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The Man in the Sky

  • 1957
  • 1 घं 27 मि
IMDb रेटिंग
6.7/10
541
आपकी रेटिंग
The Man in the Sky (1957)
ड्रामाथ्रिलर

अपनी भाषा में प्लॉट जोड़ेंThe efforts of test pilot John Mitchell to make a better life for his wife Mary and their two children seem doomed to failure and he blames himself.The efforts of test pilot John Mitchell to make a better life for his wife Mary and their two children seem doomed to failure and he blames himself.The efforts of test pilot John Mitchell to make a better life for his wife Mary and their two children seem doomed to failure and he blames himself.

  • निर्देशक
    • Charles Crichton
  • लेखक
    • William Rose
    • John Eldridge
  • स्टार
    • Jack Hawkins
    • Elizabeth Sellars
    • Jeremy Bodkin
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.7/10
    541
    आपकी रेटिंग
    • निर्देशक
      • Charles Crichton
    • लेखक
      • William Rose
      • John Eldridge
    • स्टार
      • Jack Hawkins
      • Elizabeth Sellars
      • Jeremy Bodkin
    • 20यूज़र समीक्षाएं
    • 2आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 BAFTA अवार्ड के लिए नामांकित
      • कुल 1 नामांकन

    फ़ोटो35

    पोस्टर देखें
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    पोस्टर देखें
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    + 28
    पोस्टर देखें

    टॉप कलाकार29

    बदलाव करें
    Jack Hawkins
    Jack Hawkins
    • John Mitchell
    Elizabeth Sellars
    Elizabeth Sellars
    • Mary Mitchell
    Jeremy Bodkin
    • Nicholas Mitchell
    Gerard Lohan
    • Philip Mitchell
    Walter Fitzgerald
    Walter Fitzgerald
    • Conway
    John Stratton
    John Stratton
    • Peter Hook
    Eddie Byrne
    Eddie Byrne
    • Ashmore
    Victor Maddern
    Victor Maddern
    • Joe Biggs
    Lionel Jeffries
    Lionel Jeffries
    • Keith
    Donald Pleasence
    Donald Pleasence
    • Crabtree
    Catherine Lacey
    Catherine Lacey
    • Mary's Mother
    Megs Jenkins
    Megs Jenkins
    • Mrs. Snowden
    Ernest Clark
    Ernest Clark
    • Maine
    Raymond Francis
    Raymond Francis
    • Jenkins
    Russell Waters
    • Sim
    Howard Marion-Crawford
    Howard Marion-Crawford
    • Ingrams
    • (as Howard Marion Crawford)
    Esme Easterbrook
    • Launderette Assistant
    Ann Johnson
    • Cyclist
    • निर्देशक
      • Charles Crichton
    • लेखक
      • William Rose
      • John Eldridge
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं20

    6.7541
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    फ़ीचर्ड समीक्षाएं

    6Learner5

    The story-line is simplicity itself

    Nothing could be more straightforward than this story-line : a pilot - alone in the aircraft - is unable to land it. Yet the director and cast not only build up the suspense, but they also present to the audience, through the opinions of those on the ground, conflicting interpretations of what is going on in the pilot's mind. The result is that the simple story-line is seen to contain moral dilemmas which have no simple solution.
    8planktonrules

    A very simple story that is told wonderfully thanks to Ealing Studios

    Those 'in the know' about classic films instantly perk up when they see that a film is made by Ealing Studios. That's because this small British film company had a wonderful string of small films that were absolute gems in the 1940s and 50s. Most of these were wonderful little comedies, though pretty much all the Ealing films I have seen have been excellent or even better. Their track record was absolutely astonishing. When I saw this was an Ealing production, I made sure to tune in when it came on Turner Classic Movies.

