Little Red Monkey

Richard Conte is to film noir what Joel McCrea, Randolph Scott or Audie Murphy are to the Western: reliable lead without ever attaining superstar status. In this film, as ever, Conte delivers a competent performance well backed up by strong direction from Ken Hughes, and a quiet performance of immense quality by Russell Napier, playing the part of Superintendent Harrington in a typical but highly perceptive British stiff upper lip show.

At stake is the Cold War, espionage and the brain drain from the USSR to the USA, with the action happening on British soil. A monkey keeps appearing at murder scenes but in the end it is not the monkey that is icing the scientists. Pity, I have always wanted to see an animal take shots at human beings with cross hairs to even out the contest a little bit.

Lovely Rona Anderson plays the love interest - perhaps a little too eagerly to seem convincing.

Highly professional cinematography by James Ambor. Fair script by Eastwood and Hughes. I enjoyed it well enough to recommend it.

Around 60 years ago I remember the title number being played on the radio.Lyrics were added and it was sung by Jimmy Edwards.The film is rather less memorable being a fairly routine spy thriller starring an ageing Richard Conte as the parachuted in fading American star for the benefit of the American distributors.The DVD has some interesting trailers and an alternative beginning.This is far longer and much less puncture than the actual beginning.There is an intrepid reporter trying to ferret out a story,ignoring the fact that the government would quash any story with a D notice.Still this film was very topical at the time with the defection of Burgess and MacLean.

THE CASE OF THE RED MONKEY, aka LITTLE RED MONKEY, is a fun little mix of murder mystery and spy thriller of the 1950s. This is very much a film of its era, complete with a title and theme tune taken from a popular tune of the era and a Cold War backdrop. When nuclear scientists are being murdered in London, it takes a US special agent in the form of Richard Conte to track down the killer. The addition of the monkey to the plot is a novel and offbeat twist, and there's enough disparate elements from action to romance to spy shenanigans and the like to keep it bubbling away merrily from beginning to end.

Richard Conte is the visiting American actor for this decent enough British-made thriller. He, "Locklin", is charged with ensuring the safe transfer of a defecting Soviet nuclear scientist "Dushenko" (Arnold Marlé). Simultaneously, a spate of murders is occurring in London and Scotland Yard (Russell Napier) initially baffled, soon discovers that there is a connection and so he and "Locklin" have to work together to thwart the daring plot - starting with just a monkey's paw print for a clue! It's a bit formulaic this, there is a journalist (Colin Gordon) in on the search too; a kidnap and some good old fashioned thumb-screw techniques as the baddies try to elicit the location of their prey. At times it can look little better than a filmed radio play, but at just over the hour, it doesn't hang about. The writing and the acting do their jobs, and though we know pretty early on who is who, it's still quite an enjoyable cold war drama.

This is a mid-fifties British B picture (aka LITTLE RED MONKEY, the original title, which is on the DVD) for which they brought in the American Richard Conte as a visiting FBI agent, to fetch a Russian scientist defector to America. The script was co-written by Ken Hughes (1922-2001), who also directed it, and whom I knew rather well. Ken was never a highbrow when it came to literature, though his taste in art was good because of his obsession with the paintings of Delvaux, of which he had a gigantic example on his wall above his sofa. (It is now in a national museum somewhere.) I must say, Richard Conte makes just about the least sentimental lover in the history of the cinema. The way he treats the girl who falls in love with him is so rude and inconsiderate that one wonders about his orientation. Never mind. The British police and secret service bungle spectacularly throughout this tale, making mistake after mistake, taking no basic safety or security precautions, and the attempt to look after a major defector is portrayed as an utter farce. A bit too close to real life. It reminds me of the dealings between MI6 and Gaddafi. What is there about the word 'incompetence' that the British security experts do not understand? They presumably have their noses buried too deep in dodgy dossiers, of which there has been a spectacular example recently, something to do with the number 70,000. Hahaha. Well here they go again in this film, letting everybody get killed, with the almost equally hapless Yank finally saving them, more or less by chance. The monkey of the title really exists and climbs up buildings and opens windows for entry by humans to commit dastardly deeds. There are other elements revealed at the end which I shall duly keep top secret, something which no one in the film seems to know the meaning of.