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Invasion of the Body Snatchers

  • 1956
  • Approved
  • 1 घं 20 मि
IMDb रेटिंग
7.7/10
58 हज़ार
आपकी रेटिंग
Kevin McCarthy and Dana Wynter in Invasion of the Body Snatchers (1956)
Theatrical Trailer from Republic Pictures
trailer प्ले करें2:20
2 वीडियो
99+ फ़ोटो
B-हॉररSci-Fiड्रामाबॉडी हॉररविदेशी आक्रमणहॉरर

एक छोटे शहर के डॉक्टर को पता चलता है कि उनके समुदाय की आबादी को भावनाहीन विदेशी डुप्लिकेट द्वारा प्रतिस्थापित किया जा रहा है.एक छोटे शहर के डॉक्टर को पता चलता है कि उनके समुदाय की आबादी को भावनाहीन विदेशी डुप्लिकेट द्वारा प्रतिस्थापित किया जा रहा है.एक छोटे शहर के डॉक्टर को पता चलता है कि उनके समुदाय की आबादी को भावनाहीन विदेशी डुप्लिकेट द्वारा प्रतिस्थापित किया जा रहा है.

  • निर्देशक
    • Don Siegel
  • लेखक
    • Daniel Mainwaring
    • Jack Finney
    • Richard Collins
  • स्टार
    • Kevin McCarthy
    • Dana Wynter
    • Larry Gates
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    58 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Don Siegel
    • लेखक
      • Daniel Mainwaring
      • Jack Finney
      • Richard Collins
    • स्टार
      • Kevin McCarthy
      • Dana Wynter
      • Larry Gates
    • 322यूज़र समीक्षाएं
    • 148आलोचक समीक्षाएं
    • 92मेटास्कोर
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    • पुरस्कार
      • कुल 3 जीत

    वीडियो2

    Invasion of the Body Snatchers
    Trailer 2:20
    Invasion of the Body Snatchers
    Joe Dante on Invasion of the Body Snatchers
    Featurette 2:49
    Joe Dante on Invasion of the Body Snatchers
    Joe Dante on Invasion of the Body Snatchers
    Featurette 2:49
    Joe Dante on Invasion of the Body Snatchers

    फ़ोटो110

    पोस्टर देखें
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    टॉप कलाकार26

    बदलाव करें
    Kevin McCarthy
    Kevin McCarthy
    • Dr. Miles J. Bennell
    Dana Wynter
    Dana Wynter
    • Becky Driscoll
    Larry Gates
    Larry Gates
    • Dr. Dan 'Danny' Kauffman
    King Donovan
    King Donovan
    • Jack Belicec
    Carolyn Jones
    Carolyn Jones
    • Theodora 'Teddy' Belicec
    Jean Willes
    Jean Willes
    • Nurse Sally Withers
    Ralph Dumke
    Ralph Dumke
    • Police Chief Nick Grivett
    Virginia Christine
    Virginia Christine
    • Wilma Lentz
    Tom Fadden
    Tom Fadden
    • Uncle Ira Lentz
    Kenneth Patterson
    • Stanley Driscoll
    Guy Way
    Guy Way
    • Police Sgt. Sam Janzek
    Eileen Stevens
    • Anne Grimaldi
    Beatrice Maude
    • Grandma Grimaldi
    Jean Andren
    • Eleda Lentz
    Bobby Clark
    • Jimmy Grimaldi
    Everett Glass
    Everett Glass
    • Dr. Ed Pursey
    Dabbs Greer
    Dabbs Greer
    • Mac Lomax
    Pat O'Malley
    Pat O'Malley
    • Baggage Man
    • निर्देशक
      • Don Siegel
    • लेखक
      • Daniel Mainwaring
      • Jack Finney
      • Richard Collins
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं322

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    फ़ीचर्ड समीक्षाएं

    8Higley39

    Invasion of the Body Snatchers, suggested an "individual's unimportance in a complex, modern world."

