Summertime

"Summertime" is more of a mood piece than anything else. It captures the loneliness of a traveler in a foreign land, in this case a spinster who is hungry for love but too repressed to accept the love Rossano Brazzi offers. It has a bittersweet ending, appropriate for a thin story that sets the tone early on and never once makes us believe that Hepburn is going to find her true love in Venice.

The photography is gorgeous and must have had everyone heading for the nearest travel bureau for a tour of Italy when the film was released. The performances are all excellent--but the film belongs to Hepburn. She creates one of her most moving and truthful portraits--sensitively showing us what this woman feels as she watches others pairing off for affairs, alone and unable to really connect. The sexual mores of the 1950s permeate the film--the sexual revolution was just over the horizon but not yet evident.

One of Hepburn's most subtle, yet affecting performances. With David Lean's sensitive direction, the gorgeous photography and the evocative background music, "Summertime" will put you under the spell of its fragile romance. Easy to see why Brazzi was the ultimate continental charmer.

The mood is leisurly, the pace deliberate, and the look of Venice is shimmering and magical. This "brief encounter" of an American spinster on vacation falling for a married, though separated, man is David Lean as his best. It is also one of Katherine Hepburn's lovely performances. Having read about production problems with this film, it became all the more remarkable to watch. To name a few, Hepburn suffered severe eye damage from her spill in the stagnant canal (in a remarkable shot without use of a double) and the stench from the waters aggravated ailments left over from her previous "African Queen." Also her private life during the filming mirrored the quiet desparation of the heroine, due to personal circumstances. Yet all of this is amazingly hidden through the skill of Director Lean and his camera crew. It's a Hepburn "spinster" role she played many times ("Alice Adams," "The Rainmaker") and no one could do it as convincingly. "Summertime" is a kind of film they don't make any more--and for good reason: they couldn't top it. Nor is there a "Hepburn" today able to carry a full production like this on her shoulders as effectively as this legendary actress.

Jane Hudson (Katherine Hepburn), a middle-aged American school teacher, arrives in Venice, fulfilling a lifelong dream… On her first evening, she has an encounter with Mauro, an enterprising little street child, who becomes her unofficial escort… But in the evening, while seating in a crowded café, she sees a handsome man in a gray flannel suit... Her first instinctive reaction was to oppose, pay the bill, escape, and keep out of sight...

The next evening, she sits alone to take a drink in the Piazza San Marco, but with a wandering eye… As the violins begin playing 'Summertime in Venice', Jane would turn away in a heart beat to see Renato passing by… To hide her anxiousness, she inclines the chair next to her, pretending that she is expecting a company... Jane has come to Venice to find a handsome, unmarried hero of her dreams... But she is furious and resentful... She really can't understand what she is doing...

The most advantageous thing about David Lean's 'Summertime' is its sensitive portrait of the loneliness that holds back the fancy secretary, a desperately single heroine whose search for romance and adventure is prevented less by cultural differences than by her own feeling defenses...

Hepburn is a pleasant tourist with great magnetism... Rossano Brazzi is too powerful, tempting and charming as Renato, the Venetian who couldn't catch a fallen white gardenia in one of the canals of his town

The picture deals with a attractive spinster secretary (Katherine Hepburn) from Ohio who goes to holiday and has ultimately made it to Venice , for her long-awaited dream . Never-married , likable middle-aged Jane is a self-described "independent type" who's content , or so she claims , to go it mostly solitary , wielding her movie camera throughout the city when she meets a antiques merchant (Rossano Brazzi) . Jane soon discovers that even in a town as marvelous and riveting as Venice , going it alone can still leave one feeling unfortunately alone . She's trapped in an idyllic romance until that's realised of the reality . She also befriends a helpful beggar boy who pursues her everywhere .

The film plot is plain and simple but abounds the surprises . The various highlights movie include : the spectacular downfall of Hepburn into the Venice canal or when the lovers watch how the flower dropped to water is going away and of course the sensitive and exciting final in the train and station . Impressive and breathtaking cinematography by Jack Hyldyard ; David Lean , in fact , had only used four photographers throughout his career . The other cameramen have been Guy Green , Ronald Neame and Freddie Young , everybody notorious color specialists . Katherine Hepburn's interpretation is top notch , she's sympathetic , romantic , attractive , memorable but also sad and vulnerable . Rossano Brazzi as a Latin lover is awesome . The support cast although relatively known -Darren McGavin, Isa Miranda , Marie Aldon- is very secondary , the film is principally interpreted by the excellent pair : Hepburn and Brazzi . Production set by Vincent Korda is spectacular , Korda is considered the greatest British designer . The motion picture is well directed by David Lean , author of many cinema classics . The picture will appeal to romantic movies fans . Rating : Above average . Well worth seeing .

I have watched this film tens of times. I have never seen a city filmed so beautifully as Venice in this film. The photography is smooth, and travelling shots just perfect. The sights, the sounds and above all the haunting music of the film are just something else. Apart from the title theme " Summertime in Venice ", I have never managed to find the rest of the music on a cd or LP. The weather was obviously anticyclonic and perfect when they shot the film and the colours are unbeatable. I found it on DVD ( Criterion ) but if the picture quality is perfect, there are no subtitles, other language tracks or bonus features, all of which is a great shame considering the film is so beautiful.

The plot is thin, Hepburn's reactions of a frustrated spinster are annoying at times and the film's end is unsatisfying either way. But these negative points will not stop me from watching again and again this film. It is pure 1950's gold. I wonder whether Venice today has

the same charm as in the film .............