Du rififi chez les hommes

Tony le Stéphanois gets out early after 5 years in prison. He has a plan to rob the jewelry store Mappin & Webb with his friends Jo and the Italian Mario Ferrati. He finds his old girlfriend Mado who abandoned him for the gangster Louis Grutter. He viciously beats her. For the job, he wants to hit the safe and gets Cesar the Milanese. The heist goes off perfectly but that's not the end of it.

It's a French heist film with more realism. It is well done with good intense acting. The most interesting thing is how modern the movie is. The formula is well set now, but it was probably more groundbreaking back then. These are the modern anti-hero protagonists.

If any film approaches perfection, this is the one. Pound for pound and scene for scene it is the best. The only others even close are the Maltese Falcon and Asphalt Jungle, but this is the baby that beats even them. For sheer black and white beauty it is the equal of Asphalt, and just never lets up. Its ending is one of the best of all time, easily the equal of Citizen Kane. And making it even more amazing it that it was cobbled together in desperation: and made for practically nothing. In short, a bloody miracle.

It builds beautifully. Everything in it works, even down to the great music of George Auric.

Shot in early winter or late spring, it is authentic down to the white gangster breaths on the air. Paris never looked more dangerously beautiful.

Of all the films I have ever seen, it is the only one I would give a nine and a half to. And since most of it works very well without comment, probably it is best to just say, watch it and behold.

Directed by an black-listed American, served as an inspiration to movies like The Killing, Reservoir dogs, Score etc. The characterization was dealt perfectly for this Noir movie with splendid photography too. Many violent scenes are executed with no/minimum gore. Over 50 years since its release and IMO one of the best heist movies. A small issue could be the predictability in the story as many of the later movies had stolen this idea . Favorite scenes in the movie includes 1) the silent robbery scene that happens in the middle of the film which is a nail-bitter. 2) The climax scene. The bottom line is that the movie team had no trouble with script, screenplay or direction and watching this was such a treat.

You're back outside, after a little time confined, your close friends make you an offer you decline, but after a little contemplation, your respond with affirmation, and counter with a scheme that's more refined. The team is gathered, and the plans are put in place, no stone unturned, and nothing is misplaced, the execution is sublime, pulling off the perfect crime, just keep your heads down, you haven't left a trace. Alas distractions bring your work to the attention, of other villains, putting gains under contention, best endeavours have been flawed, a cascade of cheat and fraud, on this occasion, without salvation, and no redemption.

Great story, great performances, perfectly executed (almost).

This film is a work of pure class from start to finish, for a moment forget the famous 28 minute no dialog heist, forget that it's set in Paris and forget it's Noir. The film itself, the premise and the execution make this a pure gold experience.. it's sharp intelligent and thought through in great detail, just like the heist itself. It portrays real characters that are not only believable but whom you empathize with. It's a film that doesn't glamorize the notion of a robbery but shows it for what it is.. theft. It shows that a heist is hard work and ultimately not worth doing. Now all things considered put on top of that a daring 28 minute sequence with not a word spoken and set in gorgeous Paris with truly great attention to detail and fantastic cinematography and that last scene ...when you look up and see those trees... wonderful use of raw and basic filming techniques... it is a master piece in my view and I'm glad to have seen it.