The Angel Who Pawned Her Harp

This is a delightful film, gentle and engaging. BUT I simply cannot recognise the lovely actress Diane Cilento in the Angel. Everything about her facially is changed from the Diane Cilento we came to know thriugh her later marriage to Sean Connery.

Once you accept the premise, that an angel needs to pawn a harp in order to fund her good works on Earth, this film trundles along nicely. The cast performs commendably, with Alfie Bass and Jerry Desmonde adding their talents to the mix.

Diane Cilento positively 'glows angelically' on screen, in no small measure because of Arthur Grant (of Hammer Film fame, whose credits include 'Quatermass and the Pit') being in charge of the cinematography.

Every scene is beautifully lit in it's own way; it is a pleasure to see a nicely crafted film like this. I daresay the budget wasn't huge, but they made a really nice job of it. Many of the shots (both indoors and out) offer glimpses into how things would have looked at the time, making the film's look very much of its period. The story on the other hand is somewhat more timeless.

I have been fortunate enough to see this film on the 'Talking Pictures' UK freeview channel. The print used appears to be unrestored, but this did not mar my enjoyment of the film. Indeed the only real complaint I would make is that the sound and the film image were not synchronised properly when the film was broadcast.

Well worth watching.

I don't do lists, but this may be the loveliest film I've ever seen. It grabbed me from the opening sequence, the camera sweeping over Islington while there is a distinctly odd, & oddly amusing conversation going on. At this point though you feel this film could go either way. But as soon as the angel appears at the pawnbrokers you know it's going to be good. Cilento is just perfect; innocent & wise at the same time, her beauty transcending sexuality. What followed was a small scale unpretentious masterpiece. There are caricatures & characters, some good performances, some excellent, some lovely comic touches (the drunken drummer confused as he exited the dance amused me inordinately). Possibly the only complaint was Aylmer's accent, which I think was meant to be Oi Vey Jewish but kept wandering across several ethnic possibilities. Apart from that his actual performance was excellent.

Are we supposed to take any of it seriously? Of course not. But there was a serious message at its core, something rather wonderful about things that really matter, something sometimes more effective for being told in a whimsical, light-hearted way.

It's the oldest & most important message ever. It's inherently implicit in every significant piece of art, literature & music - even if by it's absence. Love. Genuine transcendental love & compassion for all the human race, for all that lives & breathes. That quality suffused this modest little film, & it moved me immensely, far more than many big budget extravaganzas that hit you over the head trying to force a similar response. I adored it. I will treasure it till the day I (hopefully) acquire a harp of my own :-)

I have been a fan of 'The Angel Who Pawned Her Harp' ever since I watched it on television as a child, and I consider myself fortunate to have the film on video. Based on a novel by Charles Terrot, it was shot partly on location at the Angel, Islington, and at Harringay Stadium, London. The plot concerns a beautiful blonde angel who arrives in Islington on a mission of goodwill. To raise some money, she pawns her harp at a second-hand store owned by Joshua Webman. Bringing out the best in the people she meets, she shows them the road down which their happiness lies. Combining ingenuity and sentiment, fantasy and realism, it is a consistently entertaining and often moving story. The acting of all involved is outstanding, especially Diane Cilento, Felix Aylmer, Jerry Desmonde, Joe Linnane, Philip Guard, Sheila Sweet, Edward Evans and Alfie Bass.

This is is a very derivative film.Diane Cilento is sent to earth with a harp and has to beneficial affect the lives of the people she comes in contact with.The main recipient of her largess is Felix Aylmer,a Pembroke to whom she pawns her harp.I could think of about a dozen films made prior to this which have a similar basic premise.To be honest I found the most interesting part to be the introduction where the camera moves around The Angel Islington and we can see London as it was in 1953.The streets full of trolleybuses on their wires,being the successors to the trams.