    In the 1950s, The American cinema produced a sequence of science fiction films that generally revolved around and reflected significant political, cultural and social concerning plots. These films presented incredible events that usually were the result of nuclear radiation, alien invasions, mutation, and body snatching influences. In addition to the film plots, special effects were added to complete the cinematic experience. The film, Invasion of the Body Snatchers, suggested an "individual's unimportance in a complex, modern world." Beneath the unimportance was the political concern of conformity and loss of individuality among the residents of Santa Mira, California. Invasion of the Body Snatchers illustrates the difference between America's collision of Individualism and the collective culture of conformity. Although Invasion of the Body Snatchers did not intend to become an allegory of political work according to director Don Siegel, it is evident that through specific instances, the film became a symbolic contrast of individualism and collectivism.

    The office scene between protagonist, Miles Bennell played by Kevin McCarthy and former girlfriend Becky Driscoll played by Dana Wynter occurs as they are escaping the pod people, launching the chase sequence. As Miles and Becky hide themselves in a doctor's office, Miles goes into a moralistic speech about the pod people. In this instance, the pod ideology is revealed and ultimate goal of conformity is discovered; to convert the residents of Santa Mira for a collective, classless, Communist-like society as well as to promote the purpose to suppress individuality, to make life easier. In reality, this scene is a symbolic parallel to Senator Joseph McCarthy's pursuit for social conformity in the 1950s. This scene is packed with conspiracy and paranoia. Also, metaphorical of McCarthy's claims that there were Soviet spies and Communists inside the government system and among the general population.

    While Miles and Becky hide in the doctor's office, they an abundance of take pills to stay awake. Sleep stands as an allegory to suggest the burgeoning of a mass conformity; where the pods take over the residents while they fail to be alert, meaning sleeping. In the film, it is said that, "the pods will absorb your minds, your memories, and you're reborn into an untroubled world". This untroubled world represents the world of classless, ambition-less, emotionless, simple society, where every individual is no longer "individual", rather, a hollow drone of a collective socialist culture.

    As stated earlier, in the 1950s McCarthy made claims of covert Communists inside the government; Invasion of the Body Snatchers also has a covert concept in regard to ignoring what seems to be out of the ordinary. This concept concerns the role of the authorities in the film. Miles is taken in by authorities on the invasion of the pod people, when the psychiatrists and police attempt to turn the bizarreness of the situation into a simple matter, as if it is Miles who is delirious. This scene alludes to authority figures and the effort to encourage normalcy in the most mind-boggling situations. Invasion demonstrates society becoming less individual and more depersonalized with the characterless collective society replacing America.
    9BrandtSponseller

    Excellent genre film with intellectual subtexts

    Dr. Miles J. Bennell (Kevin McCarthy) is called back to his small California home early from a conference because a number of his patients have been frantically asking to see him. But oddly, when he returns home, most forget about their unspecified needs. At the same time, it seems that a mass hysteria is building where residents believe that friends and loved ones are "not themselves", literally. Just what is going on? As of this writing, it has been more than twenty years since I have seen the 1978 remake of this film, so I can't compare the two at the moment. However, it would have to be flawless to top this, the original Invasion of the Body Snatchers.

    The sole factor that caused me to give the film less than a ten was the pacing during portions of the first half hour or so. While it's not bad, exactly, director Don Siegel does not build atmosphere and tension as effectively as he might have while the viewer is being filled in on the necessary exposition. Admittedly, this section is directed in a standard way for its era, but "standard" here is enough to subtract a point.

    However, once we reach Miles' friend Jack Belicec (King Donovan) discovering a body on his billiard table, the suspense and tension gradually increase, and the remainder of the film is a very solid ten.

    The literal "weapon" of the film's horror could have easily come across as cheesy, but it doesn't. Don Post and Milt Rice's special make-up effects and props are threateningly eerie. The transformation sequences involving the props are beautifully shot and edited--showing just enough to make them effective, but not so much that the mystery is gone.

