Fighting Trouble

"Fighting Trouble" makes for a long hour. Not only is it practically laughless, it's also kind of stupid. The cast is fine but the material is just not there. For what it's worth I did like the set design. "Fighting Trouble" is a Bowery Boys pass.

The Bowery Boys attempt to soldier on without Leo Gorcey's Slip Mahoney in this forty-second entry in the series. The plot has Sach trying to get a picture of a notorious gangster. It's a yawner that sets the template for the remainder of the Bowery films. Huntz Hall is now the only star, so almost all of the gags revolve around him. If you're not a fan of his limited comedic talents, then you may want to sit this one out. Personally, I always enjoyed Leo Gorcey's malapropisms more than Hall's rubberfacing buffoonery. I also enjoyed the chemistry between Gorcey and Hall, which is sorely missed with Gorcey's replacement -- the dull and colorless Stanley Clements. He plays Duke, the supposed new leader of the gang. He's basically just a straight man for Hall, yelling at him and attempting to mimic the dynamic Hall had with Gorcey. He gets few gags of his own and none that are funny. Also joining the series is Queenie Smith as the Boys' landlady, a pathetic attempt to replace the irreplaceable Bernard Gorcey, who died the year before. In the background are forgettable David Gorcey and Danny Welton (his only Bowery film). This isn't fun. Obviously the series is well past its expiration date here. It's never funny but, if you're a big Huntz fan, maybe you can find something of worth here.

Even Huntz Hall seems to be tiring of the schtick in this post-Leo Gorcey Bowery Boys entry. It's the usual stuff only with fewer laughs, and without the Gorcey's (bar David, still filling his familiar role of Chuck) Huntz looked pretty bored.

Anyway, Miss (according to some sources) Kate Kelly (Queenie Smith) runs a rooming house called Mrs. Kelly's and some of the boarders include "Sach" (Huntz Hall), "Duke" (Stanley Clements), Chuck Andrews (David Gorcey as David Condon) and "Butch" (the very-much credited Danny Welton but a WHO? then and now.)"Sach" has become a camera fiend so, in the pursuit of some ready cash, "Duke" takes him and his photographs to the editor of the New York Morning Blade, Mr. Ray Vance (Tim Ryan.) He hires them to get some photos of gangland boss Frankie Arbo (Thomas B. Henry) but Mr. Arbo does not care to have his picture in the papers and dislikes cameramen for the same reason.

"Sach" and "Duke" pose as interior decorators in the penthouse of Mae Randall (Adele Jergens, who was billed above Marilyn Monroe in "Ladies of the Chorus, although the MM-revisionists don't seem to be aware of it nor accept it)in order to get photos of Arbo. Later, at Arbo's night club, the boys learn that the gangster is importing a tough hoodlum from Chicago---and no one in the East knows him. "Sach" and "Duke" lure the visiting gunman, Handsome Hal Lomax (Joe Downing, who must have replaced a handsome actor first cast in the role)to Mrs. Kelly's and trick him into staying there through false police calls.

"Sach" masquerades as Handsome Hal (and is at least as handsome as Joe Downing) and gets away with it, and he and "Duke" manage to get into Arbo's inner office with the Boss and his henchies, which, compared to the henchies in the earlier Bowery Boys films, are a sorry and wimpy lot, and the boys are cut into the gang's racket, which is counterfeit money.

Then Handsome Hal shows up and things are getting dicey for the boys until Handsome Hal's jilted sweetheart, Dolly Tate (Laurie Mitchell, indeed a dolly of the 50's) makes her appearance, and she is so put out with getting jilted by the not-handsome Handsome Hal that she ups and identifies "Sach" as the real Handsome Hal, and fingers Handsome himself as the impostor. Handsome taking up with two interior decorators may have been what hacked Dolly off the most.

"Sach" has been taking photos with a miniature camera hidden in his cigarette holder, but accidentally unloads the camera, and the film falls out, exposing the boys and the film. What a revolting development! The gangsters then shoot the boys dead and the film ends. Wait, that was some other film. Probably one of those non-Noir Noirs. Something else happens here.

Sach (Huntz Hall) is trying to be a photographer. Sach and Duke (Stanley Clements) go to the newspaper and the editor gives them an assignment to photograph gangster Frankie Arbo. Unbeknownst to them, everybody who tries end up with a beating.

Leo Gorcey left the series over money. Sach is without Slip. It doesn't work as well. There is a relationship chemistry that is missing in this one. Huntz Hall hasn't changed but Stanley Clements is not the same. Most of the comedy is just falling flat. As for the story, nobody watches these movies for the stories. This is an old franchise on its last legs.