    Unlike most of the famous Ealing films (such as PASSPORT TO PIMLICO and THE LADY KILLERS), this one is not a comedy but a rather tense drama. However, when I read the TCM plot summary of the film it was very inaccurate. It read "a test pilot thinks back on his past as he fights to survive a burning plane". However, this film is NOT a series of flashbacks (thankfully) and exactly what the pilot (Jack Hawkins) is thinking isn't really investigated until the last few minutes or so of the film! So what is the film all about, then? Well, Hawkins is a test pilot and the plane does catch fire, but once the fire is extinguished it's difficult to control the plane and he circles for about a half hour to burn up fuel. And during all this time the film is told in real-time and shows how many members of the crew (who had parachuted to safety), the airplane company's owner and others react to impending doom for Hawkins--as it appears that successfully landing the craft is a fool's errand! Despite this very simple plot, the film earns a lot of respect and a high score on IMDb because of exquisite acting and especially writing. For the subject matter, the absolute most is squeezed out of the plot and the tension is amazing. It's a great film fill of wonderful character studies and is a whole heck of a lot better than many of the more recent and special effects intensive films we've gotten from Hollywood. Acting and writing--that's what it's all about, isn't it?
    8thomaspaws

    I remember it being made

    I have just watched the film again because it brings back memories for me. I lived in Wolverhampton then only a mile or two from the airfield and I recognise where much of it was filmed. I frequently saw the plane flying around, sometimes with smoke trailing as it passed over the playing field of my school. Watching it again after all this time, I was surprised not only by how well it stood up, but also how much of it was clearly shot on location, including the air control tower. The other notable feature for me is the quality of the cast: just about everyone in it had significant acting careers, Donald Pleasance, Lionel Jeffries etc. It's also fascinating to hear such details as rent prices (£200 for a year's rent, I think was mentioned) and to see how deserted the roads were then.
    7kellyadmirer

    British Reserve on Parade

    This is a very simple film, and it is not giving a thing away to reveal that it concerns a test pilot trying to cope with landing a damaged experimental plane. After the engine of his test plane catches fire and it becomes only marginally airworthy, he singlehandedly over-rides ground orders to bail out and ditch the plane and tries to save it. What happens next forms the core of the story. There are several things that make this film especially watchable, and I enjoyed it tremendously.

    The best reason to watch the film is the fine performance by Jack Hawkins. He gives a wonderful portrayal of an ordinary man called on to go above and beyond the call of duty, and he manages to maintain a stiff upper lip throughout (call it what you will, that's a compliment, not a slur).

    The film essentially is a character study, both of the Hawkins character and of the people flying with him and watching on the ground, and of his quite ordinary family. We get a range of emotional reactions, all rational but some diametrically opposed to each other. Everybody has a different interest in the outcome, some venal. I particularly liked how the children were handled, that is a tricky situation. And how do you tell your wife when you come home quite normally, to whom you have not spoken since breakfast, that you almost died today? The shots of the plane in the air are fabulous if you like classic airplanes, and the suspense is maintained until the very end of the flight.

    The scene I like the best is one in which Hawkins makes a long, strained walk to the aviation office, barely maintaining his composure after all the stress he has faced. I know what that is like, and Hawkins does a fabulous job of showing how built-up pressure becomes hardest to control only after the difficult task is done. A very human way to react. A brilliant acting job.

    Notable also for being one of Donald Pleasance's first film roles - he always looked basically the same throughout his long career! - and the fact that this is a purely British film, made at Ealing, featuring British actors who fit their roles nicely. No false Hollywood touches. Recommended.
    john-killoch

    Pure entertainment

    It is unforgivable that a film should be made in black and white, that is devoid of CGI and populated by first class actors who can do more that the strutting, posing and mumbling so evident in today's films. OK. I know this was made in 1957 but for 80 or so engrossing minutes I was captivated by the dialogue driven story. Jack Hawkins and the delectable Elizabeth Sellers remind us what is missing in today's popcorn extravaganzas where virtually the same story is recycled, action replaces dialogue and the 'STARS' just stand there trying to look either menacing or provocative. Actors need not apply.

