IMDb रेटिंग
7.4/10
6.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn 1944, an American Infantry company sets up an artillery observation post, but tensions between Captain Cooney and Lieutenant Costa run high.In 1944, an American Infantry company sets up an artillery observation post, but tensions between Captain Cooney and Lieutenant Costa run high.In 1944, an American Infantry company sets up an artillery observation post, but tensions between Captain Cooney and Lieutenant Costa run high.
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
Peter van Eyck
- SS Captain
- (as Peter Van Eyck)
Jim Goodwin
- Pfc. Ricks
- (as Jimmy Goodwin)
Jud Taylor
- Pvt. Jacob R. Abramowitz - Radioman
- (as Judson Taylor)
फ़ीचर्ड समीक्षाएं
One of Robert Aldrich's classic war movies explores pyschological pressure and just how war effects men mentally. Even the "good guys" have their bad sides, and the bad guys are so screwed up you either sympathize with them or hate them.
During the fall of 1944, Captain Cooney (Eddie Albert) commands a weary infantry company. Lt. Costa (a young Jack Palance) realizes that Cooney is unfit for command when he freezes in combat. Costa and close friend Lt. Woodruff (Bill Smithers) try to inform their superior, Colonel Bartlett (Lee Marvin sporting a southern drawl) of Cooney's incompetence; instead, White wants to stay out of the way and hopes for the best. He owes Cooney a chance to become a hero so he can look good back home. Well, as you might have expected, Cooney again freezes in combat, this time costing the lives of several of Costa's men - and Costa goes looking for vengeance in an awesome climactic sequence.
The supporting cast is dotted with familiar faces, including Robert Strass from STALAG 17 as an oafish, emotional dogface; the late Buddy Ebsen (BETWEEN HEAVEN AND HELL) as Costa's loyal platoon sergeant; and Richard Jaeckel (who's appeared in at least a dozen war flicks) as another young soldier. Kudos to Bill Smithers, who does a fantastic job in an early role as Costa's rational friend. His final scene will leave you stunned and reeling.
The movie features a number of memorable scenes which combine physical action, superb dialog and emotion perfectly. One scene in which a mortally wounded Jack Palance prays that God will let him live long enough to kill Cooney is gut-wrenching. Interestingly, both Cooney and Costa have lost their grip on sanity. It's clear from the beginning that Cooney is a whackjob, and Costa is perfectly sane. But he becomes madly (no pun intended) obsessed with killing Cooney, that he forgets everything else - including his own men which is fighting to save. Instead of focusing on thousands of troops and big explosions, Aldrich delivers enough punch in his small-scale story to knock you down. Interiors and exteriors are beautifully shot, confining the action within small spaces to deliver maximum intensity and efficiency.
ATTACK! is an honest film - yes, this type of thing did happen; read or see BAND OF BROTHERS (particularly episode #7) to witness a brutally accurate account of flawed leadership resulting in disaster. I give an 11/10.
During the fall of 1944, Captain Cooney (Eddie Albert) commands a weary infantry company. Lt. Costa (a young Jack Palance) realizes that Cooney is unfit for command when he freezes in combat. Costa and close friend Lt. Woodruff (Bill Smithers) try to inform their superior, Colonel Bartlett (Lee Marvin sporting a southern drawl) of Cooney's incompetence; instead, White wants to stay out of the way and hopes for the best. He owes Cooney a chance to become a hero so he can look good back home. Well, as you might have expected, Cooney again freezes in combat, this time costing the lives of several of Costa's men - and Costa goes looking for vengeance in an awesome climactic sequence.
The supporting cast is dotted with familiar faces, including Robert Strass from STALAG 17 as an oafish, emotional dogface; the late Buddy Ebsen (BETWEEN HEAVEN AND HELL) as Costa's loyal platoon sergeant; and Richard Jaeckel (who's appeared in at least a dozen war flicks) as another young soldier. Kudos to Bill Smithers, who does a fantastic job in an early role as Costa's rational friend. His final scene will leave you stunned and reeling.
