wonderful. He patches in that great speech from Henry VI, part 3: "Why, I can smile, and murder whiles I smile . . .": and the movie wouldn't be right without it.

The other actors, Britain's elite of the time, seem to be tyrannized by the boss; and the text should have been edited better, because if you don't know the play and practically the whole history you'll get lost. Not to worry, though; the subplots here aren't really important (but they should be), and the thundering battle at the end will leave you satisfied. Special mention of Sir William Walton's music, the vibrant colors, and of course, England itself.