    Highly recommended film that reminds us what we are missing.

    इस तरह के और

    The Man Between
    7.0
    The Man Between
    The Big Operator
    6.4
    The Big Operator
    Touch and Go
    6.1
    Touch and Go
    Barnacle Bill
    6.7
    Barnacle Bill
    Hunted
    7.3
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    Cottage to Let
    6.7
    Cottage to Let
    Angels One Five
    6.5
    Angels One Five
    One Foot in Hell
    6.2
    One Foot in Hell
    The Third Secret
    6.5
    The Third Secret
    Painted Boats
    6.7
    Painted Boats
    Gift Horse
    6.3
    Gift Horse
    State Secret
    7.0
    State Secret

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Although the flying scenes were filmed at Wolverhampton, practice for the single-engine landing was carried out at Lydd Ferryfield in Kent (now London Ashford Airport). Filming was not without problems and on 15 May 1956 the aircraft overshot the runway, causing quite extensive damage to the nose and wing sections.
    • गूफ़
      The cockpit scenes show the port engine propeller slowly turning. The outside scenes show the propeller in a stationary position.
    • भाव

      [John Mitchell has successfully landed the stricken plane that he was test-flying, despite being urged by senior management to abandon the plane and save himself by bailing out]

      Mary Mitchell: You didn't *have* to do it. They didn't *want* you to do it. They even begged you not to *try* to do it, and *still* you did it. Why? What in heaven's name were you thinking about? Didn't you give a single thought to what it would mean to us if you were killed? Didn't you *care* whether you were killed? Were you trying to kill yourself?

      [Mary runs out of the room and John follows her]

      John Mitchell: For thirty-five minutes. For thirty-five bloody minutes I sat up there thinking of *nothing* but you and the boys, and saving my own skin so that I could go *on* having you and the boys. How *dare* you say a thing like that to me! Now listen to this. I admit it was stupid to try to pretend it wasn't bad. In fact I'll tell you how bad it was. It was the worst thing I've ever known. I've never wanted anything so much in this life as I wanted to get out of that aircraft. For the last ten minutes I thought that the chances were a hundred-to-one against pulling it off. The instant I touched down, I felt only one thing: surprised at being alive. You asked me if I thought of you and the boys. I only *did* it for you and the boys. Now listen to this. Let's get this clear. There were plenty of reasons for me to stay with that aircraft - good reasons. It was my duty to try that landing so long as there was a chance in a hundred. I don't give a *damn* what any other man would have done. It was a question of loyalty, of loyalty to Reg, the company and a hundred and twenty other people who've built the aircraft. And I didn't stay with it for those reasons. Not for *any* of those reasons. I stayed with it because the alternative was to come home and tell you I'd got into trouble in the air today so I'd abandoned the aircraft, and the company's out of business. Is *that* what you would have had me do? Well that would have been the end. I should have spent the rest of my life never quite looking you or the boys in the face again - or myself, that that matter. A man who quit when there was still a chance - that's what I would have been. And that's what you and the boys would have had. If I had been killed, it would have been better for the three of you than if I'd bailed-out and quit. Can't you understand that? The man who said "better a live coward than a dead hero" *was* a live coward. Can't you understand that?

    • कनेक्शन
      Referenced in Hancock's Half Hour: The Alpine Holiday (1957)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 3 मई 1957 (आयरलैंड)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Decision Against Time
    • फ़िल्माने की जगहें
      • Wolverhampton Municipal Aerodrome, Pendeford, Wolverhampton, West Midlands, इंग्लैंड, यूनाइटेड किंगडम(flying sequences)
    • उत्पादन कंपनी
      • Ealing Studios
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $4,86,000(अनुमानित)
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    बदलाव करें
    • चलने की अवधि
      • 1 घं 27 मि(87 min)
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.75 : 1

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