The Human Jungle

A great noir-crime thriller. Such a great cast of character actors. Regis Toomey (Guys & Dolls), Emile Meyer (countless westerns), James Westerfield (on the Waterfront, Hang 'em High), Chubby Johnson, Chuck Conners (The Rifleman), Claude Akins. But it doesn't take a genius to recognize Merrill's role is almost a mirror image of his wonderful performance in 12 O'Clock High where he got kicked out of his job, replaced by Gregory Peck. In Human Jungle he replaces Westerfield. Leading up to Merrill's promotion and in the immediate aftermath dialogue is almost identical to 12 O'Clock High. The film could be a case study in personality types and leadership styles.

Gary Merrill plays Captain Danforth, the new head of the police department in a corrupt little town where law and order have disintegrated. He just earned his law degree but agrees to take the job IF he's allowed to run the department the way he likes. This means that crimes, even petty ones, will be prosecuted and his plan is to put the fear of the police in the criminal element. Much of this element, it seems, frequent a sleezy roadhouse and the Captain is sure that if he puts the pressure on the crooks there, someone will spill their guts.

This film stars a lot of character actors and no real big names. Now you might think this would be a detriment, but the actors really did well and the material they were given is excellent noir...tough, uncompromising and exciting. Overall, a nice little hidden gem. If you like film noir, you really have to see this one.

The Human Jungle is a fairly mediocre crime thriller that combines police procedural with noir to limited effect. Clearly made on the cheap (by Allied Artists, the 'high-budget' arm of the – by-then defunct – Poverty Row studio, Monogram) the film is populated with a number of actors who were either never more than second-string or were still in the early stages of their careers. Gary Merrill was as famous for being the toy-boy squeeze of Bette Davis as he was for his acting skills, and in this one he wears a permanent scowl and is nearly always angry – presumably to show the righteousness of his crusade; Lamont Johnson as the police department's hot-head never really cut it as an actor and would find more success as a director. He's OK here, and certainly had the looks to go further, but his character seems to have been inserted for no reason other than to flesh out a short running time. Claude Akins and Chuck Connors, both in the early years of their careers, also appear as a pair of tough guys. Highlight of the film, though, is Jan Sterling as a brassy bottle-blonde, callously used by the cops as bait to catch the villains. In fact, the cast is by far the most interesting thing about this ordinary b-movie.

When he is invited down to visit friend Police Chief Abe Rowan, Captain John Danforth finds a precinct full of lazy and unmotivated cops surrounded by a district overrun by juvenile delinquency and crime – most notably a high profile murder that has just occurred. Danforth challenges Rowan and as a result Rowan throws the job back at him and Danfoth finds himself in temporary charge and determined to turn the precinct around. Breaking the news to his wife is only the first of many challenges to confront Danforth as he tackles his own men, small crime, organised hoods and internal red tape.

As the sagely Theo has already commented, this is a film that surprisingly still has a lot of relevance in the UK at the moment, what with police over stretched, "justice" being seen as something that doesn't exist in the real world anymore and police seemingly hampered by red tape while their standing within the community drops away to nothing. So with that background this film is instantly interesting after the ten-minute set up sees Danforth facing similar challenges and taking them on. However despite this unintentional realism, the film is fairly straightforward without any great imagination but it does still do enough to be gritty and interesting on its own terms. Although not morally complex enough to really be classed as a noir, it is still gritty as a story and produce the usual hardnosed, tough-talking delivery. The story is reasonable enough although the simplistic view of one officer turning around an entire area is perhaps hard to swallow whenever the daily news here suggests that the system can defeat any enthusiastic officer. In that regard, Danforth will be seen as a rallying cry to the Right (he even dismisses the accidental shooting of a pedestrian by one of his officers as being just part of a war), but his policies will produce very little empathy from the more liberal sections of the audience.

The cast can't really do much with the material and deliver fairly average performances across the board. Merrill barks around the screen with a constant righteous indignation and hardline approach that didn't totally convince me – the film would have been more interesting if it had really delved into his character in the way that it kept suggesting it would but never really did. Sterling is unconvincing and quite unnecessary – like her emotional observations on Danforth are designed to replace the development of him as a character, and that the director just wanted us to know the man in as simple a way as possible. Waltz is OK but Meyer is fairly stiff in his scenes and is too clearly an apologetic soft touch.

Overall this is an OK film with gritty material but far too straightforward a plot and foundation to really make for an interesting, complex story with no easy answers. Instead it gradually falls into a standard crime thriller plot and the manipulative and hardline character of Danforth is just accepted without much thought or development. Considering how relevant it still is today it is a real shame it didn't do better but as it is it's a standard crime affair with nothing to really make it stand out from a crowded genre.

The premise and the subtext for this screenplay strikes a chord with me in 2005 . The story centres around a tough cop wanting to clean up a violent , crime ridden inner city area of America , so right right away the potential for zero tolerance policing and weeding out apathetic cops and dubious moral justice is there . As I said this strikes a chord with most people in Britain today since the police over here have never been held in such low regard - If you get burgled , mugged etc and phone the police they'll tell you their short of resources and will come to take a statement a week on Thursday but physically defend yourself against criminals because they run riot in streets devoid of police and you'll find the cops have more than enough resources to come and arrest the poor victim who was only trying to defend their life and property . Sorry if I'm digressing a little bit

The problem with THE HUMAN JUNGLE is that the director has made a very stagy film and in many ways it's like watching a theatrical play filmed on celluloid . Not very good actors have been cast and Emile Meyer as police chief Rowan is even more wooden here than in his similar role in RIOT IN CELL BLOCK 11 and the rest of the cast varies from fairly inexpressive to over emphatic . In fact it's difficult to believe this is a movie produced in 1954 because all the time I thought I was watching something produced 20 years earlier