अपनी भाषा में प्लॉट जोड़ेंSach becomes a pawn in a crooked trio's scheme to swindle an inheritance from its rightful pre-adolescent heir.Sach becomes a pawn in a crooked trio's scheme to swindle an inheritance from its rightful pre-adolescent heir.Sach becomes a pawn in a crooked trio's scheme to swindle an inheritance from its rightful pre-adolescent heir.
- 1 ऑस्कर के लिए नामांकित
- कुल 1 नामांकन
David Gorcey
- Chuck
- (as David Condon)
Benny Bartlett
- Butch
- (as Bennie Bartlett)
Gertrude Astor
- Piano Recital Guest
- (बिना क्रेडिट के)
James Conaty
- Piano Recital Guest
- (बिना क्रेडिट के)
Tom Ferrandini
- Piano Recital Guest
- (बिना क्रेडिट के)
Kenneth Gibson
- Piano Recital Guest
- (बिना क्रेडिट के)
Joe Gilbert
- Piano Recital Guest
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
High Society (1955)
* 1/2 (out of 4)
After thirty-seven quality films, The Bowery Boys were finally shown respect by their colleges as this film was given an Oscar nomination for Best Screenplay. True story. Apparently the Academy meant to give the nomination to the 1956 film HIGH SOCIETY and Bing Crosby and Grace Killy but that didn't happen. The writers of this film kindly turned down the nomination but it's still a funny bit of Oscar history. The "story" has Sach (Huntz Hall) being told that he is the heir to a rich fortune so he heads to the so-called family location where it turns out to be a crooked scheme. It was very kind for the writers to turn down the Oscar-nomination because this here is without question one of the weakest entries in the series. It's a real shame this "joke" couldn't have happened with one of the better films but there's simply no argument that could made to say this issue should have just remained. I think the biggest problem is the screenplay, which just seems to have been rushed. Another problem is that we've seen every cliché here several times before. The mistaken identity, the crooked family members, the dumbness of Sach and Slip and most of the comedy bits are items we've seen before. Another problem is that both Leo Gorcey and Hall appear to know they're working on a dud as neither one of them seem overly interested in their performance. Hall is over-the-top as usual but it's missing any of his typical passion. Gorcey just seems bored out of his mind and don't even get me started on any of the supporting players. Bernard Gorcey even seemed out of it. HIGH SOCIETY is without question one of the weaker entries in the series and the entire Oscar joke is a lot funnier than anything that actually happens in the film.
* 1/2 (out of 4)
After thirty-seven quality films, The Bowery Boys were finally shown respect by their colleges as this film was given an Oscar nomination for Best Screenplay. True story. Apparently the Academy meant to give the nomination to the 1956 film HIGH SOCIETY and Bing Crosby and Grace Killy but that didn't happen. The writers of this film kindly turned down the nomination but it's still a funny bit of Oscar history. The "story" has Sach (Huntz Hall) being told that he is the heir to a rich fortune so he heads to the so-called family location where it turns out to be a crooked scheme. It was very kind for the writers to turn down the Oscar-nomination because this here is without question one of the weakest entries in the series. It's a real shame this "joke" couldn't have happened with one of the better films but there's simply no argument that could made to say this issue should have just remained. I think the biggest problem is the screenplay, which just seems to have been rushed. Another problem is that we've seen every cliché here several times before. The mistaken identity, the crooked family members, the dumbness of Sach and Slip and most of the comedy bits are items we've seen before. Another problem is that both Leo Gorcey and Hall appear to know they're working on a dud as neither one of them seem overly interested in their performance. Hall is over-the-top as usual but it's missing any of his typical passion. Gorcey just seems bored out of his mind and don't even get me started on any of the supporting players. Bernard Gorcey even seemed out of it. HIGH SOCIETY is without question one of the weaker entries in the series and the entire Oscar joke is a lot funnier than anything that actually happens in the film.
It's not one of the better Bowery Boys pictures -- by the mid 50s the gang seemed pretty tired. It's main interest is seeing Amanda Blake just before Gunsmoke and, hell, I'd never turn down a chance to see Leo and Huntz, even when they're not at the top of their game.
