Meet Mr. Callaghan

Adapted from a series of books. Slim Callaghan (Derrick de Marney) is a hard boiled private eye in the style of Sam Spade.

This British B movie has Slim in financial trouble. He cannot afford to pay his rent or his secretary who is already looking for another job.

Late at night, in walks in Cynthia Meraulton. The stepdaughter of one of the wealthiest man in England. She fears her stepfather's life is in danger as he plans to change his will. Maybe one of his sons will do the deed.

Slim takes the job as he is paid £500 and the money will come handy. He has holes in his shoes.

While talking to a journalist later that night. Slim learns that the stepfather was killed that evening.

Maybe Cynthia was involved somehow. Slim needs to find the new will and maybe whoever set Cynthia up.

The character is Slim is cunning and conniving. The police do not like him as he is the kind of guy who lies and tampers with evidence.

Slim Callaghan does come across rather unsympathetic but he does have a plan of sorts. The movie is too overplotted and gets confusing.

It is a sprightly low budget noir B movie.

Derrick De Marney stars in "Meet Mr. Callaghan" from 1954.

It's the story of a detective (de Marney) who survives job to job. He is approached by a wealthy woman, Cynthis (Harriette Johns) who needs his help. It's a slightly convoluted story, having to do with her stepfather's will, and another will he apparently hid.

Callaghan isn't a favorite of Inspector Gringall (Trevor Reid) so when a murder occurs, and Callaghan is able to supply Cynthis' alibi, Gringall is all over him and it.

Callaghan seems unconventional and a little bit borderline as far as the law, but we soon learn he's very clever and a step ahead of the police.

Derrick de Marney is fantastic as Slim Callaghan, with is crisp responses and a laid-back, never flustered approach. He really makes the film.

Very enjoyable British B that keeps you interested.

Love this film and watch it regularly and it has kept reasonably faithful to Cheyney's The Urgent Hangman. I think Derrick De Marney plays the lead perfectly and is ably supported by a fine supporting cast. The plot is a little convoluted and I needed more than one viewing to tie up the loose ends. Williams playing Bellamy was a tour de force of acting for me and stole the show in the relatively short scene he had, catch this one if you can.

Based on the late Pete Cheyney's first Slim Callaghan novel, 'The Urgent Hangman' (1938), which Derrick de Marney had brought to the West End stage in 1952 and promptly co-produced this screen version intended - as the title indicates - to be the first of a series. Sadly this proved not to be and was his final film lead.

Little attempt has been made to open out the proceedings, and nearly all of it takes place indoors. But it's amusing, well-written and well acted enough for this not to matter.

Every few months I am compelled to re-watch this gem. I'm blessed at my age to forget enough of the plot to make the story fresh each time. Not that this would matter to me. I am time and again captivated by its fast-moving and evolving plot, a main character that darts through the story like the Mad Hatter—compelling me to chase after him—a brilliant supporting cast, wonderful black-and-white photography, ace direction, scads of original wit, and its captivating musical theme. Now about that Derrick De Marney: the man is second to none in giving flesh and voice to the irrepressible, seedy, but endearing Mr. Callaghan. The sleazier de Marney plays his role the more lovable he becomes. De Marney delivers the most disingenuous assurances with deadpan sincerity and utters in driest tones more implied meanings than an oracle in an uncooperative mood. Callaghan ceaselessly prods my curiosity until I ask, 'Where now goeth this man?'—and wonder what next he'll draw from a sleeve. The entire cast is impeccable. In his only and short appearance, Roger Williams, as Bellamy Meraulton, is as spectacular as to steal more than his share of the scene from de Marney—no small feat. None can be faulted for turning in a weak performance, from Michael Balfour as the coffee stall-keeper, to Trevor Reid as the inspector, to Belinda Lee as maid Jenny Appleby. Harriette Johns is divine and not enough can be said for Larry Burns as Darky. To the end, de Marney holds his character and Miss Johns captivates. There are forgettable movies and movies we forget; bad movies or splendid ones worthy of recalling. There are others which were tops in their time but cannot hold up in a later era. "Meet Mr. Callaghan" was tops, is tops, and shows not a spot of age. Even Eric Spears' theme is as delightful as when it had been initially released. I urge strongly that you meet Mr. Callaghan.