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The Man in the Gray Flannel Suit

  • 1956
  • Approved
  • 2 घं 33 मि
IMDb रेटिंग
7.1/10
4.4 हज़ार
आपकी रेटिंग
Gregory Peck, Jennifer Jones, and Fredric March in The Man in the Gray Flannel Suit (1956)
Trailer for this film based on the best seller
trailer प्ले करें1:56
1 वीडियो
42 फ़ोटो
ड्रामायुद्धरोमांस

अपनी भाषा में प्लॉट जोड़ेंAn ex-soldier faces ethical questions as he tries to earn enough to support his wife and children well.An ex-soldier faces ethical questions as he tries to earn enough to support his wife and children well.An ex-soldier faces ethical questions as he tries to earn enough to support his wife and children well.

  • निर्देशक
    • Nunnally Johnson
  • लेखक
    • Nunnally Johnson
    • Sloan Wilson
  • स्टार
    • Gregory Peck
    • Jennifer Jones
    • Fredric March
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.1/10
    4.4 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Nunnally Johnson
    • लेखक
      • Nunnally Johnson
      • Sloan Wilson
    • स्टार
      • Gregory Peck
      • Jennifer Jones
      • Fredric March
    • 88यूज़र समीक्षाएं
    • 27आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 3 नामांकन

    वीडियो1

    The Man In The Gray Flannel Suit
    Trailer 1:56
    The Man In The Gray Flannel Suit

    फ़ोटो42

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 35
    पोस्टर देखें

    टॉप कलाकार65

    बदलाव करें
    Gregory Peck
    Gregory Peck
    • Tom Rath
    Jennifer Jones
    Jennifer Jones
    • Betsy Rath
    Fredric March
    Fredric March
    • Ralph Hopkins
    Marisa Pavan
    Marisa Pavan
    • Maria Montagne
    Lee J. Cobb
    Lee J. Cobb
    • Judge Bernstein
    Ann Harding
    Ann Harding
    • Helen Hopkins
    Keenan Wynn
    Keenan Wynn
    • Sgt. Caesar Gardella
    Gene Lockhart
    Gene Lockhart
    • Bill Hawthorne
    Gigi Perreau
    Gigi Perreau
    • Susan Hopkins
    Portland Mason
    • Janey Rath
    Arthur O'Connell
    Arthur O'Connell
    • Gordon Walker
    Henry Daniell
    Henry Daniell
    • Bill Ogden
    Connie Gilchrist
    Connie Gilchrist
    • Mrs. Manter
    Joseph Sweeney
    Joseph Sweeney
    • Edward M. Schultz
    Sandy Descher
    Sandy Descher
    • Barbara Rath
    Mickey Maga
    • Pete Rath
    Tristram Coffin
    Tristram Coffin
    • Byron Holgate
    • (काटे गए सीन)
    William 'Bill' Phillips
    William 'Bill' Phillips
    • Antonio Bulaga
    • (काटे गए सीन)
    • निर्देशक
      • Nunnally Johnson
    • लेखक
      • Nunnally Johnson
      • Sloan Wilson
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं88

    7.14.3K
    1
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    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    7helpless_dancer

    Man deals with a new job and an unsatisfied wife

    A man, feeling pressure from his wife for a better lifestyle, takes a new job with increased pay but added stress. To make matters worse, he becomes embroiled in legal actions concerning an inheritance from his grandmother. On top of all this, he learns that some of his actions in Italy during World War 2 have come to haunt him. This is a well told story with many sides to it, and I feel the use of flashback went a long way in making it even better. Well worth seeing.
    talas1

    A Great Movie That Shows How Empty Our Lives Are

    It's amazing this film came out of the 50's. It's even more true today, than it was then, now things are so rigidly stratified in our society that people can't even relate to considering being a Workaholic anything other than 'worthwhile' and 'normal'. Rat Race lifestyle, is all America is about now. Misery, stress, alienation, isolation; great material wealth but a dysfunctional society that has made little robots and zombies out of each of us. Remember how vibrant you felt as a child, how full of wonder? Remember being excited about the chance to play with other kids? Now we dread every minute of our lifestyle, yet still smile and say "things are going okay" when asked. What liars we have become. A culture of liars and cruel, vicious people, with plastic smiles frozen on our faces and our deep heartache and longing hidden away. This film shows that America has been on the wrong path for a long time and it's only gotten worse. Great film!! Peck is adequate, but considering the times he lived in, a pretty good performance. It's the writing and the messages of this film that stand out!!
    7claudio_carvalho

    9 to 5 Fellows

    In Connecticut, the former WWII officer Tom Rath (Gregory Peck) and his wife Betsy (Jennifer Jones) are happily married middle class couple with three children. However, they have financial difficulties and Tom commutes every day to Manhattan to work in a charitable organization receiving a low salary.

    Tom is tormented by the traumatic experience in war, where he killed seventeen persons including a young German soldier and he occasionally recalls his love affair with the Italian Maria (Marisa Pavan) in 1945.

