Attack

'Attack' was a violent exposé of a lack of courage and perversion among American officers fighting the Germans in Belgium; a completely anti-romantic expression of disgust with war, and, more specially, the war machine, with its breakdown and its own ridiculous brand of bureaucracy…

Jack Palance and Eddie Albert played, at different types of psychic disturbance, two officers who struggle on the battlefield — the one an efficacious, trustworthy, but disillusioned hero-typed, the other a cowardly sadist…

Lee Marvin was the cynical high-ranking officer who treats war as a political farce, mindless of the pain and distress of the ordinary soldiers…

Despite an inevitable over-fondness for the dramatic values of combat and the ferocious of men at arms, this was a convincing, truthful try to demythologize war — which, had it been set up in a lower key with fewer psychiatric reverberations, would have come nearer to being what Aldrich was struggling to achieve, 'a sincere plea for peace'.

Above average war film with Jack Palance's snarling ferocity as a revengeful officer along with Eddie Albert as a coward captain ,both of whom give excellent performances along with the remaining cast . 1944 , Belgium , Battle of Bugle , during the closing days of WWII, a National Guard Infantry Company is assigned the task of setting up artillery observation posts in a strategic area . Lieutenant Costa (splendid Jack Palance as platoon leader) knows that Cooney (Eddie Albert ,in real life he served in WW II, was a war hero, in one engagement having braved heavy enemy fire to rescue 70 wounded Marines) is in command only because of his friendship to a colonel (Lee Marvin) and other connections he had made with High-command . As captain Cooney is ordered to move one of his platoons into a forward position . They , then are slowly surrounded by a Nazi army . As Costa has serious doubts concerning Cooneys' ability to lead the group . Lt. Costa calls headquarters for reinforcements but Cooney won't commit his reserves even as the platoon is decimated , then Costa swears vendetta .

This is a bitter war drama that packs thrills , chills , intense battle of wits among two officials and many other things . This has an anti-war argument , though not the usual 'war is hell,' but the terribly corrupting influence that war can have on the most normal, average human beings , and the terrible things it makes them capable of that they wouldn't be capable of otherwise . Interesting picture with excellent screenplay by James Poe based on a play titled "Fragile Fox" by Norman Brooks , dealing with an expert portrayal of men in war under pressure . It is a war movie as frankly good that when it was shown as the Venice Festival a U.S. ambassador walked in protest for its un-Americanism and anti-patriotism , in fact , US Department of Defense and the US Army refused to assist with the production of this movie based on its film script . After reading the script, the military flatly refused to allow any co-operation with the production , that meant no tanks, no uniforms, no troops ; they didn't even allow director to view any Signal Corps footage . However Aldrich managed to rent two tanks ; by careful staging and ingenuity, he was able to convey the impression that many more were being used . Very good acting from Jack Palance who dominates the picture with a tremendously acting , though sometimes overacting , and Eddie Albert as cowardly captain Cooney who refuses to re-enforce him . Two of the lead cast in this Robert Aldrich war film of the Second World War, Richard Jaeckel and Lee Marvin, would go onto appear in the same director's later hugely successful World War II war movie, ¨Dirty Dozen¨ . Actors Jack Palance and Lee Marvin were veterans of World War II as were Peter van Eyck and Eddie Albert . Feature film movie debut for actor William Smithers portraying Lieutenant Harold 'Harry' Woodruff , Smithers prior to this role had only worked in television. Spectacular combats and fights , battle sequences were filmed on the back-lot of two studios: The RKO-Pathé Studios back-lot and the Universal Studios back-lot. Appropriate and evocative musical score by Frank De Vol , Aldrich's usual . Adequate and atmospheric cinematography in black and white by Joseph Biroc .

Well made on the RKO lot in only 35 days for a minimal budget of $750,000 . The motion picture was stunningly realized by Robert Aldrich who gave a tense and brilliant direction . Aldrich began writing and directing for TV series in the early 1950s, and directed his first feature in 1953 (Big Leaguer ,1953). Soon thereafter he established his own production company and produced most of his own films , collaborating in the writing of many of them . Directed a considerable plethora of genres but almost all of his films contained a subversive undertone . He was an expert on warlike genre (Dirty Dozen , The Angry Hills , Ten seconds to hell) and Western (The Frisko kid , Ulzana's raid, Apache , Veracruz , The last sunset) . Rating : Above average , it's a must see and a standout in its genre .