But F Gwynplaine MacIntyre has it all wrong. The writers who were nominated for High Society weren't some delusional losers who thought some way they might actually win an Oscar. They were Hollywood veterans who had been in Hollywood for a quarter-century -- Bernds in fact started as a sound engineer at Columbia who worked on Frank Capra's 30s classics. Bernds and Ullmann toiled (profitably) in the world of B comedies and short subjects, working, in tandem or alone, on such fondly remembered endeavors as the the My Little Margie TV series, many Three Stooges shorts, some Blondie and Ma & Pa Kettle movies, and films starring Elvis, Brett Halsey, Zsa Zsa Gabor,Stanley Clements, Scotty Beckett (in a couple of Gasoline Alley pictures) and Rad Fulton.
They were fully aware of their place in the industry, and when they withdrew their Oscar nomination it wasn't for any self-serving reason but to spare the Academy any embarrassment when its writers branch screwed up so royally. As they said when they did so, the nomination "was clearly a case of mistaken identity." Ironically, although the MGM musical High Society is much better than the nominated Bowery Boys picture, I definitely prefer the best Bowery Boys films (Blues Busters, Blonde Dynamite, Live Wires, Bowery Bombshell) to the Charles Walters musical with Crosby, Kelly and SInatra.
But F Gwynplaine MacIntyre has it all wrong. The writers who were nominated for High Society weren't some delusional losers who thought some way they might actually win an Oscar. They were Hollywood veterans who had been in Hollywood for a quarter-century -- Bernds in fact started as a sound engineer at Columbia who worked on Frank Capra's 30s classics. Bernds and Ullmann toiled (profitably) in the world of B comedies and short subjects, working, in tandem or alone, on such fondly remembered endeavors as the the My Little Margie TV series, many Three Stooges shorts, some Blondie and Ma & Pa Kettle movies, and films starring Elvis, Brett Halsey, Zsa Zsa Gabor,Stanley Clements, Scotty Beckett (in a couple of Gasoline Alley pictures) and Rad Fulton.
They were fully aware of their place in the industry, and when they withdrew their Oscar nomination it wasn't for any self-serving reason but to spare the Academy any embarrassment when its writers branch screwed up so royally. As they said when they did so, the nomination "was clearly a case of mistaken identity." Ironically, although the MGM musical High Society is much better than the nominated Bowery Boys picture, I definitely prefer the best Bowery Boys films (Blues Busters, Blonde Dynamite, Live Wires, Bowery Bombshell) to the Charles Walters musical with Crosby, Kelly and SInatra.
"Bowery Garage" General Manager, General Superintendent, and General Treasurer in overalls Leo Gorcey (as Terence Aloysius "Slip" Mahoney) finds his absent-minded mechanic Huntz Hall (as Horace Debussy "Sach" Jones) sleeping on the job. Waking the hapless helper only causes a car wreck. But, the vehicle's owner thinks Mr. Hall might pass for "Terwilliger Debussy 'Twig' Jones", the long-lost son and heir to a family fortune. Hall accompanies Mr. Gorcey and fatherly Bernard Gorcey (as Louie Dumbrowsky) to the Jones' Larchmont, New York estate...
David "Condon" Gorcey (as Chuck) and Benny "Bennie" Bartlett (as Butch) appear in the opening and closing scenes.
Perceiving Hall as an easy to control idiot, money-grubbing adults want Hall to claim his fortune from its rightful heir, young Ronald Keith (as Terwilliger Debussy "Twig" Jones III). Young Keith isn't going down without a fight, however. Hall and Gorcey in "High Society" leads to laughs, of course, with the latter's expectation they might meet a couple of "debu-tramps" and settle into the upper-crust treading a funny line. "The Bowery Boys" movie series had been sputtering in earlier years, but some of these final Gorcey-Hall team-ups are relatively smooth and successful, considering.
***** High Society (4/17/55) William Beaudine ~ Huntz Hall, Leo Gorcey, Ronald Keith, Bernard Gorcey
David "Condon" Gorcey (as Chuck) and Benny "Bennie" Bartlett (as Butch) appear in the opening and closing scenes.
Perceiving Hall as an easy to control idiot, money-grubbing adults want Hall to claim his fortune from its rightful heir, young Ronald Keith (as Terwilliger Debussy "Twig" Jones III). Young Keith isn't going down without a fight, however. Hall and Gorcey in "High Society" leads to laughs, of course, with the latter's expectation they might meet a couple of "debu-tramps" and settle into the upper-crust treading a funny line. "The Bowery Boys" movie series had been sputtering in earlier years, but some of these final Gorcey-Hall team-ups are relatively smooth and successful, considering.
