Seven Brides for Seven Brothers

In 1850, in the Oregon Territory, the provincial farmer Adam Pontipee (Howard Keel) comes to the town to trade supplies and find a wife. When he meets the strong hard worker Milly (Jane Powell) working in a bar, he proposes her. Milly has a crush on Adam and marries him, expecting to have her own place with her husband. However, when they arrive in the distant farm, she leans that Adam is the eldest of seven unsophisticated and rude brothers. Milly educates the brothers, teaching them hygiene, good manners and how to win somebody's heart.

In the annual town picnic, Milly, Adam and his six brothers go to the party and each of his brothers fall in love for a girl. However, they have to return to the loneliness of their farm. In the winter, Adam reads Plutarch and tells his brothers about "The Rape of the Sabine Women", when the Roman men had abducted wives for themselves from the Sabine families. He travels with his brothers to the town and they kidnap their beloved girls. When they cross a gorge, they provoke a snow avalanche and block the narrow passage. However, Milly keeps the girls in the house and sends Adam and his brothers to the barn. But until the spring, when the passage will be open again, many things happen in the farm with Milly, Adam, his brothers and their "brides".

"Seven Brides for Seven Brothers" is a delightfully funny and entertaining musical, with a pleasant feel-good story, wonderful performances and awesome choreographies. Stanley Donen directs this unforgettable and awarded family entertaining with the remarkable support of the choreographer Michael Kidd, and the cinematographer George Folsey and a wonderful cast highlighting Jane Powell with a magnificent performance in the role of a strong young woman. All the six brothers are talented dancer and Jacques d'Amboise was the principal dancer of the New York City Ballet. Just as a curiosity, the catwoman Julie Newmar is the bride Dorcas Gailen. My vote is eight.

Title (Brazil): "Sete Noivas para Sete Irmãos" ("Seven Brides for Seven Brothers")

After 50 years, this movie musical still warms the heart and the senses.

It has been alluded to, revived somehow, often imitated but never duplicated.

The songs, the scenery, the dances are the frosting on the cake.

Although by today's standards SB4SB is dated, it nevertheless remains an industry and studio standard.

A great way to chart the early appearances of Ruta Lee and Julie Newmar, who at the time were using their original respective surnames of Kilmonis and Newmeyer. Don't blink or you'll miss Sheila James, who later went on to appear in The Trouble With Father and, of course, Dobie Gillis. Last, but not least, there's Amber Tamblyn's father, Russ, in his famous hatchet dance (Don't try this at home).

Again, happy 50th anniversary to a cool classic.

If you like musicals don't look beyond this one. MGM goofed when it slashed the movie's budget and gave it away to Brigadoon in 1953 but it doesn't matter for the simply stunning songs and choreography shine through. As good as Brigadoon was, it is outclassed by this, for me, the greatest musical of them all.

Howard Keel stars with Jane Powell but for me I cannot look beyond the awesome dancing talent of Matt Mattox as Caleb. Check out the 'polecat scene' and bookmark it on your DVD. It doesn't get any better than this. Thank you Matt, you were great!

Terry

Revisiting this film, I was immediately pulled in by Howard Keel's opening song Bless Your Beautiful Hide. Audacious even in it's day, there's a tenderness in Mercer's lyrics that makes it somewhat forgivable-remember suspending your reality for a musical? Handsome Howard Keel's virility doesn't hurt. Instead of recoiling over the idea of "finding a wife" I just rolled with it as a silly plot idea. Once I had put myself in the same fantasy mode as when watching a Busby Berkeley musical, I started enjoying it.

I really paid attention to the musical numbers, most notably the Barn Dance & Lonesome Polecat. Amazing. Not too many dances in movies were designed to actually TELL a story, showing what the characters were feeling so eloquently. The Barn Dance scene is the best example I've ever seen of this. The dancing styles of townies vs mountaineers, the girl's being hoisted up in the air, the colors, the acrobatics all contribute to a very coherent "story" in dance.

Lonesome Polecat is also just extraordinary. It has a low base line of something like 3/4 but the lyrics are sung in some odd time signature like 5/9. (help me here music experts) The choreography too, is just excellent- the men really stand out as athletic, as is typical in many cultures such as Indian & Hawaiian dances.

I was again struck by how awful crazy the story line is, but how easily it's vindicated by Keel's character explaining how tough life is for mountain settlers. And Janie Powell was so perfect as the sweet young pretty girl who makes lemonade out of a bunch of sour lemons. The entire story is really about how she orchestrates a success out of her bad situation. I like that she's physically tiny but controls the fate of everyone in the story, not with weak conniving but with strong confident guidance.

At first you think this is a terribly sexist story, but it's truly a pioneering and feminist story.

Adam Pontipee (Howard Keel) lives with his six brothers in a cabin in a remote area of the woods. He goes to town one day and convinces a girl named Milly (Jane Powell) to marry him. They return to the cabin, where she suddenly realizes he has six brothers.

Milly tries to teach them some manners after her initial shock, but they are not entirely keen to change their ways. They are, however, anxious to get wives of their own.

After Adam reads about Roman capturing of Sabine women, he hatches a plan for his brothers - kidnap whoever they want to marry and bring them back to the cabin.

"Seven Bridges for Seven Brothers" is, today, somewhat of a classic; Stanley Donen adapts the screenplay by Albert Hackett, Frances Goodrich and Dorothy Kingsley; their combined efforts are superb.

I have grown up on this film and was surprised at the fact that, after having seen it very recently, it continues to hold up as well as it did when I was younger. I recommend it to everyone of all ages - it's funny, charming, sweet-natured and very enjoyable.