Moonfleet

"Two hundred years ago the great heath of Dorsetshire ran wild and bleak down to the sea. Here in the hidden caves and lonely villages, the smuggling bands plied their trades. And here, one October evening of the year 1757, a small boy came in search of a man whom he believed to be his friend"

This is the opening salvo for the MGM adaptation of J. Meade Falkner's novel of the same name. Miklós Rózsa's luscious sweeping score then tones down to let us read and savour, and from here on in we are hooked into this booming colourful adventure. With the makers practically overhauling J. Meade Falkner's novel, it's perhaps unsurprising that fans of the novel have no time for this. Thus if you have read the book and not seen the film then perhaps you best avoid it? Likewise those who are in to swashbuckling as a preferred genre, do not be lulled into the belief that because Stewart Granger is the lead character of Jeremy Fox here, that this is Scaramouche 2, because it has plenty of swash but not enough buckle for those of that persuasion.

You witless, gutless misbegotten gallows-bait!

Filmed in Cinemascope and Eastman Color, Moonfleet is a hugely enjoyable adventure that encompasses smugglers, rapscallions, wonderfully costumed soldiers, and crucially, an engaging bond between a man and his newly adopted son. The sets and Oceanside location are excellent, and the costumes from Walter Plunkett benefit greatly from the "coulourscope" filming process, Robert H. Plank's photography sharp and a treat for the eyes. Story wise there are plot holes to thrust your épée or foils thru, and goofs that have no place in a production such as this, but if a keg of smuggled brandy and a search for a hidden diamond has you interested? Well this will deliver without a shadow of a doubt. George Sanders, Joan Greenwood and young Jon Whiteley (excellent) join Granger in delighting to the end of this enjoyable piece. Fritz Lang directs and fuses Gothic traits with bravado adventure leanings and the results are very easy on the eye, go on, have a look see.

8/10 Hurrah!

This is a late Fritz Lang effort for MGM, an odd assignment for him in that it's a Stewart Granger costume picture, not the sort of project one would expect the director to have been hired for. The film turns out quite nicely. It's a fairly conventional story of smuggler's on the English coast, features a fine cast of veteran players, many of whom had appeared in pictures of this sort before.

That the story is presented in large part through the eyes of a small boy lends it a measure of distinction. We see Granger's character much as the boy does, as a hero, despite considerable evidence to the contrary. Granger is excellent in the lead. Despite what appears to be a modest budget, this is a handsome film, in the grand manner. That it's a back-lot picture, thus not a real spectacle, is more than made up for by Lang's manner of dealing with his material. The movie feels like a fairy tale. The ending is unexpectedly moving, surprised me, and is still vivid in my memory.

While not a masterpiece, Moonfleet should satisfy admirers of its director and costume picture fans as well.

Having read the earlier reviews of this movie, I do agree, in part, with some of them. But would like to give my two cents anyway.

This movie was based on a quite good 1898 novel by John Meade Falkner. Unfortunately Hollywood thought they could improve on the story line---with bad results (why am I not surprised).

Where did they ever come up with the name Jeremy Fox to replace Elzevir Block? And why did they make the boy so young? Not to mention the many other plot deviations (i.e. devious woman) which detracted from the tale. This could have been another 'Treasure Island' had the producers been a little less prone to taking liberties with literature.

Now this movie is still very watchable mind you. And Granger is not too bad in his role. But if you want an idea of what the movie could have been, read the book!

It is a long time since I read J Meade Falkner's novel, but I remember enough of it to realise that this film bears little resemblance to it. Around the middle of the eighteenth century John Mohune, the young son of a once-wealthy but now ruined aristocratic family, is sent after the death of his parents to stay with Jeremy Fox, the squire of the Dorset village of Moonfleet. Before her marriage to a cousin, Fox was the lover of John's mother, but they were prevented from marrying by the opposition of her family, who thought he was neither wealthy nor well-born enough for her. As the fortunes of the Mohunes have declined, however, so those of Fox have risen, and he is now the wealthiest man in the village, living in their ancestral mansion.

Fox takes a liking to the boy, and a friendship grows up between them. Unknown to John, however, Fox is not the respectable country gentleman he appears. His main source of wealth is his involvement in the lucrative, but highly illegal, smuggling trade, and he has plans to go into partnership with Lord Ashwood, a local nobleman, in a venture which involves plundering foreign ships and which effectively falls little short of piracy. The debonair Fox is also something of a ladies man, with at least two mistresses, one of whom denounces him to the authorities when he tires of her. The main plot concerns Fox and John's search for a long-lost diamond which had once belonged to one of the Mohune family.

"Moonfleet" has similarities to "Treasure Island" although it is set in Britain rather than on a remote tropical island. The relationship between the likable rogue Fox (a name presumably chosen because of its connotations of cunning) and young John parallels that between Long John Silver and Jim Hawkins. The film has been aptly described as situated on the boundary between a traditional cape and sword adventure and a Gothic horror movie. The style of acting is more that of the swashbuckling adventure. Stewart Granger, taking over where Errol Flynn left off, made something of a speciality of dashing heroes in historical costume dramas ("Blanche Fury", "Saraband for Dead Lovers", "Scaramouche" and "Beau Brummell" are other examples) and he makes an attractive hero here. The other contribution that stands out is from George Sanders, always a good villain, as the corrupt aristocrat Ashwood.

Director Fritz Lang, however, brings a very Gothic look to the film. Moonfleet may be situated on one of the most scenic counties in England, but it is no picturesque village. The atmosphere is often a dark, gloomy one, with numerous shots of the shabby alehouse or the mist-shrouded churchyard. Fox may be a likable rogue, but the smugglers are for the most part dangerous ones who would have no compunction about murdering a child. (There is a fine duel between Fox and one of their number fought to decide whether John should live or die after he inadvertently overhears their plans). This is not a great film, but is nevertheless a well-made, watchable adventure. 6/10

I saw this movie projected onto a screen, from the DVD, I think; it looked as good as old films usually do. I found it very enjoyable and was surprised that I had not seen it before. However, I feel gratified to read the complaints by one member here who could not figure out all the plot details: I couldn't, either! Now, after reading more information or speculation about the making of the film, I see why. I found that there is a whole website and society devoted to the author of the book, John Meade Falkner, and a biography of him was published not long ago.

This is my first time viewing this website. I'm impressed by the quality of the comments; I'll definitely come back.