They Rode West

Better than expected, with a complex script, lots of action (not all well-staged), and even some character development. Francis is fine as the idealistic young doctor whose dedication to his Hippocratic oath is greater than his oath to the army. As a result, he treats hostile Indians as equals, causing trouble for the cavalry when the tribe jumps the reservation. It's hard to tell if Francis's apparent unease is good acting or still a bit of stage fright for a newcomer. But whichever, it fits in perfectly with a tenderfoot trying to get his bearings in unfriendly surroundings.

At first I thought Donna Reed's super-coy little flirt was nothing more than star-casting that would ruin the movie. But the script deals intelligently with her development as the plot darkens. Carey's excellent as the no-nonsense Captain, who's the realist counterpoint to the doctor's idealism. Note how he's never treated with disrespect even though some of his decisions seem ethically callous. Too bad, however, the writers included the tiresome cliché of a whiskey- loving sergeant as comedy relief. Nonetheless, director Karlson, who would later excel at crime dramas, keeps things moving, and wonder of wonders, even has the Indians shrewdly shooting horses out from under the cavalry.

The movie's theme reflects the growing racial consciousness of the 1950's. I like the way a bond is established between the doctor and the medicine man in their common human concern with healing. But just as importantly, the screenplay manages to make its point without getting preachy. Sure, the production is low-budget, never getting out of greater LA, with an Indian encampment that looks about as real as a Disneyland tableau. Still, it's a thoughtful and generally well-executed little horse opera that's better than it ought to be.

THEY RODE WEST is an idealistic Western in which an arny doctor manages to get US troops to come to peace with joint Kiow and Comanche forces.

In the process, poor Robert Francis (playing Dr. Sewer) has to suffer the vexation of being called an Indian lover, a woodhawk, and a renegade - but still he remains faithful to the Hippocratic oath and he continues to treat whites and Indians as plain human beings and nothing but.

Francis performs credibily and is clearly the good man here, surrounded by others who appear to have sinister and racist motivations, like Captain Blake (played by Phillip Carey), who actually shoots an Indian in the back and never gets punished for it, even though he nearly started a war by doing so.

The two women in this film, Donna Reed and May Wynn, are important to the story in that they can see the good in the doctor and help him advance the cause of peace. Donna Reed gets a strangely small part after winning the Best Supporting Actor Oscar the previous year.

All told, it is an enjoyable and highly moralistic Western.

Plenty of credibility holes.

Robert Francis plays Army doctor Allan Seward who is posted to the remote outpost Fort McCullogh where his callowness and inexperience r incurs the enmity of the hard bitten Captain Blake (Phil Carey) .Blake is virulently anti-Indian and when Seward insists on treating Indians who have fallen victim to malaria Blake makes no bones about his antagonism ,feelings shared by the other troopers .He is arrested and faces a court martial while outside war is brewing over the determination of the Indians to leave their reservation and head for higher and healthier ground in the hill country.

Francis died tragically young and his strong performance shows what a loss he was to the movies .Carey is forceful and there are good turns from Donna Reed as the base Commnader's spoiled and coquettish daughter .Phil Karlson directs strongly and the movie is always entertaining if not quite top drawer One for western devotees in our midst

I saw this one at the theater as a kid and was somewhat disappointed, probably too much story and not enough action to suit my taste at the time. However by today's standards, this one treats the Native American much more respectfully than other movies of it's time, most notably the God-awful "Arrowhead"(1953). The story moves along well and there really is enough action to go around and Francis shows that he had some real star quality, had he lived. Not a bad one.

Notable B-Movie Director Phil Karlson Helmed this Above Average Early Fifties, Low-Budget Western with Little Style but its Social Concerns Rode the "New" Esthetic that Shined a much needed Light on Bigotry. There are some Corny Side-Elements to be sure, but the Aforementioned Elevate this one to Respectability.

The Plot is all about a Military Doctor (Robert Francis) and His Treatment of Indians and viewed Them as, God Forbid, Equal People as seen from the Eyes of a "Medicine Man".

Donna Reed is Awkward as a Centerpiece of the Soldiers Attention (one proposes to Her on sight), but the rest of the Cast do Yeoman's Work and it is left to Francis to Carry the Movie. He is Adequate, but the Strength is the Story and its Ramifications about the Mistreatment of a Defeated People thrown in the Trash Bin of History, until Recently.

There are some Wild and Wooly Battles that Punctuate now and then for the Action Oriented Crowd that could give a Hoot about Empathy and Inclusion of a whole Race of People that Desired Respect that was Initially Withheld.