Storm Over the Nile

If the name The Sudan is familiar today it is probably on account of the constant references to the exploits of his youth by Jonesy in 'Dad's Army' of the time he spent engaging the Mad Mahdi, briefly seen played by John Laurie in footage from the 1939 version.

Here you get a chance to see the thing played straight in this CinemaScope remake by Zoltan Korda of his classic thirties Ripping Yarn back in the days when Britain still had an empire.

Anthony Steel is a colourless substitute for John Clements as Harry Faversham and the less said about Lawrence Harvey in the role originally played by Ralph Richardson the better; but the late Mary Ure makes a charming and gracious heroine, while Osmond Borradaile's original location footage continued to give good value in this and a subsequent seventies version.

Sweeping new adaptation plenty of idealism ,heroism , friendship , redemption and overwhelming battles. It's a great classical movie of the British imperialism adventure , a genuine ripping yarn picking up several stunning images and with some stirring action taken from the quite better 1939 version . This fifth rendition about known story by A. E. W. Mason concerns a British young officer named Harry Faversham (Anthony Steel). Resigning from Army , he's rejected by his father-in-law (James Robertson Justice) and his engaged fiancée (Mary Ure), branded a coward and sent four white feathers by his friends (Ronald Lewis, Laurence Harvey, Ian Carmichael) . Determined to save his honor he heads to Sudan campaign against Derviches who previously (thirteen years before) had murdered General Gordon in Karthoum. There arrives the expedition of help commanded by General Wolsey and Kitchener for stifle the rebellious Sudan's tribes ruled by 'the Madhdi' , the ¨expected one¨ (events developed in ¨Khartoum¨ film -1966- with Charlton Heston and Laurence Olivier , directed by Basil Dearden) . The Madhi along with Arab tribes had besieged Khartoum (1884) and vanquished General Gordon . Faversham disguised himself as a native will save his friends from certain death and he will retrieve the lost honors .

This is a spectacular adventure detailing the epic feats of a brave hero, containing noisy action, idealism , romance , unlimited courage , breathtaking battles and impressive landscapes . It's a typically polished British and packs real enthusiasm of the imperialist arrogance along with standard heroic issues . Anthony Steel as stubborn officer is fine , Laurence Harvey as his best friend is convincingly played and Mary Ure as his girlfriend is enjoyable . Special mention for James Roberson Justice as swagger general Burroughs . Solid performances all around and excellent plethora of secondaries as Christopher Lee , Ferdy Mayne , Michael Hordern , Geoffrey Keen , among them . Sensational battle scenes staged by means of thousands of extras , though partially taken from former film directed by Zoltan Korda . Evocative cinematography in superb Technicolor camera-work , showing the late 1800's and sunny African landscapes by two cameramen : Edward Scaife and Osmond Borradaille for exterior photography in Sudan and interior filmed in Shepperton studios . Rousing and impressive musical score by Benjamin Frankel . The motion picture was professionally directed by Zoltan Korda and Terence Young with imagination and fair-play enough .

Other adaptations about this famous story are the following ones : the old and silent renditions filmed in 1915 , 1921 , and 1929 directed by Ernest B. Schoedsack and Merian C. Cooper with Richard Arlen, Fay Wray and Clive Brook ; the classic rendition by Zoltan Korda (1939) with John Clemens , Ralph Richardson and Jane Duprez ; and for TV (1978) by Don Sharp with Beau Bridges , Jane Seymour , Robert Powell and eventually , a modern rendition with Heath Ledger , Kate Hudson , Wes Bentley , and Michael Sheen .

Being something of a pacifist, Harry Faversham (Anthony Steele) has the misfortune to be born into a staunchly military family with all the expectations of an overbearing father (Michael Hordern) weighing down on his shoulders. Harry toes the line to please his dad, but when the old boy pops his clogs, he swiftly resigns his commission. As a consequence, he receives a white feather (the symbol of cowardice) from each of his best friends (Laurence Harvey, Ronald Lewis, and an out-of-place Ian Carmichael) on the eve of their departure to war in the Sudan. Harry awards himself a symbolic feather on behalf of his fiancée (Mary Ure) whose disappointment is clear. Harry determines to make his former friends take back their feathers, which is the signal for much derring-do to begin (hurrah!).

The tale of the four feathers is the epitome of the schoolboy adventure yarn with heroic soldiers blinded in battle, heroic soldiers captured by the fuzzie-wuzzies (not nice, I can tell you!), heroic cowards braving forehead-branding and boot polish to go deep under cover in darkest Africa, and pompous old boors endlessly recounting their role in the battle of Balaclava back in the Crimean. It should really be boredom-proof, but the sad truth is that this version comes perilously close to inducing that state at times. The film is practically a word-for-word remake of the 1939 version – and even makes scandalously wholesale use of the earlier version's battle scenes – which means it probably came across as a bit staid back in 1955, but looks positively creaky today.

Anthony Steel isn't a particularly convincing hero: at thirty-five he's playing a twenty-five year old who somehow looks forty-five, but the problem is more in the lack of sympathy Steel creates for his character. His Harry Faversham is the sort that sits in the corner and speaks when he's spoken too, and is therefore a little too bland to be a dashing hero, despite his acts of heroism. And exactly what sort of reaction did he expect to receive when he resigned his commission? Doesn't trotting off to the desert to regain his honour in the eyes of his friends and fiancée simply negate the strength of character required to resign in the first place? A young Laurence Harvey fares better as Faversham's upper-crust chum who suffers sun blindness when hiding from the fuzzies, and would arguably have been better suited to the leading man role. Ronald Lewis has practically nothing to do, while Ian Carmichael, on the cusp of his comedy career, comes off as a plummy-voiced twit.

The film isn't awful by any standards, but it really could have benefited from fifteen minutes being pruned from its running time, and a little more fire in young Faversham's belly.

A lot of critics gave this movie a really hard time. I never read critical reviews until I've seen a film and I must confess that I thoroughly enjoyed this one. Maybe it did use footage from a previous shoot and there were certainly flaws. But all in all, this was a good schoolboy yarn. I liked the lengthy build up to the scenes in Sudan, it really helped set the scene and made you care about the characters. The plot lingered long enough to give the viewer a feel of the longevity of the piece. The plot was well moved along and there was suitable emotion shown. James Robertson Justice so often just barks out his lines and in this movie he....Well, just barked out his lines! A real shame. A small blemish on an otherwise enjoyable movie.

Although you wouldn't guess it from the title, Storm Over the Nile is a version of Four Feathers. This is the fourth film version I have seen, and it is quite good, with only one problem: Laurence Harvey is not the hero, and he is far too likeable. In the other versions, the leading actor is the likable one, so you are able to easily root for him to win back the affections of his fiancé and live happily ever after. In this one, though, Anthony Steel is the lead. He is not unlikable on his own, but Laurence Harvey's performance is very sensitive and sweet, and you can't help but like him better. You hope that he is the one who can win back affections of Mary Ure and live happily ever after. Even though the story clearly revolves around Anthony's quest for honor, Larry is the one you care about.

Besides that, it's a solid period drama. The music tries to evoke Miklos Rozsa's original themes, and Zoltan Korda's direction reminds us how well he directed the earlier 1939 version. If the casting were reversed, it probably would have been a very good movie. Love Larry in this? Check him out in The Alamo or Walk on the Wild Side.