The Man Who Never Was

This is a well-crafted movie adaptation of a very interesting story of intrigue from World War II, adapting the historical events enough so as to make them work cinematically without changing the most important aspects of what actually happened. The wealth of detail is interesting in itself, and it is also used well in enhancing the realism of the story.

Clifton Webb stars as the British officer who comes up with the scheme of using "The Man Who Never Was" to trick the Germans into weakening their defenses in Sicily before the planned Allied invasion there. Webb gets to show flashes of his well-known screen sarcasm, but in general he gives a good low-key, all-business performance.

The story divides fairly equally into two parts, first showing the careful development and implementation of the plan, and then following a Nazi investigator (played with believable coldness by Stephen Boyd) as he tries to determine the truth about 'Major Martin'.

The first part is particularly filled with interesting details, and the script very nicely fits them all in without seeming slow or boring. The second part gradually builds up tension, and combines it with the seemingly unrelated tensions in the life of Gloria Grahame's character, bringing things together in a good sequence that sets up the finale while also bringing out some worthwhile thoughts that go beyond the story itself. It all works quite well, both as a historical dramatization and as a story of deception and intrigue.

Interesting, absorbing tale based on an actual British Intelligence operation during World War II. The casting (Clifton Webb is perfect in the lead role) was top notch, and the impeccable attention to even minor details was extraordinary. A fan of 'blood and guts' movies would be well advised to look elsewhere...this well-crafted little gem is for the connoisseur.

Stephen Boyd gave a very good performance as an Irish secret agent working for the Nazis. In several scenes, he could barely contain his contempt for the English people he encountered during his mission in London. At one point, after setting himself up for capture by counter-intelligence agents, he awaits their arrival with his Luger pistol, obviously hoping for a bloody showdown, and when the agents fail to appear, he is both relaxed and also angry at not getting to kill anyone. Subtle, yet amazing.

9 out of 10.

While I am old enough to have seen many of Clifton Webb's movies, I had never heard of this one. We found it in a video store display. i am delighted to have bought it. The story was streamlined, and well told. No wasted or unnecessary subplots. It was much more intrigue than a usual war movie, and clearly a suspenseful tale. The fact that it is true, only adds to the enjoyment. In spite of it's age, it holds up well. The acting is quite sincere and believable. Gloria Grahame is in one of her best roles. The English cast was mostly unfamiliar, but well chosen. Great and moving ending. I would put as a must see for any WWII or history buff. Most women will sympathize, and not too gory or bloody. But still will appeal to men for the suspense.

There is a book out this year (2010) by Ben Macintyre that sheds new light on Operation Mincemeat, based on some declassified documents. The movie does a good job of portraying the story for the screen. Macintyre reveals that the "body" that was dumped in the sea was a young impoverished Welsh coal minor who, either as suicide or out of hunger, ate some rat poison spread on bread in a London tenement as a vermin trap. When the body was recovered by the Spanish fisherman, the "papers" were almost given back to the British. They had to fabricate radio traffic on "compromised" lines to draw the attention of the Germans to the documents. "Oh, yoo-hoo! Look over here!" Lastly, the "papers" had the good fortune to fall into the hands of a Colonel in German intelligence who was a member of the German Resistance. He doubted their authenticity, but sold the Nazi hierarchy on their genuineness. He was hung by the SS in July of 1944 after the failed plot against Hitler.

Just some interesting historical amplification for a fine 50-year old movie.

The story is true, which gives it power and makes it more interesting. But what really captivated me was the utterly superb directing. Each scene is so well balanced, and then flows with such continuity into the next, and on and on. You almost feel as if you are right there witnessing it all.

But that's not all. The lighting, color, props, nuances, everything in the film, are in perfect harmony at all times. But what of the actors? They indeed render excellent performances. But they, too, are so masterfully directed, they never fail in conveying the mood and tone, even the undertone, from start to finish.

Then Gloria Grahame has a weepy scene where she evolves ever so masterfully from recall of emotional trauma, to reliving the trauma, to gradually bringing out true tears at the most perfect "rate of flow." I have never seen better crying! Knowing that she has also played light comedy reveals even deeper dimensions of her acting ability, to see her go from straight-faced to really weeping, then genuine prolonged sobbing.

Even if the story were not captivating, the directing and photography will catch your eye and you will not be able to flip the channel until this production masterpiece is over.