अपनी भाषा में प्लॉट जोड़ेंJim Tex Wall is searching for three men who killed his wife and stole his horses and finds them working for a gang of cattle rustlers engaged in a turf war with a rival gang of outlaws.Jim Tex Wall is searching for three men who killed his wife and stole his horses and finds them working for a gang of cattle rustlers engaged in a turf war with a rival gang of outlaws.Jim Tex Wall is searching for three men who killed his wife and stole his horses and finds them working for a gang of cattle rustlers engaged in a turf war with a rival gang of outlaws.
Joe Bassett
- Stud
- (बिना क्रेडिट के)
Leonard P. Geer
- Sparrow
- (बिना क्रेडिट के)
Boyd 'Red' Morgan
- Brad
- (बिना क्रेडिट के)
Al Wyatt Sr.
- Slocum
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I do not know very much about Director Sidney Salkow, but his films have not impressed me, including ROBBERS' ROOST which I find thoroughly mediocre.
Despite potentially beautiful vistas, including a rock hanging perilously high over other rocks, Jack Draper's cinematography looks shabby and pedestrian. Stunts are unmemorable, too.
I did not like the acting. Perahps because of the unbelievably stilted screenplay, lawman George Montgomery plays a cattle rustler joining two other rustler gangs, led by Richard Boone and Peter Graves respectively. Montgomery comes across as thoroughly wooden, Boone contrasts with an annoyingly over the top performance, Graves inexplicaby tries to cheat Boone at cards, and just keeps blundering right up to his stupid death. Pretty Sylvia Findley and her father, paralitically played by former great supporting actor Bruce Bennett, are the victims of the rustling gangs. Incredibly, Bennett's theory is that by engaging thieves his head of cattle are safe because there is so much dis-honor among thieves! In other words, if you want your property protected, keep pumping in crooks and it will be safe as a state bank... what BS, the more the merrier as they empty your goods!
That shows the (artificial) intelligence of the script by John O'Dea off the original book by Zane Grey.
I doubt I will rewatch this dud. 5/10.
Despite potentially beautiful vistas, including a rock hanging perilously high over other rocks, Jack Draper's cinematography looks shabby and pedestrian. Stunts are unmemorable, too.
I did not like the acting. Perahps because of the unbelievably stilted screenplay, lawman George Montgomery plays a cattle rustler joining two other rustler gangs, led by Richard Boone and Peter Graves respectively. Montgomery comes across as thoroughly wooden, Boone contrasts with an annoyingly over the top performance, Graves inexplicaby tries to cheat Boone at cards, and just keeps blundering right up to his stupid death. Pretty Sylvia Findley and her father, paralitically played by former great supporting actor Bruce Bennett, are the victims of the rustling gangs. Incredibly, Bennett's theory is that by engaging thieves his head of cattle are safe because there is so much dis-honor among thieves! In other words, if you want your property protected, keep pumping in crooks and it will be safe as a state bank... what BS, the more the merrier as they empty your goods!
That shows the (artificial) intelligence of the script by John O'Dea off the original book by Zane Grey.
I doubt I will rewatch this dud. 5/10.
Robbers' Roost is directed by Sidney Salkow and Salkow co-adapts the screenplay from a Zane Grey story with John O'Dea and Maurice Geraghty. It stars George Montgomery, Richard Boone, Sylvia Findley, Peter Graves, Tony Romano, Warren Stevens and Leo Gordon. Music is by Paul Dunlap and cinematography by Jack Draper.
As a huge Western fan it's disappointing to find such a damn fine cast operating in such a mundane Oater. It's not bad by any stretch of the imagination, it's just so ordinary and sits with a host of other 1950s genre pieces that fail to ignite and add something interesting to a standard tale.
Here we have two rival gangs of cowpokes working for one man, the reason for hiring both sets of rivals is tenuous at best. Anyhoo, the two mobs must try and get along enough to get the job done, only a couple of the main players have hidden agendas. While of course right in the middle is a tough gal, creating untold amounts of sexual tension.
The story unfolds in steady sedate fashion, the odd moments of action perking the pace occasionally, with plenty of macho posturing on show, while the ever lingering cloud of intrigue keeps the interest ticking by. Once the agendas are revealed the pic kicks into a higher gear, which builds tidily to the expected finale of few surprises.
The location photography is most pleasant (Durango, Mexico) and the colour lenses are also easy on the eye. But it's ultimately a waste of good casting and a potent premise, leaving us with an average Oater that's more a gap filler than a must see for genre fans. 5/10
As a huge Western fan it's disappointing to find such a damn fine cast operating in such a mundane Oater. It's not bad by any stretch of the imagination, it's just so ordinary and sits with a host of other 1950s genre pieces that fail to ignite and add something interesting to a standard tale.