The movie features a number of memorable scenes which combine physical action, superb dialog and emotion perfectly. One scene in which a mortally wounded Jack Palance prays that God will let him live long enough to kill Cooney is gut-wrenching. Interestingly, both Cooney and Costa have lost their grip on sanity. It's clear from the beginning that Cooney is a whackjob, and Costa is perfectly sane. But he becomes madly (no pun intended) obsessed with killing Cooney, that he forgets everything else - including his own men which is fighting to save. Instead of focusing on thousands of troops and big explosions, Aldrich delivers enough punch in his small-scale story to knock you down. Interiors and exteriors are beautifully shot, confining the action within small spaces to deliver maximum intensity and efficiency.
ATTACK! is an honest film - yes, this type of thing did happen; read or see BAND OF BROTHERS (particularly episode #7) to witness a brutally accurate account of flawed leadership resulting in disaster. I give an 11/10.
Anyone remember a 1965 war movie called BATTLE OF THE BULGE ? That's the movie supposedly set during the Ardennes campaign in Belguim but instead of seeing snow shrouded forests we're led to believe the conflict took place on dusty desert plains . Unfortunately with ATTACK director Robert Aldrich makes a similar error in geography and weather conditions . There's no snow to be seen ( Apart from some fake snow in one scene ) there's no forests and you do get the feeling the movie was filmed on a hot summers day no matter how the cast try and convince you other wise . In fact I felt rather sorry for the actors dressed in heavy greatcoats jumping up and down trying to get into character and it's interesting to note that by half way through the movie everyone has stopped in their vain attempts trying to convince the audience it's a very cold day
That said ATTACK is a very impressive war drama - and please note I used the word drama in the last sentence . It's based on a play but unlike a lot of movies based on plays that often use flashback to tell the tale the roots of the source is hidden , this actually feels cinematic . The movie centres around the conflict Lt Costa who blames his commanding officer Captain Cooney for getting his platoon wiped out . The human drama of cowardice and command and the motive of revenge feature very heavily . It should also be pointed out how well Captain Cooney is written and played by Eddie Albert , he's relatively sympathetic as a weak man who seems caught up in things outside his control though at the end he does become a sort of melodramtic carichture . The whole cast do a good job and the scenes with Lee Marvin and Eddie Albert together are superb . It's such a pity no one seems to make war movies this intelligent anymore
That said ATTACK is a very impressive war drama - and please note I used the word drama in the last sentence . It's based on a play but unlike a lot of movies based on plays that often use flashback to tell the tale the roots of the source is hidden , this actually feels cinematic . The movie centres around the conflict Lt Costa who blames his commanding officer Captain Cooney for getting his platoon wiped out . The human drama of cowardice and command and the motive of revenge feature very heavily . It should also be pointed out how well Captain Cooney is written and played by Eddie Albert , he's relatively sympathetic as a weak man who seems caught up in things outside his control though at the end he does become a sort of melodramtic carichture . The whole cast do a good job and the scenes with Lee Marvin and Eddie Albert together are superb . It's such a pity no one seems to make war movies this intelligent anymore
One of the best war films ever made, this gritty little-known gem features Jack Palance in perhaps his best role. The dynamics of a small infantry unit just about at the end of its tether in WWII Europe are portrayed extremely realistically. Eddie Albert, Lee Marvin, and Buddy Ebsen give great supporting performances.
The film is in B&W and has all the dirt and sweatiness and fear that is characteristic of really good work done in the 1950's.
No pretty boys here
The film is in B&W and has all the dirt and sweatiness and fear that is characteristic of really good work done in the 1950's.
No pretty boys here
Cowardice and creepy careerism are at the heart of this disturbing war film featuring outstanding performances from Jack Palance and Eddie Albert as officers at odds at the tail end of the war in Europe, 1944. One a respected leader, the other a coward with connections.
