The Purple Plain

I've had this movie on my 10 Best List for many, many years.

This story of healing from loss through love is immensely powerful. It's exquisitely photographed; it looks much more art film than Hollywood. The direction is solid, and the pacing near perfect. Peck holds his own among a field of scene-stealing character actors. His performance gives us a clue as to what he was like on the stage. His good looks don't distract you; he's utterly convincing as a pilot who's lost the love of his life and no longer cares whether he lives or dies. In the first part of the movie his character is not a good guy, and it's believable. Hard to do when you look like Gregory Peck.

Love conquers all, of course. The story turns on his love for a woman. But, as the movie progresses, we find that he loves his crew too, even "old Blore." The young navigator worships him, and the admiration is returned full force. Their relationship is a key element of the story, as important as the romance between Peck and the Burmese girl.

This is one of those rare movies where men openly love each other--not in a gay sense--in a human sense. It's a love based on respect. This is something missing from almost all heterosexual movies. Probably because most men don't seem to be able to easily distinguish between sex, attraction, affection, and love. It all gets mixed up together, and homophobia damps down any positive emotions between men that isn't associated with some sport. Wartime seems to provoke these feelings too, evidently, but it's rare for a picture to show manly affection, except as a joke. It's just one aspect of this film, but one that shouldn't be overlooked.

I can only hope this movie gets rediscovered and recognized for the fine, fine film that it is.

A really fine film and quite remarkable especially for it's time; shot on location (Ceylon standing in for Burma) in color and with an actual Burmese woman for the female romantic lead. As a war film the pacing and lack of any real 'battle scenes' might disappoint a few people. But the film is at its core is a character study of a RAF pilot (Peck) who has 'gone round the bend' suffering from what we'd call PTSD today and how his battle with it consumes him as much as the war with the Japanese.

The other major character - other that the wonderful Win Min Than as the 'love interest' - is the location itself. 'Location as Charter' is something that David Lean latter became famous for but here in this film the immense expanse of jungle and plain becomes a beautiful but deadly antagonist The 'actual enemy', the Japanese Army, is tellingly, never seen.

As this is a British film all the performances (except for -shockingly- the one Scotswoman in the film) are nicely understated. At one point Peck's character admits that he has been trying to get himself killed in battle ever since the death of his wife to which he drolly adds ' you think that would be pretty easy in a war....but all they kept doing was giving me medals....' WWII airplane geeks ( guilty as charged) will appreciate the shots of the De Haviland Mosquitoes in operation.

A pot-boiler of a Film that is intelligently crafted by Director Robert Parrish. To some it may seem intolerably slow & lacking pace, but to others like myself the Film does something that nearly all Films in the Fifties and indeed many now do not even attempt to achieve, and that is take the time to investigate the main characters in depth and in detail. This is done not via long tracts of dialogue, but via the un-said. In particular Peck and the astonishingly beautiful and talented Win Man Than as 'Anna' develop their relationship in the Film in the subtlest and most delicate of manners. I can find no further information on Win Man Tan, but her performance in this period piece, is one part enchanting, one part mesmerising. We understand fully how Peck's psychiatric problems eventually dissolve as hie begins to find perspective courtesy of love for 'Anna'. This Film is not staggering nor the best piece of Cinema you will ever see, but it is superbly acted, wonderfully cast, sparingly written, adroitly directed, and deserves to be watched by anyone who has a love of Cinema. Recommended, because what we see at our Cinemas today has MUCH to learn from Movie making such as this.

I suppose the reason why I loved the film so much was that I was actually watching the film being made in Sigaria in Ceylon (Now Sri Lanka). I was part of an RAF Police team from RAF Columbo called to investigate the theft of some property from the set of the film. The visit also gave me the opportunity to actually have breakfast with Grgory Peck before the days shooting. I was astounded by the amount of detail that went into the making of the film, and the amount of responsibility put upon Jean, the continuity girl. Gregory Peck was a perfect gentleman, and I was so proud to actually be introduced to him by Brummie Benson, an RAF extra on the film set. To me, the film depicted courage at it's best, and as said by a previous critic , a simple story, with no over blown heroics,a good and believable cast, and a most enjoyable though somewhat predictable conclusion. But, NO bad language..... It's a pity more films of today cannot follow the same pattern. In all a very good example of the Royal Air Force at it's humble best, and a credit to the J.Arthur Rank Studios for its production

Peck is a neurotic, suicidal pilot in Burma during WWII. He's transformed by his love for a native girl, which gives him the drive to survive the trek through the harsh burmese wilderness after his plane crashes.

A good,dramatic film with serviceable performances by the cast. Especially by Brenda De Banzie as a missionary.