Here we have two rival gangs of cowpokes working for one man, the reason for hiring both sets of rivals is tenuous at best. Anyhoo, the two mobs must try and get along enough to get the job done, only a couple of the main players have hidden agendas. While of course right in the middle is a tough gal, creating untold amounts of sexual tension.
The story unfolds in steady sedate fashion, the odd moments of action perking the pace occasionally, with plenty of macho posturing on show, while the ever lingering cloud of intrigue keeps the interest ticking by. Once the agendas are revealed the pic kicks into a higher gear, which builds tidily to the expected finale of few surprises.
The location photography is most pleasant (Durango, Mexico) and the colour lenses are also easy on the eye. But it's ultimately a waste of good casting and a potent premise, leaving us with an average Oater that's more a gap filler than a must see for genre fans. 5/10
Or George Montgomery vs Richard Boone for a nothing special but effective and taut western which will please all western buffs. It is rather rare and made by a good professional: Sidney Salkow who also gave us THE IRON SHERIFF, GUN DUEL IN DURANGO, GREAT SIOUX MASSACRE and many other good and solid westerns. So that's a pretty good reason not to miss it, though nothing exceptional here, just a good drecting and acting, good character symphony too. Richard Boone is far more interesting for me than the wooden George Montgomery in a role that brings nothing at all to his career. So focus on Leo Gordon, Dick Boone and you'll plenty enjoy it.
Jim "Tex" Wall (George Montgomery) is a man with a hidden agenda, he is after the men who raped his wife and stole his horses and nothing will stop him. When he arrives in a small town he joins up with a group of cattle rustlers lead by Hank Hays (Richard Boone) who are in constant battle with rival rustlers lead by Heesman (Peter Graves). But these two gangs find themselves in the unusual position of having been hired by recently crippled rancher "Bull" Herrick (Bruce Bennett) who figures they will be too busy making sure the others don't get a jump on them that they won't be interested in stealing his cattle. But it brings Tex in to contact with Herrick's younger sister Helen (Sylvia Findley) who whilst opposed to her brother's plans falls for Tex until she discovers a wanted poster with his face on it.
George Montgomery, an underrated western star, is really good in the role as the stranger with a vendetta and Richard Boone fit the Bill as the slimy and lusty villain. It's a well-made western with grand scenery and a rousing finale that is unleashed after the narrative is unravelled, maybe a bit too laboriously at times, and it ends satisfactory. A solid old-fashioned entertainment.
George Montgomery, an underrated western star, is really good in the role as the stranger with a vendetta and Richard Boone fit the Bill as the slimy and lusty villain. It's a well-made western with grand scenery and a rousing finale that is unleashed after the narrative is unravelled, maybe a bit too laboriously at times, and it ends satisfactory. A solid old-fashioned entertainment.
This movie wasted a good cast and film stock.
George Montgomery and Richard Boone should have switched roles. Boone would have brought out the subleties of a good man masquerading as a bad guy.
Montgomery's career might have profited by playing a slick bad guy.
Who the heck was Sylvia Findley? why was she given the female lead? You've got Montgomery, Boone, William Hopper and Peter Graves all lusting after her. I don't see what the big deal was.
It also makes little use of Leo Gordon. When you have a big, intimidating guy like that, use him! He made a bigger impression opposite John Wayne in "Hondo" or as a convict in "Riot In Cell Block 11".
They should have given the guy with the guitar some better songs to sing.
At least the colors were good.
George Montgomery and Richard Boone should have switched roles. Boone would have brought out the subleties of a good man masquerading as a bad guy.
Montgomery's career might have profited by playing a slick bad guy.
Who the heck was Sylvia Findley? why was she given the female lead? You've got Montgomery, Boone, William Hopper and Peter Graves all lusting after her. I don't see what the big deal was.
It also makes little use of Leo Gordon. When you have a big, intimidating guy like that, use him! He made a bigger impression opposite John Wayne in "Hondo" or as a convict in "Riot In Cell Block 11".
They should have given the guy with the guitar some better songs to sing.
At least the colors were good.
क्या आपको पता है
- ट्रिवियाSylvia Findlay was 51 years old when this movie was made.
- कनेक्शनFeatured in Frances Farmer Presents: Robbers Roost (1960)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Robbers' Roost?Alexa द्वारा संचालित
विवरण
- चलने की अवधि
- 1 घं 23 मि(83 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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