Week end wonder Captain Cooney (Albert), reluctant to engage the enemy is wasting platoon lives. Rather than be court-martialed or sent to the rear, his connections to Colonel Bartlett (Lee Marvin) prevent it. Captain Costa (Palance) appalled at the carnage Cooney is creating resorts to threatening him if he does not back them up on the next mission to secure a town.
Palance is powerfully intimidating throughout, his frustration level with Cooney at fever pitch. Albert is text book craven coward with daddy issues, his condescending smugness, attempting to disguise his terror, making him an even more infuriating individual. Probably Albert's finest dramatic performance to go along with the irony that Eddie was a bona fide war hero. Marvin as the cynical commanding officer is slightly over the top while the rest of the dogfaces convincingly battle weary.
Aldrich and his cinematographer Joe Biroc capture the depressing futility of battlefield charges as well as create maximum tension among the men in tightly framed claustrophobic interiors. Aldrich for his part does not sugar coat, glorify in any way or go Hollywood ending. A depressing but impressive work.
Week end wonder Captain Cooney (Albert), reluctant to engage the enemy is wasting platoon lives. Rather than be court-martialed or sent to the rear, his connections to Colonel Bartlett (Lee Marvin) prevent it. Captain Costa (Palance) appalled at the carnage Cooney is creating resorts to threatening him if he does not back them up on the next mission to secure a town.
Palance is powerfully intimidating throughout, his frustration level with Cooney at fever pitch. Albert is text book craven coward with daddy issues, his condescending smugness, attempting to disguise his terror, making him an even more infuriating individual. Probably Albert's finest dramatic performance to go along with the irony that Eddie was a bona fide war hero. Marvin as the cynical commanding officer is slightly over the top while the rest of the dogfaces convincingly battle weary.
Aldrich and his cinematographer Joe Biroc capture the depressing futility of battlefield charges as well as create maximum tension among the men in tightly framed claustrophobic interiors. Aldrich for his part does not sugar coat, glorify in any way or go Hollywood ending. A depressing but impressive work.
It would seem political correctness prevailed even back during the big bloodletting. The military should screen it's officers very thoroughly before giving them the command over others' lives. Captain Cooney should never have been issued a uniform much less been promoted to such a high field rank. Most of these old 40's and 50's war films leave me colder than a dead kraut but this was way above the fold. Yes, some of the special effects were a bit tame and a couple of the sets looked like what they were, but this was one gritty, ugly tale of the horror and waste of combat. The entire cast was excellent in their portrayal of soldiers in a hopeless situation. Many familiar old faces in this one, most of whom are no longer with us.
क्या आपको पता है
- ट्रिवियाAlthough he played a cowardly officer in this film, in real life Eddie Albert, who served in WW II, was a decorated war hero. At the Battle of Tarawa (1943), while braving heavy enemy fire, he rescued over 70 wounded Marines, loading them onto his landing craft and taking them back to other ships to receive medical care. For these actions he was award the Bronze Star with "V" device for valor.
- गूफ़In every shot in which they appear, the German tanks have external travel locks on their main gun, including whilst they are firing. These braces are mainly applied when the tank is being transported by ship or train, and is to prevent the turret from shaking and damaging sensitive systems like aiming mechanisms. However, any such device would be removed long before the tank enters combat, as it makes aiming virtually impossible. That, and thanks to recoil, the act of firing the gun in such a situation would not only damage the lock, but also likely harm the very mechanisms the lock is supposed to help protect in the first place.
- भाव
Sfc. Tolliver, Fox Co.: [refusing a drink] Captain, down around where I come from we dearly love our whiskey. But we don't drink with another man unless we respect him.
- क्रेज़ी क्रेडिटOpening credits prologue: EUROPE 1944
- इसके अलावा अन्य वर्जनWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'X' rating. All cuts were waived in 1997 when the film was granted a 'PG' certificate for home video.
- कनेक्शनFeatured in Discovering Film: Lee Marvin (2015)
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विवरण
बॉक्स ऑफ़िस
- बजट
- $7,50,000(अनुमानित)
- चलने की अवधि
- 1 घं 47 मि(107 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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