C.I.D.

"A newspaper editor, Shrivastav, is wounded when he was about to expose the underworld links of a rich and influential man. He calls over his friend, Inspector Shekhar from C. I. D to talk to him about the threat he receives from the underworld." (Wikipedias starting of the story)

The movie was good, acting was good too, dev Anand did great acting in this flim, Shakilas acting was okay in the start, it got better as the movie went on, the best acting in the movie was definitely waheeda rehmans in my opinion, storyline was good but i didn't really see any chemistry between hero and the main heroine Shakila, music and songs were great especially "leke pehla pehla pyar" sung by shamshad begum and picturised on Sheela Vaz, "kahin pe nigahe" sung by shamshad begum, "yeh hai Bombay meri jaan" sung by Mohammad Rafi Geeta Dutt and aankhon hi aankhon mein also sung by Rafi and Geeta lyrics were also good, the movie has abit of problems and some unrealistic stuff too, but the last 30 minutes were very entertaining and suspenseful.

Overall it's a movie worth watching.

Though much better than the decade-old running TV series on Indian TV by the same name (sorry couldn't resist the namesake comparison), Raj Khosla's CID was a very simple and straightforward who-dun-it. In the mould of Hollywood film-noir, CID was gripping and entertaining.

CID officer Shekhar (Dev Anand) is investigating the murder of a newspaper editor but somehow gets falsely implicated for the murder of the editor's murderer (Mehmood). A mysterious woman Kamini (Waheeda Rehman) helps Shekhar reach the real murderer.

Unlike most multi-layered modern murder mysteries, CID was very one-dimensional without any subplots. While the simplicity added to the appeal of the thriller in the 50s, it kind of looks too undemanding in present times. In the sense that the identity of the killer is revealed to the viewer very early in the film (which could easily have been kept a mystery and been a highpoint of the suspense drama). The motive of the editor's murder was never explained. Director Raj Khosla went on to make the same mistakes in future in Kala Pani.

Waheeda Rehman's character was too half-baked with no background account to her. While she made an impressive debut in a character with grey shades, her abrupt change of heart towards Shekhar (the hero) isn't justified. Thankfully the story doesn't get into a love triangle with the beautiful Shakila playing the only love interest of Dev Anand in the film.

Otherwise CID was a decent entertainer and had to its credit a superlative soundtrack. Each and every track in the film from "Yeh Hai Bombay Meri Jaan", "Aankhon Hi Aankhon Mein Ishaara Ho Gaya", "Kahin Pe Nigahen Kahin Pe Nishana" to "Bujh Mera Kya Naam Re Nadi Kinare Gaav Re" was a chart-buster and is in common knowledge even today. Wonderful melodies by O P Nayyar! Performances were quite good. Dev Anand was convincing, both, as an efficient investigating officer and a victimized fugitive. Shakila looked beautiful. Producer Guru Dutt had spotted Waheeda Rehman in a Telugu film (Rojulu Marayi) and cast her as the supporting actress (with grey shades) in her first Hindi film. The rest, as they say, is history. Mehmood, who later went on to become one of the most popular Bollywood comedians ever, played a negative role in the film. His sister Minoo Mumtaz was also in the film. Johnny Walker offered some genuine light moments in the otherwise earnest film.

Interesting Trivia: Oscar winner Bhanu Athaiya (then known as Bhanumati) debuted as a costume designer with this film. Javed Akhtar's father Jan Nisar Akhtar wrote the lyrics of 'Aankhon Hi Aankhon Mein Ishaara Ho Gaya'. Tinu Anand's father Inder Raj Anand wrote the script. Popular senior actress Zohra Sehgal known to play grandmotherly roles today choreographed the songs.

Watch it as a modern film of the 50s and you might like CID.

• Gaurav Malani

CID is a must-watch for any Bollywood fan just for the music but it's the plot that made me fall in love with it. Such a perfect thriller film despite you knowing who the criminal is. Just like Bambai Ka Babu (1960), here also Raj Khosla subverts popular genres and I'm still amazed (I watched the film yesterday) at how CID blends all top genres include romance and crime. More than anything, it's looking at Bombay of the 50s that melted my heart, superbly supported by Johnny Walker who is a treat a watch. Waheeda Rahman's definitely got the charm and I can see how her negative role may have still played in her defense to her potential stardom. CID is a classic and rightly so.

(Watched during Raj Khosla's centenary celebration in Mumbai.)

Director Khosla's debut movie CID is regarded as one of Bollywood's best crime thriller. Khosla who was assistant director under Guru Dutt learned from his mentor the film-noir (Bombay-noir in Indian context) style and thus directed this 'must see' movie. CID is a crime-suspense movie and the Hollywood influence is showing. The movie is also remembered for songs like "Yeh Hai Bombay Meri Jaan" featuring Johny Walker. The songs is about the city of Bombay and its crooked life. Other hits include "Kahin Pe Nigahen Kahin Pe Nishana" "Aankhon Hi Aankhon Mein Ishaara Ho Gaya" "Bujh Mera Kya Naam Re Nadi Kinare Gaam Re".

The hugely successful movie will always be remembered as Dev Anand's greatest hits. I recommend it to any fan of Dev Anand or anyone interested in the history of Bollywood. Khosla went on to direct some more hits for the Navketan banner. Including Kalaa Pani and Bambai Ka Babu.

8/10 for the movie's Historical Significance in Bollywood.

I thoroughly enjoyed 'C.I.D.', made in Film Noire style. The suspense, the car chase, the simplicity added to the entertainment value. The background score and lighting just make up the Noire style.

Dev Anand is pretty cool as the framed C.I.D. Shakila is bubbly and Waheeda Rehman was awesome in her debut, playing a greyish character.

The songs are quite fun too. I especially liked 'Kahin pe Nigahen' and the lyrics are awesome as through these lyrics, Waheeda's character narrates the escape route to Dev Anand. The turns and twists were skillfully handled and director Raj Khosla presents them very well. No time is wasted in meaningless subplots in this fast-paced thriller. Cinematography is top notch. All in all, this is one of the enjoyable classics. You can expect good entertainment :).