The Purple Mask

This is yet another vintage Hollywood costumed adventure romp, a "Scarlet Pimpernel" clone that proves to be a modest but lively swashbuckler with Tony Curtis cutting a dashing figure as the titular masked avenger (who, predictably, utilizes a foppish countenance as cover). Though awarding the film per se no stars at all, the late eminent British critic Leslie Halliwell nevertheless recommended Curtis' contribution here when denoting the more noteworthy genre exponents in his "Filmgoer's Companion" (an informative and vastly entertaining tome which I used to consume in my younger days but, having now been overtaken somewhat by up-to-date information which can be gathered more readily via the Internet, I do miss leafing through)!

Anyway, though the narrative pretty much follows the traditional pattern – with The Purple Mask even taking time out for romance (with unknown but adequate Colleen Miller) amid his action-packed and danger-fraught exploits – it's given a considerable boost by once again providing (as did BOTANY BAY [1953]: see my review elsewhere) a formidable antagonist for the hero in Dan O'Herlihy who, like him, is not above using deceptive cunning in carrying out his task and eventually engages Curtis in a fencing duel by the shadow of the guillotine! Also on hand in the villainous stakes are John Hoyt as the incompetent Chief Of Police, Gene Barry as a Captain Of The Guards (who is also conveniently enamored of the leading lady) and, perhaps most surprisingly of all, Robert Cornthwaite (best-known for playing the misguided scientist in Howard Hawks' THE THING FROM ANOTHER WORLD [1951]) as Napoleon Bonaparte! Therefore, this was O'Herlihy's first on screen encounter with Napoleon since he would later also appear in the Russian epic WATERLOO (1971; with Rod Steiger); on the other hand, O'Herlihy had also just come from playing a monarch himself and an ally of Tony Curtis in their previous (and superior) collaboration, THE BLACK SHIELD OF FALWORTH (1954).

Incidentally, the script makes a passing but interesting reference to France's then-First Consul's own bid for power: while he seemed to side with the Revolutionaries, Napoleon secretly harbored a wish for Royalist restoration (which would eventually occur, albeit briefly, in 1804 – a year after the events depicted in the film – with himself as Emperor). Finally, THE PURPLE MASK – along with another popular Universal swashbuckler, the Rock Hudson vehicle CAPTAIN LIGHTFOOT (1955), which I had tried to acquire recently but ended up with only 20 minutes of playable film! – is conspicuous by its absence on DVD; consequently, I had to make do in this case with an edition culled from a panned-and-scanned TV screening which, bafflingly, ran for a mere 75 minutes: the movie's full-length is given in various sources as 82 (which, even making allowances for PAL speed-up, would still leave some 4 minutes unaccounted for!).

It's the usual Hollywood swashbuckle routine but dated, as Errol Flynn was on his way out at this time and Hollywood perhaps needed some sort of a replacement. Tony Curtis does handomely, but the script is on old worn out patterns with a deplorable dialog, while the worst of all is Napoleon totally out of character and as unconvincing as a lackey for the emperor - this actor would have been more credible as a clown. The story is dashing enough and in colours, but of course you miss the classics, Leslie Howard, Douglas Fairbanks Jr, Ronald Colman and Errol Flynn, but Tony Curtis does his honest best and fair enough. There is a lot of sword fighting, and I doubt Tony Curis has proved so elegant a fencing master before or after. In brief, an entertaining adventure not without qualities, while the plot is a miserable pimpernel offprint imitation.

Try as he might Tony Curtis in his long career never really lost that Bronx speech pattern. It was the reason he got the horselaugh when he did these swashbucklers. He was so much better in modern dress and when The Purple Mask came out it was 2 years from his breakthrough part in Sweet Smell Of Success.

In this film Curtis plays a Zorro like character who dons a purple mask and goes around freeing members of the old nobility. The Reign Of Terror maybe over, but the first Consul Napoleon Bonaparte still has a use for the guillotine to chop off a noble head or three.

Which is where the Purple Mask comes in. By day Curtis is a dancing master as his Clark Kent/Don Diego self. But come the night he's Counterrevolution superhero The Purple Mask and one nasty customer with a sword.

Curtis liked it enough all right. I think The Purple Mask was nothing to write home about.

In his memoirs Curtis rather unfairly attacked Angela Lansbury who was at a low point in her career and was desperate for roles and appeared in this in a rather nothing part as a maid. She clearly said she did The Purple Mask for a paycheck. Curtis took the statement rather personally and was most unfair to Lansbury in his memoir.

Other familiar faces in The Purple Mask are Colleen Miller, Gene Barry, Dan O'Herlihy and John Hoyt. I'm sure The Purple Mask was no high point in their careers.

"The Purple Mask" is a standard swashbuckler with not much pretensions on the line of the masked avengers that fight for what they think right in a hidden personality (tha "Zorro" series, "The Scarlet Pimpernel" or "The Black Tulip" could be clear examples).

Most colorful and rather fast in its development (which is good) the film is in the limit of entertainment for fans of the genre. Romance and acceptable swordplay are there too.

A young Tony Curtis in the main role is no Errol Flynn, but he reaches the level of the movie. Angela Lansbury, Dan O'Herlihy, Gene Barry and John Hoyt (a usual villain) are there too. Robert Cornthwaite doesn't fit as Napoleon, and it is hard to believe that Bonaparte would take so much trouble with just a lonely masked guy that is against his plans for dominating Europe.

Just a watch is enough even if you are a swashbucklers fan.

This is a sort of "Zorro" meets the "Scarlet Pimpernel" - a colourful, swashbuckling offering from Bruce Humberstone that allows our hero Tony Curtis to pretty much run riot! He is the flamboyant, debonaire Royalist determined to rescue his friends, ransom the agents of First Consul Napoleon Bonaparte and engage in a bit of flirting with the daughter "Laurette" (Coleen Miller) of the plotting, ambitious "Duc de Latour" (Paul Cavanagh). It's all a bit theatrical, but has a great cast including Gene Barry, Dan O'Herlihy and Angela Lansbury to help keep it rollicking along in a fun, enjoyable fashion. The script, such as it is, isn't up to very much but that's made up for by the overall joie-de-vivre of the whole escapade and I quite enjoyed it.