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Nuit et brouillard

  • 1956
  • TV-14
  • 32 मि
IMDb रेटिंग
8.6/10
23 हज़ार
आपकी रेटिंग
Nuit et brouillard (1956)
इतिहासडॉक्यूमेंट्रीयुद्धलघु

अपनी भाषा में प्लॉट जोड़ेंThe history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.

  • निर्देशक
    • Alain Resnais
  • लेखक
    • Jean Cayrol
  • स्टार
    • Michel Bouquet
    • Reinhard Heydrich
    • Heinrich Himmler
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.6/10
    23 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Alain Resnais
    • लेखक
      • Jean Cayrol
    • स्टार
      • Michel Bouquet
      • Reinhard Heydrich
      • Heinrich Himmler
    • 108यूज़र समीक्षाएं
    • 77आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 BAFTA अवार्ड के लिए नामांकित
      • 2 जीत और कुल 1 नामांकन

    फ़ोटो21

    पोस्टर देखें
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    + 14
    पोस्टर देखें

    टॉप कलाकार5

    बदलाव करें
    Michel Bouquet
    Michel Bouquet
    • Narrator
    • (वॉइस)
    • (बिना क्रेडिट के)
    Reinhard Heydrich
    Reinhard Heydrich
    • Self
    • (आर्काइव फ़ूटेज)
    • (बिना क्रेडिट के)
    Heinrich Himmler
    Heinrich Himmler
    • Self
    • (आर्काइव फ़ूटेज)
    • (बिना क्रेडिट के)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (आर्काइव फ़ूटेज)
    • (बिना क्रेडिट के)
    Julius Streicher
    Julius Streicher
    • Self
    • (आर्काइव फ़ूटेज)
    • (बिना क्रेडिट के)
    • निर्देशक
      • Alain Resnais
    • लेखक
      • Jean Cayrol
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं108

    8.622.8K
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    फ़ीचर्ड समीक्षाएं

    10mlwehle

    A powerful and informative film.

    Resnais intersperses then-current-day (1955) color footage of Auschwitz with archival B&W to demystify and provide context for the Holocaust in modern western society rather than in anything unique to the German experience of totalitarianism. Photos of concentration camp personnel at home with their families invite the viewer to reflect on the banality of evil. Construction of the camps is described as like that of any large project, requiring bids, architects, contracts. Heart-wrenching scenes document a prisoner's view, from the transports being loaded through selections, showers/gas chambers, existence in the barracks, and in the end, mass death.

    Included on the DVD is an excerpt from a 1994 radio interview with Resnais, wherein he mentions French censors required the film makers to obscure the hat of a policeman guarding prisoners being deported - the French government refused to permit this recognition of French complicity and assistance with the deportations.
    grendelkhan

    Words cannot express the power of this film.

    I had heard the phrase "Night and Fog", but had missed the true meaning of it until I saw this movie sitting on a shelf in a local video store. I rented it and watched.

    I don't possess a vocabulary to convey the impact the images had upon me. I sat unmmoving, sick to my stomach. Those images would not leave my head.

    As a student of history, I had seen still images and brief clips of the victims of the Holocaust. None of it compared to seeing these images moving across my screen.

    To any doubters of the Holocaust, I say, "Watch this film!" It did happen. This is the result of hatred and complacency. We like to think it couldn't happen here, until we remember the treatment of the Native Americans and the slaves brought to this country. We think it could never happen again, until Cambodia, East Timor, Bosnia, Rwanda, etc., showed it still does.
    9Agent10

    A masterpiece as only the French could make

    This movie is the greatest Holocaust film ever, and few will ever deny this fact. Beautiful and intense, its makes the stomach turn when one sees the footage and pictures obtained in this film. I've never seen footage this brutal in my entire life, not even in a movie. The voice-overs seem odd at place, but it is really the voice of history, speaking of unspeakable horrors which are captured almost perfectly in this film. A dark tribute to those who lost their lives in the concentration camps. This should be used as a teaching tool for tolerance and the atrocities of World War II.
    10stuartpiles

    The Most Powerful Film Ever Made

    If you want to describe or give your audience a feeling for the holocaust, or "Man's Inhumanity To Man", then this is the vehicle to use..Show it..be warned, it is so powerful, that you will never forget what you see, neither will any of your viewers..It is impossible to describe, intermixing l955 footage of Auchwitz Concentration Camp, with captured Nazi footage which the allies found at the end of the war, and the scenes of American and British troops liberating the camps...In French, with English subtitles.. and scenes that are unforgettable and horrific. Even the sad music of death from this film plays in my ears, and I have not seen it in 15 years. Once you hear it, you will know.

