It's Always Fair Weather

It's Always Fair Weather has a somewhat ironic title, because it's not like most every other M-G-M musical in that things don't always turn out perfectly. I believe that its darker-than-average humour (for that time at least) contributed to its being ahead of its time. For instance, the plot has to do with a friendship not being the same after ten years, a boxing match being fixed, a jaded woman (Charisse), a corporation sell-out (Dailey), and a "small-time operator" (Kelly). The numbers, though, are typically excellent, particularly the dance in the beginning where the trio is drunk, Cyd's Baby You Knock Me Out, and Kelly's famous I Like Myself, in which he tap dances on rollerskates! Gene Kelly and Stanley Donen's choreography is nothing short of dazzling. And yes, Gene's smile could still melt stone. Cyd Charisse is great and beautiful as always, too bad she had only one number. So go see It's Always Fair Weather, just don't expect anything real fluffy.

Just an aside,really:

You notice how sparsely Gene Kelly's finest numbers are shot? Long takes,little in the way of cinematic flair? Well,ponder this for a moment-he will often do something truly spectacular at the end of a take,leading one to wonder just how many times the poor chap put himself through the preceding minutes before getting it right...

A case in point is the justly famed (among those in the know) "Rollerskate Number":In order to demonstrate that the skates are,indeed,authentic,Kelly will swap-flawlessly-from "tap" to "glide" at the end of each take.

Incredible.

Compare and contrast,by the way,with protege Donald O'Connor's emulation in "I Love Melvin"-we never see thetwo movements co-existing within the same shot.

Gene Kelly made me want to dance when I was 11,and not feel like a poof for doing so.

It's Always Fair Weather will go down in history as the film musical which "could have been". Had it been made a few years earlier it could have been in the same leagues as Singin' In the Rain and On the Town but several shortcomings, some determined by the period the film was made prevent it from being so. Even the studio had that little faith in it they dumped it as a second feature alongside Bad Day At Black Rock.

It's Always Fair Weather differs from other musicals of its time in its sombre tone with the tale of three war buddies who are reunited ten years later to find out they can't stand each other upon discovering one is a hick, a snob and a goon. This is juxtaposed to a world of beautiful, bright colours and welcome artificiality with urban sets to die for. It's Always Fair Weather was originally conceived as a sequel to On the Town, reuniting Gene Kelly with co-stars Frank Sinatra and Jules Munshin. However, by 1955, Munshin no longer had box office credibility while Sinatra was too big a star that the studio was unwilling to work with him. In their place, we get Dan Dailey and Michael Kidd, both of whom get the job done but lack the same electric chemistry Kelly's On the Town co-stars possessed. Frank Sinatra in particular I find is sorely missed as I loved his three-picture partnership with Kelly in which they made an excellent comedic duo. None the less the roaster does get a big boost with the casting of the great Cyd Charisse, whom like Ann Miller in On the Town, plays a glamorous woman with contradictory personality and an encyclopedic knowledge of well, pretty much any topic.

However, I find It's Always Fair Weather's biggest drawback are the sections of the film which are uneventful and doesn't have the lightning-fast pace of On The Town or Singin' In The Rain. The film could definitely benefit from the trimming or removal of whole scenes; there is a faster-paced, snappier film in here. The film does help make up for this though in its musical numbers. It's Always Fair Weather does showcase some of the best moments of any MGM musical with the soundtrack being one of the best in the MGM catalogue. The musical numbers and compositions are fantastic and all written for the film itself by the great Betty Comden and Adolph Green, while the majority of MGM musicals took their songs from their back catalogue as well as other stage musicals.

The five-minute Gershwin like dance number "The Binge" showcases the then-new cinemascope format by having three dancers occupy their own third of the screen as they dance and create percussion with trash can lids on their feet as they work together in great physical tandem of drunken joy. Once Upon a Time, on the other hand, is a heart aching number if there was one as the three men sing about their broken dreams while Music is Better Than Words couldn't be more enchanting if you asked for it. The centrepiece of the film, however, is Gene Kelly's number 'I Like Myself', featuring him tap dancing on roller skates, no trickery! Like Singin' In the Rain, the number is an encapsulation of pure happiness (just look at the faces of the onlooking extras). This is of my favourite musical numbers of all time and is an unbelievable display of talent if I ever saw it. The film's only crime in the song and dance department is the lack of a dance number between Gene Kelly and Cyd Charisse, despite one actually being filmed.

I feel widescreen technology came too late the MGM musicals which could have used it to great advantage but by 1955 musicals had already lost most of their economic viability due to the rise of television. It's Always Fair Weather is Hollywood coming to terms with the existence of its rival television but relishes the opportunity to satirize the format as superficial and ridden with advertising.

