Fighting Trouble

The one thing you can say about Fighting Trouble is that billing wise Huntz Hall finally came into his own in the series. For years Leo Gorcey got top billing and Hall was only the first featured name albeit in larger type.

Hall was certainly the attraction here because try as they might the chemistry between Leo Gorcey and Hall just is not there with Stanley Clements. You wonder why Clements is hanging around with these guys half the time.

In this one Hall's trying to get into the newspaper photography business and he takes an advance from editor Tim Ryan to get the goods on mobster Tom Browne Henry. With the help of Clements and the rest including their landlady Queenie Smith they get more than just pictures on Henry. Playing mob molls and very well are the statuesque Adele Jergens and Laurie Mitchell.

Queenie Smith as Mrs. Kelly was trying to take the place of Bernard Gorcey as Louie Dumbrowski. When Bernard was killed and Leo just quit the series altogether after his dad died a whole lot was just gone.

This does have its moments, but Allied Artists should have just quit the whole business/

The Bowery Boys attempt to soldier on without Leo Gorcey's Slip Mahoney in this forty-second entry in the series. The plot has Sach trying to get a picture of a notorious gangster. It's a yawner that sets the template for the remainder of the Bowery films. Huntz Hall is now the only star, so almost all of the gags revolve around him. If you're not a fan of his limited comedic talents, then you may want to sit this one out. Personally, I always enjoyed Leo Gorcey's malapropisms more than Hall's rubberfacing buffoonery. I also enjoyed the chemistry between Gorcey and Hall, which is sorely missed with Gorcey's replacement -- the dull and colorless Stanley Clements. He plays Duke, the supposed new leader of the gang. He's basically just a straight man for Hall, yelling at him and attempting to mimic the dynamic Hall had with Gorcey. He gets few gags of his own and none that are funny. Also joining the series is Queenie Smith as the Boys' landlady, a pathetic attempt to replace the irreplaceable Bernard Gorcey, who died the year before. In the background are forgettable David Gorcey and Danny Welton (his only Bowery film). This isn't fun. Obviously the series is well past its expiration date here. It's never funny but, if you're a big Huntz fan, maybe you can find something of worth here.

Sach (Huntz Hall) is trying to be a photographer. Sach and Duke (Stanley Clements) go to the newspaper and the editor gives them an assignment to photograph gangster Frankie Arbo. Unbeknownst to them, everybody who tries end up with a beating.

Leo Gorcey left the series over money. Sach is without Slip. It doesn't work as well. There is a relationship chemistry that is missing in this one. Huntz Hall hasn't changed but Stanley Clements is not the same. Most of the comedy is just falling flat. As for the story, nobody watches these movies for the stories. This is an old franchise on its last legs.

I actually enjoy the 1956-8 finale of the Bowery Boys series. Despite the absence of Leo and Bernard Gorcey, the series still gave us the usual quota of laughs and fun. Huntz Hall did get a bit over the top now that he was the lead player but Stanley Clements complemented him well as Duke Covaleske. There wasn't much time to develop chemistry as Gorcey left the series in early 1956. Taking that into consideration, I thought Clements was an able replacement. Two of the entries from 1957, Hold that Hypnotist and Spook Chasers are personal favorites and have much of the spirit of the 3 Stooges with predictable slapstick. We also have the old standby David Gorcey and good support from Jimmy Murphy and Eddie Leroy. The Mike Clancy character was a good idea bringing back shades of Louie Dumbrowski. These last Bowery Boys adventures have their moments and don't deserve the dire reviews from my colleagues.

SEEING THAT FTHIS was one of those BOWERY BOYS movies mad in the Post-Leo & Bernard Gorcey period, our first inclination was to skip it and do something more exciting, like watching the paint dry. But circumstances conspired to deliver us a different fare. We wound up watching it today via the TURNER CLASSIC MOVIES cable channel and discovered that this pre-judgment about those last entries in the series was jut a trifle harsh.

AS WE ALL were well aware, the interplay between gang chief, 'Slip Mahoney' (Leo Gorcey) and his right hand stooge, Horace Debussy 'Sach' Jones (Huntz Hall)was long the main attraction of the series*. In fact, the dialog in just about all the previous entries was about 80+% reserved for the twosome; leaving little for the remaining players.

SO AT THIS point, with Leo gone, the nature of the beast found itself altered slightly with Mr. Huntz Hall's being promoted to top billing and to sort of a different sort of leader. Without any mention of 'Slip' Mahoney's tenor at the helm of around 10 years, the movie brought us one Stanislaus 'Duke' Kovaleskie (Stanley Clements), who did not replace Leo in rank; but did fill the niche and void of Sach's foil.

IN THIS AREA, 'Duke' did a fine job, providing a near perfect straight man to Huntz Hall's buffoonery. And there was no doubt about who was the straight man here, as Gorcey's fondness for double talk and malapropism often made for a difficulty in defining the roles of each.

ANOTHER BENEFIT CAME to the other two or sometimes three BB members in the sudden increase in their lines to speak. David Gorcey (here billed as Dsvid Condon**) for example had much more to say on screen with older brother , Leo, now retired.

THE ADDITION OF Stanley Clements' character did enough to the cast for the series to be propelled along for six pictures. That makes it the longest running series of "B" pictures ever.