***** High Society (4/17/55) William Beaudine ~ Huntz Hall, Leo Gorcey, Ronald Keith, Bernard Gorcey
The thirty-seventh Bowery Boys film is another tired effort that sees an old plot being reused. This time Sach believes he has inherited a fortune so he and the gang go to collect, which leads to comedy gold. Well, more like comedy pyrite. In many ways, the Bowery Boys movies remind me of the Colorforms I used to play with as a kid. You know, those things where you can place characters like Batman into various backgrounds. Well the Bowery Boys did that with plots. They basically would use this sentence as the structure of their entire series: Sach gets ___ and the Bowery Boys must travel to ___. Each movie they fill in the blanks with a different word but it's basically the same thing each time, particularly in the 1950s films.
This one's notable only for the bit of trivia that it was mistakenly nominated for an Oscar because it was confused with the musical of the same name that starred Bing Crosy, Frank Sinatra, and Grace Kelly. There's not much fun to be had here. Leo Gorcey and Huntz Hall go through the motions and most of their jokes fall flat. Even Bernard Gorcey, who is usually the bright spot in these things, does nothing to impress here. The other two "boys" aren't worth mentioning. One of the villains is played by Miss Kitty from Gunsmoke, so there's that. The music is also annoying in this one. Fans will want to see it to check it off their list but I doubt anybody else will find it worth their time.
This one's notable only for the bit of trivia that it was mistakenly nominated for an Oscar because it was confused with the musical of the same name that starred Bing Crosy, Frank Sinatra, and Grace Kelly. There's not much fun to be had here. Leo Gorcey and Huntz Hall go through the motions and most of their jokes fall flat. Even Bernard Gorcey, who is usually the bright spot in these things, does nothing to impress here. The other two "boys" aren't worth mentioning. One of the villains is played by Miss Kitty from Gunsmoke, so there's that. The music is also annoying in this one. Fans will want to see it to check it off their list but I doubt anybody else will find it worth their time.
Slip (Leo Gorcey) is in charge of the Bowery Garage. Sach (Huntz Hall) 'works' there, too. He destroys a wall and wrecks a car. Out of nowhere, he is told that he inherited a vast fortune, but it's all a scam to keep the fortune from its rightful heir.
The Academy Awards nomination is hilarious and very much fitting for the Bowery Boys. I am giving them an extra point for the inadvertent comedy. They can't take it back no matter how hard they try. It's listed on IMDB. The only thing funnier is if the movie advertised the nomination. Beside all that, this is standard Bowery Boys with Slip and Sach.
The Academy Awards nomination is hilarious and very much fitting for the Bowery Boys. I am giving them an extra point for the inadvertent comedy. They can't take it back no matter how hard they try. It's listed on IMDB. The only thing funnier is if the movie advertised the nomination. Beside all that, this is standard Bowery Boys with Slip and Sach.
क्या आपको पता है
- ट्रिवियाThe screenplay was mistakenly nominated for an Academy Award for Best Story when the Academy nominating committee confused this title with the Bing Crosby - Grace Kelly - Frank Sinatra musical, High Society (1956), released the following year. The story writers of this picture, Edward Bernds and Elwood Ullman, graciously declined the nomination.
- गूफ़Twig punches Sach through a bookcase, but when Sach and Slip pull him through, Twig isn't tall enough to stick either arm through the bookcase to reach Sach. Even if it could be explained that Twig stood on a ladder or platform (which is never said), visually it doesn't look right. The arm that punches Sach wears a solid black sleeve, while Twig wears a dark coat with a criss-cross pattern.
- भाव
Terence Aloysius 'Slip' Mahoney: If you're a Jones, you most coitainly are not related to John Paul Jones 'cause you got no heart, no courage, no miles, no scruples. You ain't even got infinitesimal attitude! In words of one syllable -- you're a coward.
Horace Debussy 'Sach' Jones: Oh, you gotta admit, Chief -- cowards live a lot longer.
- कनेक्शनFollowed by Spy Chasers (1955)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Alta sociedad
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 1 मि(61 min)
- रंग
- पक्ष अनुपात
- 1.85 : 1
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