    When Tom inherits his grandmother's house, her former servant claims the real state but using forged document. Meanwhile Tom is hired to work as public relation of a television network and is assigned to write a speech to the owner, Ralph Hopkins (Frederic March). Soon he needs to decide whether he will be a dedicated executive or 9 to 5 fellows. Further, he learns that he has a son with Maria and she is very needy and he needs to choose between telling the truth to Betsy or keep the secret.

    "The Man in the Gray Flannel Suit" is a realistic and humanistic drama about choices of an insecure man with a war trauma that frequently haunts him. Tom Rath sometimes is reluctant, thinking in the safety of his family first, but always takes the right decision supported by his beloved wife Betsy. The story has many subplots and one memorable character, Judge Bernstein, performed by Lee J. Cobb. The story is long but never boring. My vote is seven.

    Title (Brazil): "Homem do Terno Cinzento" ("Man in the Gray Suit")
    7lastliberal

    You like Spam?

    I was really surprised on this film as it was not at all what I expected. The title suggested to me something about life in corporate America, but that was just a background to what was really going on.

    The movie was really about men.

    I certainly would not excuse the taking of the opportunity to have an illicit affair during wartime, but I can understand the longing for warmth and affection when you are so far away from home and feel that you life is about to end.

    I was really taken with the character's (Gregory Peck) cautious approach to life. I can empathize with him as he puts security and safety for his family about the wife's (Jennifer Jones) wanting someone to make a difference. He was never really comfortable stepping out into a world where he did not know the rules.

    I can certainly empathize with him in the decision to be a 9-5 man instead of someone who builds. You don't always know the effect that can have on a family when forced to make that decision.

    Peck played an honorable man, who tried to do the right thing for his boss and his family. It was a fascinating movie, and I believe that every man cans see some of himself in Peck's character.

    A lot of big stars from the era: Fredric March, Lee J. Cobb, and Keenan Wynn made the movie well worth watching.
    MissRosa

    A salient commentary on the American executive lifestyle

    I was pleased to get a chance to see this movie -- at least half of it -- during a bout of insomnia. The title was a catchphrase for corporate America for many, many years, a kind of symbol for overachieving, aggressive, ambitious businessmen without principles -- in other words, the "suits."

    Though I am generally wary of Gregory Peck's (and Jennifer Jones') tendency to niceness, I was impressed by their work here. Their relationship was both substantial and subtle. Jennifer Jones had much much more humanity and integrity than the average housewife portrayed in other films of the 50s and 60s. Peck's character respected her opinions and values.

    But I was knocked out by Fredric March. His type A, workaholic executive was touching on many levels. His utter tiredness, alcoholic puffiness, and innate sadness was plastered over with a Willy Loman-like veneer of gung-ho, jolly-good-fellow false heartiness. How familiar that character was and is -- in real life. His ambition, greed and drive had become a habit, and like any junky, he was simply unable to quit. Despite the human losses. I will never forget the scene in his office, when his wife calls him up, and he slowly hangs up the phone.

    A very fine film, with many truths about our national character and obsessions....

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      One of Gregory Peck's movie children was played by Portland Mason, who was the daughter of actor James Mason, and an Italian delivery boy was played by Johnny Crawford a few years before he would achieve fame on the popular TV Western, The Rifleman (1958).
    • गूफ़
      It is believed by some that Tom shifting his car into reverse then driving away forward at the end of the film is a goof. However, the car is a manual transmission Ford with a column-shifted 3 speed manual transmission with an unsynchronized first gear. A quirk of that style transmission is that at a standing stop, getting the transmission into 1st gear when the engine is running is easiest if the operator first abruptly lifts the shift lever from neutral to place the transmission into second gear, then back down into first. This prevents clash (grinding) of the unsynchronized first gear. Drivers of the era, including Tom Rath, would have been well familiar with this technique.
    • भाव

      Tom Rath: I don't know anything about public relations.

      Bill Hawthorne: Who does? You've got a clean shirt and you bathe every day. That's all there is to it.

    • क्रेज़ी क्रेडिट
      Once it fades in, the 20th Century Fox logo (set to the film's dramatic opening credits music, rather than the traditional Fox fanfare) appears in a slightly smaller CinemaScope windowbox, slowly panning to normal size (correctly fitting the CinemaScope screen) before fadeout.
    • कनेक्शन
      Featured in The Fifties (1997)
    • साउंडट्रैक
      (I'm a) Ramblin' Wreck from Georgia Tech
      (1908) (uncredited)

      Lyrics by Billy Walthall

      Music by Frank Roman and Mike Greenblatt

      based on "Son of a Gambolier"

      Music by Charles Ives (1895)

      Played on the ukulele by Gregory Peck

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is The Man in the Gray Flannel Suit?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 8 मई 1956 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइट
      • Film Review (YouTube)
    • भाषाएं
      • अंग्रेज़ी
      • इतालवी
      • जर्मन
    • इस रूप में भी जाना जाता है
      • Čovek u sivom odelu
    • फ़िल्माने की जगहें
      • Westport, कनेक्टिकट, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Twentieth Century Fox
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $26,70,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 2 घं 33 मि(153 min)
    • रंग
      • Color
    • पक्ष अनुपात
      • 2.55 : 1

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