    It was ingenious to create a story where a whole town gradually turns into a villain, and even natural, unavoidable biological functions threaten our heroes' destruction. In conjunction, it all creates an intense sense of claustrophobia and paranoia for the audience.

    McCarthy and Dana Wynter, as Miles' girlfriend Becky Driscoll, expertly convey a gradual transformation from common citizens to panic-stricken, desperate victims on the run. The film is also notable for slightly ahead-of-its time portrayals of relationships and divorce.

    Much has been said about the parallels between Invasion of the Body Snatchers and the "communist paranoia" in the United States in the late 1940s and early 1950s, especially as it was directed against Hollywood by the House of Un-American Activities Committee. (And how ironic that the star of Invasion of the Body Snatchers is named McCarthy?) However, there is another very interesting subtext present that isn't so often mentioned. The film can also be looked at as a philosophical exploration of personal identity. Just what does it take for people to be themselves? Is it how they look, act, the things they say? Is it not the case that people are constantly transformed into something they weren't just hours ago, or even moments ago? Among the many ways that these kinds of ideas are worked into the script is that sleep is a metaphor for unconscious physical change over time. It would be easy to analyze each scene in the film in this manner, going into detail about the various implications each plot development has on the matter of personal identity.

    Despite the slight pacing/atmosphere flaw in the beginning, this is a gem of a film, not just for sci-fi and horror fans, and not just for its era. It's worth seeing by anyone with a serious interest in film, and can be enjoyed either on its suspenseful surface level, or more in-depth by those who want to look at the film as more metaphorical material for societal and philosophical concerns.
    8Christopher_Reid

    One of the best sci-fi horrors ever

    I feel like I've seen so many movies with this kind of concept. People aren't themselves, something fishy is going on. Eventually, the evidence is too much to ignore but our main characters are already outnumbered by tens or hundreds. It's similar to the zombie genre except that here the "possessed" or "infected" ones act normal which is far more unnerving. This has to be one of the earliest and most effective versions of this kind of story.

    It is legitimately creepy and has many memorable moments. Blank, "dead" bodies turning up out of nowhere. Alien pods giving birth to proto-humans. A convergence of strangers in the middle of town as if they all have telepathic powers. You begin to suspect people constantly, are they really on our side? Are our heroes being lured into a trap? Are they safe here? The build-up is excellent as well. People urgently seeking a doctor and then abruptly canceling and feeling much better. A boy terrified of his mother because she is not really his mother and then suddenly he is okay again. A woman swears that her uncle is no longer himself but can't quite prove it. Your imagination starts to fill in the gaps.

    It's effective to show the main character flustered and babbling at the start. It contrasts greatly with how calm and reasonable he was only a few days ago as he recounts what happened. We figure that it must have taken something very disturbing to drive him to that level of mania. This builds our anticipation for finding out what he went through.

    It's funny that the main actor's name is (Kevin) McCarthy. There are certainly parallels that could be drawn with the communism scare of the 1950s. Are we too suspicious about our neighbours? Are we becoming paranoid and seeing everyone as being against us? Or perhaps our freedom is being taken away and we are being forced to robotically follow traditional American values.

    Invasion of the Body Snatchers wastes no time at 80min. It builds the way a good suspense/horror film should and the turn of events are satisfying. It isn't too predictable and it really had me on the edge of my seat, apprehensive about where the story was going and how it could possibly be resolved. Less is more and this movie only shows what it really needs to. It plants the seeds of fear in your mind and you do the rest.
    9BroadswordCallinDannyBoy

    Classic chiller

    A doctor comes to a hospital on a late night call to hear a man whom everybody else deems insane. The doctor persuades the man to be patient and tell his story. The man then tells the doctor about how a small California town has been invaded by some sort of alien seeds that grow into human clones...

    Coming straight from the McCarthy era and general Cold War paranoia this is one scary movie. There is not a gun fired, not a drop of gore shed but the final effect of the film will stay with you for a good while. More contemporary film viewers might recognize the concept from John Carpenter's "The Thing" which itself was an update of the 1951 film. However, the themes of paranoia and tension are just as nail-biting and intense here.

