Love Me or Leave Me

Brilliant engaging from start to finish. Every scene with Cagney and Day is compelling. All the songs are great, and Doris Day's sing of the jazzy numbers is outstanding. One that can be watched over and over again.

Doris Day portrays singing great Ruth Etting in "Love Me or Leave Me," a 1955 film costarring James Cagney and Cameron Mitchell.

The film tells the story, somewhat fictionalized, of Etting's rise to fame in the 1920s and her association and marriage to Marty "The Gimp" Snyder, a Chicago gangster.

In the story, Etting is highly ambitious, and Marty helps her career after picking her up in a dance hall and realizing he's not going to get anywhere. He's hoping for the big prize - i.e., Ruth - at the end of the rainbow, but though she's grateful, she's never going to be THAT grateful.

Finally, he becomes so angry that he rapes her (this is suggested in the film but the scene was cut by the censors). She marries him, though she's in love with a pianist, Marty Alderman.

This film was made about five years before Ross Hunter glamorized Doris and made her the #1 box office star in a series of comedies, three of which were with Rock Hudson. Before that, she was a pretty woman with a sweet, smooth voice and sturdy acting ability. And nowhere does she demonstrate all three qualities as she does here. And throw in a sensational figure in some stunning gowns to boot.

Doris' Ruth is a young woman who looks and acts like sugar but has the determination of steel underneath. She speaks softly but has the glint of ambition in her eye. Day's voice and style are nothing like Etting's, but the producers and director weren't looking for an imitation.

Doris looks and sounds fantastic, singing a huge amount of music, including "Ten Cents a Dance," the title song, "Chasing the Blues Away" and many others.

Cagney gives an extremely powerful performance as Marty, a pushy little man with a huge insecurity and a passion for Ruth. It is a fully fleshed out portrayal of an abusive, possessive man that you can hate and pity at the same time.

Cagney deservedly won an Oscar nomination for the role of Marty. He and Doris' contrasting acting styles mesh beautifully as well.

Though there were liberties taken with the Etting story, if you read her bio, it sounds just like the film. Did the movie have a '20s and the '30s feel to it? Not really. But it doesn't matter. The film is in color and has a rich look, and what a score. What actors. A must see.

I never had to be convinced that Doris Day was a fine actress--from her first film ('Romance on the High Seas') which she stole from veterans like Jack Carson and Janis Paige--to 'Storm Warning' (her first dramatic role as Ginger Rogers' sister)--she never made a false move. But her real acting triumph came with this hard-hitting Ruth Etting biography in which she does an amazing job as the torch singer involved with a gangster boyfriend (James Cagney). Cagney has never been more impressive as the Chicago hood who manages her career--and Day manages to match him every step of the way with a gutsy, heart-felt performance.

Also shown to good advantage is Cameron Mitchell as an admirer with real affection for Day. Their scenes together have a poignant quality because you know how deep the feelings go on both sides. Day's rendition of a haunting ballad, 'I'll Never Stop Loving You', is one of the film's highlights--along with 'Ten Cents A Dance', 'Mean to Me', 'Love Me Or Leave Me', etc. She is simply brilliant.

The high quality of the Oscar-winning script (Best Story) is a tribute to the overall quality of the film itself. A highly dramatic musical, it makes you wonder what Day's career might have been like if she remained at Metro for more such films rather than the sugar-and-spice things she did at Warner Bros. Some of them were charming (the old-fashioned musicals with Gordon MacRae), but since she was a fine dramatic actress she could have done so much more. Day's voice is a sheer pleasure here--perfect pitch, warm tones and easy on the ears. Nobody could sing a ballad like Doris does here. 'I'll Never Stop Loving You' is my favorite.

Summing up: highly recommended as one of the best musical biographies you're ever likely to see.

I am NOT a fan of Doris Day - there is just something about her that annoys me. But in this movie she acted very different from the usual Doris Day movie. And the way she sang those ballads breaks your heart. But the acting job that truly amazes - and has through the years made me a fan - is that of James Cagney. One wonders if he had a parent that was abusive or an Uncle or someone he had intimately observed. Because from somewhere that man understood something about an abusive relationship and put it in his performance. It was positively beyond extraordinary. He deserved an Academy Nomination at the very least. While he was cruel, vile, despicable, certainly repulsive and yet you felt at the same time he was pitiful, sad, pathetic. It was an extremely complex performance. When I saw "Love Me Or Leave Me" as a teenager I didn't appreciate the subtlety of his acting. It wasn't until I saw it many, many years later and had gone through a lot of living that I comprehended the true magnitude of his performance.

Doris Day plays Ruth Etting, torch singer of the twenties and thirties, in this glossy MGM biopic. Several key songs from Etting's career are covered, sung well by Day (specifically Ten Cents a Dance, You Made Me Love You, and Love Me or Leave Me).

Although Day is effective in the role and looks a treat, the best acting performance in the movie comes from James Cagney as Marty ‘The Gimp' Snyder, Etting's manager and husband. Cameron Mitchell plays Johnny the loyal piano player who waits for Etting to find her own way, while Robert Keith is good as Barney, close friend to both Snyder and his wife.

Good Technicolor and a Cinemascope treatment makes the movie look good, and the arrangements are excellent. Day is nothing like the real Ruth Etting either in looks or voice, but she does well in one of her last great musical roles.