There's No Business Like Show Business

This CinemaScope musical follows the lives and loves of the Donahues, a family of vaudeville performers: father Terrance (Dan Dailey), mother Molly (Ethel Merman), elder son Tim (Donald O'Connor), daughter Katy (Mitzi Gaynor), and younger son Steve (Johnnie Ray). They persevere through changing tastes, the stock market crash, and the start of WW2. Tim falls for co-star Vicky (Marilyn Monroe), while Katy finds romance with writer Charles (Hugh O'Brian), and Steve pursues a different calling.

The threadbare story merely serves to connect a series of elaborate musical numbers designed to make the best of the new widescreen CinemaScope format. Director Lang and choreographer Robert Alton turn in some excellent work, and Donald O'Connor reportedly called this his favorite of his films (over Singin' in the Rain?!?). I watched this for Monroe, who doesn't impress much here. She supposedly didn't want to appear in this, but did so in order to win the lead in The Seven Year Itch. This was one of Fox's most expensive productions to date, and despite selling a lot of tickets, it ended up being a money-loser. It earned Oscar nominations for (inexplicably) Best Story (Lamar Trotti), Best Score (Alfred & Lionel Newman), and Best Color Costumes (Charles Le Maire, Miles White, Travilla).

Two scenes surprise, both with Marilyn Monroe: her singing of the "After You Get What You Want..." number in a ultra-tight, combination flesh-colored/white gown. It's obvious that the image portrayed is that she could be nude, with the frilly white covering her talents. The second is the famous "Heat Wave" number, in a skimpy outfit, with her navel appropriately covered, yet below is a flesh-colored "window" for more erotic symbolism. In 1954 nudity could NOT be shown, but those scenes probably BARELY squeaked by the censors. The film depicts the traveling, singing/dancing Donahue Family, headed by brassy Ethel Merman and Dan Dailey, with sons Donald O'Connor, Johnnie Ray (who wants to be a priest), and daughter Mitzi Gaynor. It's obvious the Monroe character was an afterthought to boost the film's success; the actress really didn't want to do the part, the studio allegedly counteracted by upping her salary and promising her the lead in "The Seven Year Itch" (1955). Nevertheless, Monroe looks great and is unforgettable, comedically, dramatically and musically. O'Connor is great fun and Gaynor is a knockout dancer. Between some slow stages, musical numbers are expertly staged, with magnificent sets and superb color schemes all throughout. The finale is surprisingly touching with a rousing title tune reprise by all; only way to watch this is on the pristine-restored widescreem (2:55 to 1) DVD.

There are two main types of musicals--those where the emphasis is clearly on the music and others where the music is incidental to the story. While which style you like is up to you, for me, I much prefer those with less music--where the story is predominant. So, because of my personal preference, movies like "There's No Business Like Show Business" are NOT exactly my cup of tea, so to speak.

The film is about a fictional show business family, the Donohues. When the film begins, the three children are young. But then through the miracle of movie magic, soon about 15-20 years pass--and the children are now grown (and include Donald O'Connor and Mitzi Gaynor). Oddly, the parents, Dan Dailey and Ethel Merman, didn't seem to age a day. Even more noticeable is Marilyn Monroe--you see her early in the film and after all those years she looks as if she hasn't aged a day. Even if it was only 10 years--still, she looked EXACTLY the same! While the film follows the family with their ups and downs (and the third child when he decides to become a priest), all of it seems to be there just to provide a chance to sing and dance...a lot. Many of the songs are very familiar. Overall, very glossy and enjoyable if all you want is lots of singing and dancing...which I didn't. Watchable for a guy like me, but only just, as the story didn't seem strong enough to handle all the songs.

20th Century Fox was no match for MGM when it came to musicals. Daryl F. Zanuk decided to gamble with this film where the talents of a Broadway star, Ethel Merman, would be showcased. Ms. Merman in spite of being the toast of Broadway, never made it big in Hollywood. After all, she was not a radiant beauty, but oh, could she belt a song that could be heard at the top of the balcony! Phoebe and Henry Ephron were brought on board to write the screen treatment and Walter Lang directed.

The musical was also blessed in that Irving Berlin's music is heard throughout in all its glory. Ms. Merman was the perfect actress to interpret the songs written by Mr. Berlin. They made a perfect duo, even though, for some viewers not used to Ethel Merman's singing style, it might prove an uneasy combination.

The story is simple enough. It follows the Donahues from the early days of vaudeville through some glittering years after. Molly and Terence Donahue had two sons, Tim and Steve, and a daughter, Katy. As the children grow up, the parents' popularity began to recede. The film deals with Tim, as a young man, as he falls for Vicky Parker, a beautiful singer who makes it big on her own. Vickie, who is more interested in her own career neglects Tim. As a result, Tim goes on his own to find himself, away from his family and Vickie.

The best thing in the film is Ethel Merman. She was a legendary figure and as Molly Donahue, she is at her best. Dan Dailey was the perfect partner for Ms. Merman. Donald O'Connor is also seen doing some fine dancing. Marilyn Monroe was a lovely woman to look at. As a singer, she had a small voice, but she used it well making the songs her own. Mitzi Gaynor plays Katy. Johnnie Ray, a popular singer of that period is terribly miscast. His Steve is the worst thing in the movie.

Although predictable, this film has some great things going for it. Some of the musical numbers are well staged and will not disappoint. On the whole as the camaraderie expressed by the title of the film is evident in the musical.

Contrary to what a lot of people seem to think of this film, my biggest complaint with it is Marilyn Monroe. The studio shoehorned her into this film in their attempt to make the biggest musical extravaganza ever, and she just doesn't fit. She's so out of sync with the other characters that she might as well be from a different planet.

Don't get me wrong. I'm not a huge Marilyn fan, but she was good (and well-cast) in "Some Like It Hot". She's just all wrong for "No Business Like Show Business", and she looks and sounds ridiculous.

To be fair, Johnnie Ray often doesn't hold up well before modern audiences, either, when he sings. It's not that he's bad; it's that his style has come and gone and hardly been seen since. Everything in this movie tends to be at least a little overdone, and asking Johnnie Ray to exaggerate his singing does not produce flattering results.

Still, Donald O'Connor and Mitzi Gaynor are as brilliant and exuberant as you could hope. Ethel Merman is, well, Ethel Merman, and exactly right for her part. Dan Dailey is like a reliable locomotive that never disappoints.

The story is a bit plodding at times, but it only exists to set up one gala musical number after another. It only really bogs down when it gets caught up with Marilyn's character. If the studio had just left Marilyn out of it, perhaps giving Mitzi Gaynor the love interest role, and toned down the general effort level just a hair, this would've been one of the all-time greats.

It's still absolutely worth seeing -- in widescreen format, if you possibly can.