    There is a lack of visual punch that so many people are used to today, but just think of the historical context and the implications, basically use your mind! Then you'll see why the film scared studio executives so much that they forced Don Siegel to add an intro and outro to help soften the overall effect. It wasn't the best play in the book, but the film remains a great classic chiller. --- 9/10

    Not Rated. It would most likely receive a PG from the MPAA, there are several tense moments, though no violence.
    BaronBl00d

    One Word Only......Masterpiece!

    Invasion of the Body Snatchers is the quintessential sci-fi film of the 50s, praying on the particular fears and paranoias of the time as well as more basic, instinctual phobias within each of us. The story is simple enough about a benevolent, intellectual doctor returning from vacation only to find that some weird, unexplainable feelings have been generated in the small town of Santa Mira. Some people say that relatives are not who they seem to be, despite being exact duplicates physically and mentally. This leads to one discovery to another for the good doctor, his girl, and two friends, and what we have through each discovery is one more piece to the puzzle that an alien presence is at work. What makes this film so successful is the pace and frantic mood it creates. We are caught up in Dr. Bennel's work, his fears and anxieties, his discoveries, and his uncovering of the truth. We feel confined, betrayed, and even suspicious of everything he encounters. Credit for this certainly must go to director Don Siegel and his outstanding ability to create this almost claustrophobic atmosphere, as well as to Kevin McCarthy who does an outstanding job playing the doctor. There are scenes in this film that live on long after viewing it...and the last one in particular has forever been etched into my mind. For a good fright, see Invasion of the Body Snatchers...They're here! They're here!

    इस तरह के और

    Invasion of the Body Snatchers
    7.4
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    7.0
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    6.3
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    6.9
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Production designer Ted Haworth came up with a fairly simple and inexpensive (about $30,000 total) idea for creating the pods. The most difficult part was when the pods burst open, revealing the likenesses of the actors. The actors had to have naked impressions of themselves made out of thin, skin-tight latex. Making the casts, which involved being submerged in the very hot casting material with only a straw in their mouths to breathe through, was grueling for the actors, especially Carolyn Jones, who was claustrophobic. Dana Wynter recalled, "I was in this thing while it hardened, and of course it got rather warm! I was breathing through straws or something quite bizarre, and the rest of me was encased, it was like a sarcophagus. The guys who were making it tapped on the back of the thing and said, 'Dana, listen, we won't be long, we're just off for lunch [laughs]!' In the end, we had to be covered except for just the nostrils and I think a little aperture for the mouth."
    • गूफ़
      (at around 20 mins) When Dr. Bennell is shown the body on the pool table he never bothers to ask where it came from or why it is there. One would think that would be the first question.
    • भाव

      Dr. Miles J. Bennell: They're here already! You're next! You're next, You're next...!

    • क्रेज़ी क्रेडिट
      THE END comes up on the final shot of the film of Miles looking relieved that Dr Hill has believed his story, and is calling the FBI about the alien invasion of Santa Mira.
    • इसके अलावा अन्य वर्जन
      Originally released at 80 minutes; reissued in 1979 at 76 minutes, deleting the studio-imposed prologue and epilogue starring Whit Bissel and Richard Deacon.
    • कनेक्शन
      Edited into The Giant Claw (1957)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

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    • Where do the pods come from?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 5 फ़रवरी 1956 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Muertos vivientes
    • फ़िल्माने की जगहें
      • Town Square, Sierra Madre, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • Allied Artists Pictures
      • Walter Wanger Productions
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $4,17,000(अनुमानित)
    • दुनिया भर में सकल
      • $3,717
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 20 मिनट
    • रंग
      • Black and White

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Kevin McCarthy and Dana Wynter in Invasion of the Body Snatchers (1956)
    टॉप गैप
    By what name was Invasion of the Body Snatchers (1956) officially released in India in Hindi?
    जवाब
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