I was fortunate enough to see this film on the huge screen at the restored deco Silver Theatre in Silver Spring, MD (now part of the AFI), so I took full advantage of the Technicolor & Cinemascope (especially the 2-3 scenes where the camera pans back to show off the huge city set). The visual quality after almost 50 years is still pretty good, but the soundtrack was "wobbly." The film needs some restoration.

As others have said, the highlights of this film are the clever dance numbers, specifically:

the garbage can lid dance by the 3 soldiers (they also hop, crawl and dance around a stopped taxi, but nobody has mentioned that one),

the wonderful roller skating sequence by Kelly (since I'm tired to death of seeing the "Singing in the Rain" puddle dance, this is a refreshing change and an excellent sample of his skills!) He even parodies his "Rain" dance when he hops off & on the curb with his skates (folks, those are metal-wheeled skates - nowhere as smooth & speedy as the polyurethane ones of today) Somebody mentioned that the skating set features a big piece of the "Rain" set, but I don't agree - we're talking films set 30 years apart & I didn't see any similarities in the "Fair Weather" set

Dolores Gray's bizarre number "Thanks but no Thanks" where she rewards the tuxedoed men bearing jewels and affection (who literally vault, flip and tumble around her) with bullets, dynamite and finally a huge trap door where they all slide away

and Cyd Charisse's gym number "Baby You Knock Me Out"

(these last 2 numbers were featured on "That's Entertainment III")

It's interesting to see Michael Kidd, mostly known for his wonderful film choreography, dance onscreen. Wish there was more of it.

And Dan Dailey I hardly know, except for the film "There's No Business Like Show Business." He's the only actor of the 3 to let himself "age" in the ensuing 10 years, and it works. He does a very good job in the acting department too.

You can see why the film is not a lasting classic in league with "On the Town" and "Singing in the Rain" - it contains elements of bitterness & disillusionment between the 3 guys. They seem to get along best when they're either drunk or fighting bad guys. And the film - this is a sign of the times - glamorizes smoking (including by Dan Dailey's character, who says he won't drink or eat heavily b/c of his health, yet he "lights up" often), fixed boxing matches, gambling and drunken sprees.

Still, it makes an excellent "sequel" of sorts for "On the Town" and they should be paired together on TV or at film fests.

Also, Previn's tunes are not really memorable - they're OK.

The film also pokes fun at early TV - Delores Gray's show is a mix btw a variety show & something like "Queen for a Day" or "This is Your Life." Sponsors (in this case, laundry detergent)were a huge deal back then. Oddly, she's not paired with one of the guys as a romantic interest. Her diva act gets a bit tiresome however.

Cyd only gets 1 dance number, and there's no dance between her & Gene. Wish there were. They sparked a HUGE amount of chemistry in their dance number in "Rain."

Look out for familiar actors in small supporting roles, like Madge Blake (she was a radio gossip at the movie premiere in "Singin in the Rain" but most of you would know her as dotty Aunt Harriett in the Batman TV series), and the actor who plays the sports columnist at the gym is a character actor who has appeared in dozens of TV shows from the 1950s & 60s, besides movie appearances. And that's June Foray's uncredited voice in the animated Kleenzrite commercial - she did the voice of Rocky Squirrel, among many other voiceovers.

Still, I do recommend it, considering it is not shown very much, let alone in the letterbox format which is necessary for the integrity of the movie. Darn that pesky pan & scan! The ahead-of-its-time plot & the clever dance numbers make this film worth your while.

45 years ago I was only 15. I was in love with films, especially cowboys and musketers. Robin Hood with Errol Flyn was the top! And one evening (or it was afternoon?) I was hit by three things: Gene Kelly was dancing on rollerskates! Cyd Charisse has beautiful and very long legs (and she knows how to move them!)!And music was much better than gunfighters and D'Artagnan movies! Lets talk about the story: War is over and our gang drink a lot and start dancing , singing and be drunk as ever.They promises to be friend all life long and to coming back in the same places ten years later. They also put some money in a ceeling lamp for the future drinks. Time goes by.... Somebody was lucky, for others too bad. Our "friends" meeting each other to discover to hate themselves! But...It's always fair weather!They put apart egotism and nevrosis, memories grow in them and they start smile again! Friendship and Music, Songs and Laughings, Smiles and...Cyd...Wonderfool! After 45 years, It's Always Fair Weather is a beautiful film (and I will pay pure gold to see it on DVD!). Bravo Kelly, Dailey, Charisse and bravo Stanley Donen, brilliant choreographer and director not always acclaimed by public or critics.