Fighting Trouble

Sach (Huntz Hall) is trying to be a photographer. Sach and Duke (Stanley Clements) go to the newspaper and the editor gives them an assignment to photograph gangster Frankie Arbo. Unbeknownst to them, everybody who tries end up with a beating.

Leo Gorcey left the series over money. Sach is without Slip. It doesn't work as well. There is a relationship chemistry that is missing in this one. Huntz Hall hasn't changed but Stanley Clements is not the same. Most of the comedy is just falling flat. As for the story, nobody watches these movies for the stories. This is an old franchise on its last legs.

I actually enjoy the 1956-8 finale of the Bowery Boys series. Despite the absence of Leo and Bernard Gorcey, the series still gave us the usual quota of laughs and fun. Huntz Hall did get a bit over the top now that he was the lead player but Stanley Clements complemented him well as Duke Covaleske. There wasn't much time to develop chemistry as Gorcey left the series in early 1956. Taking that into consideration, I thought Clements was an able replacement. Two of the entries from 1957, Hold that Hypnotist and Spook Chasers are personal favorites and have much of the spirit of the 3 Stooges with predictable slapstick. We also have the old standby David Gorcey and good support from Jimmy Murphy and Eddie Leroy. The Mike Clancy character was a good idea bringing back shades of Louie Dumbrowski. These last Bowery Boys adventures have their moments and don't deserve the dire reviews from my colleagues.

Fighting Trouble (1956)

* 1/2 (out of 4)

This forty-second film in the Bowery Boys series finally had Huntz Hall getting top-billing as Leo Gorcey retired from the series after the previous film. Stanley Clements, who appeared in several East Side Kids films, replaces Gorcey and this first offering of the new comic team doesn't work at all. After one of their friends is falsely accused of stealing two-hundred dollars, Sach (Hall), Duke (Clements) and the rest of the gang decide to start working for a newspaper editor who needs a photograph of a notorious gangster. Sach, the camera man, must try and snap a picture but before long the boys are in over their heads. The Gorcey-Hall team were never going to be confused with Laurel and Hardy or Abbott and Costello but they were decent in their "B" movies. After watching this film you can see how much chemistry they actually had together because Hall and Clements certainly don't mix and match very well. It really seems like two comedians trying to work together but not knowing each others style or timing because there are some really embarrassing moments throughout the film. One happens when the boys bust in on the editor and it appears the two just don't know how to do the bit or how to time everything off the other. Another silly sequence has the boys sneaking into the gangster's girlfriends apartment where they pretend to be fashion designers. No laughs follow simply because of the bad timing between the two. Hall's Sach getting the lead was a long time coming but the character really comes across quite annoying when Gorcey isn't here to level him out. Just take a look at the scene where there's an easy picture to take but the way Hall blows it is just annoying and never funny. As you'd expect, there's silliness running throughout the picture and when the boys come under attack by the gangsters nothing funny happens. This first film in the "new" series is certainly a major bust and at just 60-minutes it still feels way too long.

"Fighting Trouble" makes for a long hour. Not only is it practically laughless, it's also kind of stupid. The cast is fine but the material is just not there. For what it's worth I did like the set design. "Fighting Trouble" is a Bowery Boys pass.

SEEING THAT FTHIS was one of those BOWERY BOYS movies mad in the Post-Leo & Bernard Gorcey period, our first inclination was to skip it and do something more exciting, like watching the paint dry. But circumstances conspired to deliver us a different fare. We wound up watching it today via the TURNER CLASSIC MOVIES cable channel and discovered that this pre-judgment about those last entries in the series was jut a trifle harsh.

AS WE ALL were well aware, the interplay between gang chief, 'Slip Mahoney' (Leo Gorcey) and his right hand stooge, Horace Debussy 'Sach' Jones (Huntz Hall)was long the main attraction of the series*. In fact, the dialog in just about all the previous entries was about 80+% reserved for the twosome; leaving little for the remaining players.

SO AT THIS point, with Leo gone, the nature of the beast found itself altered slightly with Mr. Huntz Hall's being promoted to top billing and to sort of a different sort of leader. Without any mention of 'Slip' Mahoney's tenor at the helm of around 10 years, the movie brought us one Stanislaus 'Duke' Kovaleskie (Stanley Clements), who did not replace Leo in rank; but did fill the niche and void of Sach's foil.

IN THIS AREA, 'Duke' did a fine job, providing a near perfect straight man to Huntz Hall's buffoonery. And there was no doubt about who was the straight man here, as Gorcey's fondness for double talk and malapropism often made for a difficulty in defining the roles of each.

ANOTHER BENEFIT CAME to the other two or sometimes three BB members in the sudden increase in their lines to speak. David Gorcey (here billed as Dsvid Condon**) for example had much more to say on screen with older brother , Leo, now retired.

THE ADDITION OF Stanley Clements' character did enough to the cast for the series to be propelled along for six pictures. That makes it the longest running series of "B" pictures ever.