अपनी भाषा में प्लॉट जोड़ेंA Death Row prisoner applies legal knowledge gained behind bars to battle for his own survival. True story.A Death Row prisoner applies legal knowledge gained behind bars to battle for his own survival. True story.A Death Row prisoner applies legal knowledge gained behind bars to battle for his own survival. True story.
- निर्देशक
- लेखक
- स्टार
R. Wright Campbell
- Whit as a Boy
- (as Robert Campbell)
Bart Braverman
- Whit, as a Young Boy
- (as Bart Bradley)
Joseph Forte
- Lawyer
- (as Joe Forte)
Joel Allen
- Guard
- (बिना क्रेडिट के)
Adelle August
- Showgirl
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Lurid account of Caryl Chessman's criminal career at a time when his book was big on newstands. One thing for sure—there's no attempt in the film to glamorize or soft-peddle what appears to be a thoroughly nasty personality. Rarely, in fact, has any movie of the period made its leading man so dislikable. Campbell is quite good as the cocky young punk who goes from thievery to penny-ante stick-ups to ripping off organized crime to lover's lane rapist.
The movie itself is so uncompromisingly grim as to be off-putting. There's no effort at relieving the cheap criminality with character development or snatches of humor. The screenplay does have more fast car chases and shenanigans than a NASCAR rally, while some are darn near hair-raising. Look early on for a young Kathryn Grant and before she started up the Hollywood ladder. All in all, the movie's little more than a cheap exploitation flick with few redeeming features outside of being fast-paced.
(In passing-- Chessman's appeals luck finally ran out in May, 1960, but not before attracting support from a number of celebrities ,e.g. Steve Allen, impressed by Chessman's literary talents. Then too as incorrigible as he was, he hadn't killed anyone. Nonetheless, I don't recall much public concern when he finally got a whiff of San Quentin's lethal fumes.)
The movie itself is so uncompromisingly grim as to be off-putting. There's no effort at relieving the cheap criminality with character development or snatches of humor. The screenplay does have more fast car chases and shenanigans than a NASCAR rally, while some are darn near hair-raising. Look early on for a young Kathryn Grant and before she started up the Hollywood ladder. All in all, the movie's little more than a cheap exploitation flick with few redeeming features outside of being fast-paced.
(In passing-- Chessman's appeals luck finally ran out in May, 1960, but not before attracting support from a number of celebrities ,e.g. Steve Allen, impressed by Chessman's literary talents. Then too as incorrigible as he was, he hadn't killed anyone. Nonetheless, I don't recall much public concern when he finally got a whiff of San Quentin's lethal fumes.)
True story of Caryl Chessman, here under the name "Whit" Whittier (Whittier being Chessman's real middle name), played by William Campbell, a juvenile delinquent who got worse and worse and worse... He eventually ends up in death row, where we are introduced to him, and his life up to that point is recounted.
Campbell does a nice job here, if not a little hammy at times. (but that's just the way he is naturally, it seems) There are other familiar faces and everyone does well, but this is really Campbell's time to shine. Knowing the events were real, the movie being based on Chessman's book of the same name, it was interesting to follow, especially knowing his became his own lawyer and basically added years to his life by studying law books.
Interestingly, this movie came out while he was on death row and is based on the first of four books he'd write, so things were still very much up in the air in the end! His wiki article is worth a look if you want to know how things turned out for him. Overall, this was pretty good. Definitely engaging. Certainly not one of those movies where you kinda secretly cheer for the fictional bad guy inside (know what I mean?), though, as he was a real, really bad guy.
Campbell does a nice job here, if not a little hammy at times. (but that's just the way he is naturally, it seems) There are other familiar faces and everyone does well, but this is really Campbell's time to shine. Knowing the events were real, the movie being based on Chessman's book of the same name, it was interesting to follow, especially knowing his became his own lawyer and basically added years to his life by studying law books.
Interestingly, this movie came out while he was on death row and is based on the first of four books he'd write, so things were still very much up in the air in the end! His wiki article is worth a look if you want to know how things turned out for him. Overall, this was pretty good. Definitely engaging. Certainly not one of those movies where you kinda secretly cheer for the fictional bad guy inside (know what I mean?), though, as he was a real, really bad guy.
10wdixon
Brutal, fast moving crime thriller from deeply underrated director Fred F. Sears, who cranked out numerous westerns, crime thrillers, science fiction, comedy, horror, and musical features for producer Sam Katzman in the 1950s. This film isn't available on DVD or VHS, and more's the pity; it's easily better than most of the Don Siegel, Andre de Toth, or Budd Boetticher crime films of that era. Why Sears has never gotten the respect he deserves is easy to understand; he also directed junk, like THE GIANT CLAW. But his best known films, including ROCK AROUND THE CLOCK and EARTH VS. THE FLYING SAUCERS with superb effects by Ray Harryhausen are remarkable accomplishments, and Sears is long overdue for a career retro.
I am always amazed at how well hidden small jewels like Cell 2455 Death Row are. This is an important film, not only because it was based on the prison autobiography of Caryl Chessman, the notorious Red-Light Bandit who briefly haunted lovers lanes in post-war L.A but because he became the cause-celebre of the anti-death penalty movement. It's also a high-octane film that attempts to fairly portray the prison system of the day. William Campbell brings a measure of intelligence to the role of the condemned killer. We bear witness to his evolution as crook and (if you believe the crimes that led to the death sentence were his) sex fiend. All in all a snappy little effort.
I saw this for the first time recently n was pleasantly surprised. This movie is fast paced, with good amount of car chases, lottuva robberies, suspense n an amazing sub plot of that of a kidnapper/rapist.
क्या आपको पता है
- ट्रिवियाThe actors playing Whit Whittier as an adult (William Campbell) and a boy (R. Wright Campbell) are real-life brothers.
- गूफ़After the impact of the automobile accident, a wire pulls the car over on its side.
- भाव
Whit Whittier: [narrating] What stage does a wayward boy turn into a delinquent? I guess you don't suddenly 'turn' - you 'curve' in.
- कनेक्शनVersion of Cela da Morte (1958)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Cell 2455, Death Row?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Celda 2455, pabellón de la muerte
- फ़िल्माने की जगहें
- 14901 Central Ave, Chino, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Men's Correctional Facility Chino)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 17 मि(77 min)
- रंग
- पक्ष अनुपात
- 1.85 : 1
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