    This is the one to show if you want people to understand the truth of what happened and the reason for its reaction in today's current events....It is shocking in a special way. I showed it to my classes. Students were warned, and told what was coming, they said it would be "nothing" By the end some were crying and moaning in horror...
    dollins22

    "Night and Fog" - A Prophetic Statement

    I stared at the wall for what seemed an hour. Time meant little to me. After watching Alain Resnais' 1955 Holocaust film, "Night and Fog," I struggled to remove my mind from Auschwitz. Images of death echoed in my head. Bits of poetic narration played over and over. "Who is responsible?"

    I came about this film by accident. I am an English teacher, and currently my students are reading Elie Wiesel's Nobel Prize winning memoir, "Night." Looking for a visual connection to the piece, I came across "Night and Fog." At 31 minutes, it appeared the perfect video complement to that devastating book. After watching the film in my dark, empty classroom, I realized the film offered so much more.

    In a culture where violence and images of death are glamorized, "Night and Fog" serves a unique purpose. It cuts through the desensitized soul and puts us face-to-face with true, unadulterated evil. While many might suggest this is overkill, occasionally we need to do this if only to remind ourselves of man's potential to perpetrate the abominations this film so cruelly unveils. We need to force ourselves to confront such forces, if only to ensure the film's prophetic final lines do not become a reality. "Who is on the lookout...to warn us of the coming of new executioners? Are their faces really different from our own?"

    This is the question which consumed me as I stared seemingly forever at the wall after the film ended. This is the question I want my students to ask. After much deliberation, I decided to show it, not as a history lesson, but as a moral lesson in the nature of evil. Great films get a strong reaction. Resnais' film is one of the greats.

    संबंधित रुचियां

    Liam Neeson in Schindler's List (1993)
    इतिहास
    Dziga Vertov in Chelovek s kino-apparatom (1929)
    डॉक्यूमेंट्री
    Band of Brothers (2001)
    युद्ध
    Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)
    लघु

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      In the DVD re-release, there is a subtle but controversial difference in one of the still photographs of a Nazi concentration camp in southern France. In this version the distinctive profile of a French gendarme can be seen at one of the camps, implying that the French Vichy government of the time was aware of and perhaps involved in the management of the camps. This same photograph appears in the original version but the gendarme's profile was obscured at the insistence of the French government (who commissioned the film) when the film was in post-production.
    • गूफ़
      In the film a popular myth about the Third Reich is presented as fact: The claim that the body fat of prisoners in extermination camps was used to produce soap. Though evidence does exist of small-scale soap production, possibly experimental, in the camp at Stutthof concentration camp near Danzig/Gdansk, mainstream scholars of the Holocaust consider the idea that the Nazis manufactured soap on an industrial scale to be part of World War II folklore.
    • भाव

      Récitant/Narrator: With our sincere gaze we survey these ruins, as if the old monster lay crushed forever beneath the rubble. We pretend to take up hope again as the image recedes into the past, as if we were cured once and for all of the scourge of the camps. We pretend it happened all at once, at a given time and place. We turn a blind eye to what surrounds us and a deaf ear to humanity's never-ending cry.

    • इसके अलावा अन्य वर्जन
      Before its original release, there was a still of a French gendarme (policeman) watching a roundup at Pithiviers. He is easily recognizable by the characteristic French "kepi." Wanting to deny complicity, French censors insisted this shot not be allowed, so for its original release, the image was altered so that a wooden beam covered the gendarme and his kepi. In 1997 or 98, the original version of the film was re-released in France, finally revealing the gendarme. The original American release of the film did not translate all the dialogue for the subtitles, in particular leaving out one of the two references to Jews: "Annette, from Bordeaux." Subsequent releases restored the original text: "Annette, a Jew from Bordeaux."
    • कनेक्शन
      Edited from Nazi Concentration Camps (1945)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • जनवरी 1956 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • फ़्रांस
    • भाषा
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Night and Fog
    • फ़िल्माने की जगहें
      • Auschwitz-Birkenau Concentration Camp, Oswiecim, Malopolskie, पोलैंड
    • उत्पादन कंपनी
      • Argos Films
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 32 मि
    • रंग
      • Black and White
      • Color
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.37 : 1

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