For anyone interested in the subject of World War II - as tackled by Hollywood - "Attack" is a classic first-rate contribution to the genre. With a stellar cast including, oh, listen to this:

1. The captivating Jack Palance in one of his finest roles.

2. Eddie Albert, one of the most likable actors, normally known for playing lovable good-guys her he delivers a character you will just love to hate.

3. Lee Marvin, no comment necessary, one of the very few screen actor from the raw school of coolness (where his only competition was that of Steve McQueen, James Coburn and Charles Bronson).

4. Robert Strauss, who like in the classic "Stalag 17" again gives us some welcomed comic relief well mixed with drama and first rate acting.

5. Buddy Ebsen, excellent and always above-par, whether it was as 'Doc' in "Breakfast at Tiffany's" or TV's 'Barnaby Jones' and 'Jed Clampett' of "The Beverly Hillbillies".

6. Richard Jaeckel, who's fine career spanned from this through hits like "The Dirty Dozen" and all the way to uhm... "Baywatch"!

7. William Smithers who despite this star-making film debut (as the REAL main character of the movie) oddly enough never seemed to top this role (somehow he is credited last here on the IMDb, probably because his name is the last to show up during the opening titles with an "And introducing" attached to it).

The whole sha-bang is directed by the great Robert Aldrich who really deserves credit for this one, as I am sure this story of a US Army officer struck by cowardice during WW2 was hard to stomach for some people just 11 years after the big one ended. Aldrich would go on the direct one of the grand-daddy's of guys-on-a-mission-movies, the before mentioned "The Dirty Dozen" (1967). Not surprisingly Aldrich would work with many of the above listed actors on several occasions, which is another testament to the sturdy cast of "Attack".

All these forces combined - in front off and behind the camera - results in a memorable ride through the darkest corners of the human soul, mixed with some thrilling battle scenes. As this is originally based on a play it might seem a bit talky to some, but wait for the first hour to pass and then it will suddenly explode in drama and first-rate acting. The many confrontations these characters have are all so intense they actually make you forget all the solid action scenes!

Definitely one of the most important Hollywood-contributions exploring the drama of war, worth adding to your WW2-collection!

One of Robert Aldrich's classic war movies explores pyschological pressure and just how war effects men mentally. Even the "good guys" have their bad sides, and the bad guys are so screwed up you either sympathize with them or hate them.

During the fall of 1944, Captain Cooney (Eddie Albert) commands a weary infantry company. Lt. Costa (a young Jack Palance) realizes that Cooney is unfit for command when he freezes in combat. Costa and close friend Lt. Woodruff (Bill Smithers) try to inform their superior, Colonel Bartlett (Lee Marvin sporting a southern drawl) of Cooney's incompetence; instead, White wants to stay out of the way and hopes for the best. He owes Cooney a chance to become a hero so he can look good back home. Well, as you might have expected, Cooney again freezes in combat, this time costing the lives of several of Costa's men - and Costa goes looking for vengeance in an awesome climactic sequence.

The supporting cast is dotted with familiar faces, including Robert Strass from STALAG 17 as an oafish, emotional dogface; the late Buddy Ebsen (BETWEEN HEAVEN AND HELL) as Costa's loyal platoon sergeant; and Richard Jaeckel (who's appeared in at least a dozen war flicks) as another young soldier. Kudos to Bill Smithers, who does a fantastic job in an early role as Costa's rational friend. His final scene will leave you stunned and reeling.

The movie features a number of memorable scenes which combine physical action, superb dialog and emotion perfectly. One scene in which a mortally wounded Jack Palance prays that God will let him live long enough to kill Cooney is gut-wrenching. Interestingly, both Cooney and Costa have lost their grip on sanity. It's clear from the beginning that Cooney is a whackjob, and Costa is perfectly sane. But he becomes madly (no pun intended) obsessed with killing Cooney, that he forgets everything else - including his own men which is fighting to save. Instead of focusing on thousands of troops and big explosions, Aldrich delivers enough punch in his small-scale story to knock you down. Interiors and exteriors are beautifully shot, confining the action within small spaces to deliver maximum intensity and efficiency.

ATTACK! is an honest film - yes, this type of thing did happen; read or see BAND OF BROTHERS (particularly episode #7) to witness a brutally accurate account of flawed leadership resulting in disaster. I give an 11/10.

One of the best war films ever made, this gritty little-known gem features Jack Palance in perhaps his best role. The dynamics of a small infantry unit just about at the end of its tether in WWII Europe are portrayed extremely realistically. Eddie Albert, Lee Marvin, and Buddy Ebsen give great supporting performances.

The film is in B&W and has all the dirt and sweatiness and fear that is characteristic of really good work done in the 1950's.

No pretty boys here