IMDb रेटिंग
6.4/10
1.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंMoving into a beach house involves Lynn Markham in mystery, danger, and romance with a beach boy of dubious motives.Moving into a beach house involves Lynn Markham in mystery, danger, and romance with a beach boy of dubious motives.Moving into a beach house involves Lynn Markham in mystery, danger, and romance with a beach boy of dubious motives.
Nan Boardman
- Mrs. Gomez
- (बिना क्रेडिट के)
Helene Heigh
- Cleaning Woman
- (बिना क्रेडिट के)
James Hyland
- Cop
- (बिना क्रेडिट के)
Judy Pine
- Woman at Beach
- (बिना क्रेडिट के)
Jack Reitzen
- Boat Attendant
- (बिना क्रेडिट के)
Romo Vincent
- Pete Gomez
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Freudian references aside,this well-mounted melodrama about a rich widow mixed up with a shady beach bum is definitely Crawford at her best. No simpering weak-kneed sister,this film noir-type story is a direct slap in the face to the Hollywood in the 50's who insisted on casting aging leading men with absurdly young leading ladies.The notion that older women need love and affection was considered almost absurd. Tennessee Williams territory!This film brought it smack dab in the face.Natalie Schaefer and Cecil Kellaway are fun as card sharks after Crawford's money.Jeff chandler is stolid as the beach bum.Judith Evelyn is touching as Eloise Crandall in the flashbacks. Jan Sterling is good as somewhat snaky realtor.Charles Drake is good as beach cop,t
This film is a lot like an extended Perry Mason episode, which isn't surprising since it's from exactly the same era. I would add, also, that it's beautifully photographed in a noir style.
I have a friend who pointed out that the first half of the movie consists of Joan Crawford repeatedly throwing people out of her house, which is kind of fun to note; perhaps it's an indication of a bit of clumsiness in the script. One could also perhaps say that Crawford leans a bit too much on toughness in her characterization and not enough on the bewilderment the character would have felt as she unwittingly walks into the situation she finds herself in.
The film does keep the suspense going, though, in that it continues to fan the ambiguity of who the house's previous occupant (recently dead as the movie starts) really was and what her relationship was to the various supporting characters. The film is full of manipulative characters with mixed motives, so you find yourself drawing conclusions about the dead character, but then resisting those conclusions because it seems like you're being led to them by pretty slippery characters.
Overall, the film is definitely worth a look; sums up the type of movie Joan Crawford was best known for. To get a look at her lighter side, try "Love on the Run," one of a handful of comedies she did, in which she co-stars with Clark Gable.
I have a friend who pointed out that the first half of the movie consists of Joan Crawford repeatedly throwing people out of her house, which is kind of fun to note; perhaps it's an indication of a bit of clumsiness in the script. One could also perhaps say that Crawford leans a bit too much on toughness in her characterization and not enough on the bewilderment the character would have felt as she unwittingly walks into the situation she finds herself in.
The film does keep the suspense going, though, in that it continues to fan the ambiguity of who the house's previous occupant (recently dead as the movie starts) really was and what her relationship was to the various supporting characters. The film is full of manipulative characters with mixed motives, so you find yourself drawing conclusions about the dead character, but then resisting those conclusions because it seems like you're being led to them by pretty slippery characters.
Overall, the film is definitely worth a look; sums up the type of movie Joan Crawford was best known for. To get a look at her lighter side, try "Love on the Run," one of a handful of comedies she did, in which she co-stars with Clark Gable.
I've seen this film exactly twice on TV late at night. If it isn't in print anywhere (it doesn't appear to be currently) it should be. Joan is at her campy, over-the-top best in this bizarre story of a woman, her love interest, and a couple truly strange neighbors (one of whom would later become "Lovey" on Gilligan's Island). The dialog alone is enough to make it worth seeing. Jeff Chandler is at his studly best too. So much of Joan's work is out on DVD and hopefully this film will be too some day. If you're a Crawford fan and you've never seen Female on the Beach (get a load of that title!) you'll be thrilled by this seemingly "lost" movie. You can't beat a film with a line like, "I wouldn't have you if you were hung with diamonds upside down!"
Glossy trash has wealthy, beach front-living Joan Crawford wooed by shady gigolo Jeff Chandler. Low-brow fun, an adaptation of Robert Hill's play "The Besieged Heart", with steamy clinches and page after page of florid dialogue. Director Joseph Pevney seems to be a perfect match for Crawford: he's obviously tough on the unyielding actress and doesn't let her get away with many "Mildred Pierce"-isms. Crawford also seems to have been personally swayed by hunky Chandler, who doesn't let her hog the spotlight. However, neither star is guided with a trace of self-effacing humor, which turns the proceedings into straight-faced camp. Some of the lines are howlers. **1/2 from ****
This is a case where an aging Joan Crawford was just about done with good leading parts and the studios were only offering her "B" level scripts like this. Films were beginning to change and Crawford was not to far off from the last phase in her career. This story begins with an older drunken woman named Eloise Crandall (Judith Evelyn) chasing after her boytoy Drummond Hall (Jeff Chandler) but when she goes onto the balcony she falls over and dies. Was she pushed? Lynn Markham (Crawford) moves into the house and soon meets her neighbors like Drummond and the older couple that he lives with (Natalie Schafer and Cecil Kellaway). Their is also a nosy detective hanging around named Lieutenant Galley (Charles Drake) who thinks that Eloise may have been married. Drummond tries very hard to get Lynn to like him but she's very cold natured. One night she's lonely and horny and makes up with Drummond and they become close. Lynn finds the diary of Eloise and finds out that the neighbors are card sharks and that she was set up for her money. Also, the real estate agent Amy Rawlinson (Jan Sterling) is secretly in love with Drummond and Lieutenant Galley makes very obvious advances on Lynn! Lots of melodrama in this story and it runs like a soap opera. Chandlers character is such a pushy bum! Two seconds after meeting Crawford he is in her house making breakfast and putting his hands on her. He paws her like a Tijuana whore on a Friday night! And I thought it was funny that six foot four Chandler would come onto a woman that stands five foot in heels. Crawford is a tough woman in this film and really cracks Chandler a couple of hard ones. The dialogue is over written like when he asks her how she likes her coffee and she retorts with "Alone". Not a bad little subplot involving Sterling either. She's pretty hot looking and you have to wonder why Chandler was never attracted to her. The one scene that stands out for me is when Chandler is on Crawford like a grizzly bear and she cracks him and he responds by tearing her dress off! Rape, anyone? But of course this just turns her on. Overly melodramatic and it does have its share of laughs but at the same time you can't stop watching it. You can credit Crawfords screen appeal for that. Silly film is worth a peek at Crawford entering a part in her career that was winding down from serious roles.
क्या आपको पता है
- ट्रिवियाShortly before the film was made, Joan Crawford was dating the president of Universal Pictures, who offered her the role. She also was given her choice of leading man, and she selected Jeff Chandler.
- गूफ़The type of doorbell that is featured prominently in Crawford's beach house, with four large chime tubes, in reality makes a very different sound than the doorbell sound effect that is heard on the soundtrack whenever the bell is rung.
- क्रेज़ी क्रेडिटThe main actors names, and the film's title are washed away by ocean waves.
- कनेक्शनFeatured in Joan Crawford: The Ultimate Movie Star (2002)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Female on the Beach?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 37 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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