Fire Maidens of Outer Space

This movie was shown repeatedly on TV between 1957 and the early 60s. Anyone who saw it in the 50s remembers the soundtrack and the hot Fire Maidens! It was a silly low-tech movie, yes, but it was no worse than any other implausible sci-fi flick of that pre-spaceflight era. This movie is what it is, and what it is, is a pleasurable escapist marshmallow. See it if you can - you'll get a few laughs out of it.

If I had a dollar, no better make that five dollars in these inflationary days, for every time Cy Roth's name appeared on the screen during the opening credits for this film I'd have enough to make my own movie! A bunch of British astronauts take an exploratory trip to the 13th moon of Jupiter (a neat trick in itself since this was made in 1956 and Jupiter's 13th moon was not even discovered until the late 1970's!) and discover a race of mini-skirted sex kittens who are the descendants of the survivors of Atlantis who left Earth some 3000 years ago! There is only one man on the planet and he is quite old so the girls welcome the arrival of young, virile men. Now in real life the guys would probably dismantle the rocket and live happily ever after. But do they in this movie? NOOOOOOOOOOOO! They are veddy proper Englishmen and they just want to go home! ("I'm a happily married man." one of them even states with quite the stiff upper lip.) Oh, there is one other male on the planet, a weird mutant known as The Creature. This has got to be one of the most laughable monsters in movie history. A skinny guy in a black bodysuit with clearly visible zipper and an unmoving fright mask. Yow! Even Larry Buchanan's monsters weren't that bad! Susan Shaw and Jacqueline Curtis are the Fire Maidens who get the most screen time but in the crowd is Kim Parker who would go face-to-whatever with the FIEND WITHOUT A FACE in 1958. This movie used to run on late-late shows all the time. It desperately needs to be released on video for a new generation to see. Yes kids, once upon a time people actually paid 35 cents on Saturday afternoons to see stuff like this.

Somebody else mentioned the shocking level of product placement for Longines watches (and we thought that placement was new in the movie "2001"). What nobody else here has touched on is that dreadful loooooonnnnngggg scene in the observatory in England near the start of the movie where the secretary spends about 20 minutes (well, almost) just walking down the long stairs to bring a report to the chief astronomer, and then spends almost as long going back up (including opening and shutting the safety gate on the stairs...) Yes, truly a movie in which the concept of editing was only a slogan!

The rest of the comments above by previous commentators say it all, but I must point out that in the early days of analogue ship controls, all piloting functions appear to be digital, carried out by switching the positions of just two levers (in binary sequence?) to do everything - take off, land, dodge meteors, change course, etc... Even better, when the crew report in after quite a long flight, we cut back to the control centre on Earth, and yes, nobody has moved from their pre-launch positions! (Were their shoes nailed to the floor?)

In Britain, we don't get to see MST3K, so I watched this as a late-night stinker, and loved it. I shared the movie with friends on tape, and still feel that it's amongst the funniest B movies I have ever seen, right down there with Plan 9, and without the excuse that it was made by Ed Wood Jr!

Okay now let me get this straight, the people of Atlantis escaped their sinking continent by blasting off into space where they colonized the 13th moon of Jupiter so 3000 years ago. Now only a dozen or so are left and they are all young, attractive women and just one middle aged man who claims to be the father of all of them. As a certain pointy eared TV character might say, "Fascinating captain." This movie has got to be the culmination of many male fantasies all rolled into one. A bunch of guys from Earth land on the on the planet, which has breathable atmosphere and plenty of sunlight despite being hundreds of millions of miles further from the sun than Earth. They encounter a bunch of miniskirted, barefoot, submissive women (one of whom even exclaims "Men at last!" so you know what has been on their minds!) and get a chance to play hero by defeating a monster called The Creature (a man in a black bodysuit and a monster mask). Unique to say the least. Actually I found myself liking it because of its very ineptness. The photographer never lets us forget the girls sex appeal since the camera is often on ground level giving us a good look at their legs and there is also a long interpretive dance scene. I would say they don't make them like this anymore but the truth is the do, you can find movies similar to this on USA Network every Saturday night at 3 AM.

The total of Jupiter's known moons presently stands at 79. Number 13 was discovered in 1974 and named Leda, which presumably means that this film is set in the mid-1970s; although no Atlantean civilisation relocated from Earth was noticed by its discoverers and no manned spaceflight there has yet been attempted (possibly because it is only 6 miles across).

After emerging from the V2 in which they made their three-week trip from Earth, the crew wander about deepest Hertfordshire for a bit before returning to what appear to be standing sets from previous historical productions at Elstree Studios at Borehamwood. The memorable use of excerpts from Borodin's 'Prince Igor' (acknowledged in the credits) pre-dates the use of Strauss in '2001'; but 'Fire Maidens from Outer Space' also shares with Kubrick's film the presence of Maya Koumani. (Prominently featured in the opening credits and as one of the dancing Fire Maidens, Ms Koumani later gets some dialogue, whereupon she is identified by name as what sounds like 'Nyssa'. In '2001' she appears as Dr Stretyeneva, one of the Russian delegation that meets Dr.Floyd at Space Station V.)

Interestingly enough, although there isn't the usual woman among the five-man crew (which includes the reassuringly familiar faces of Paul Carpenter, Sydney Tafler & Harry Fowler) - presumably because there'll be plenty of them were they're going - two of the six senior staff shown gathered round the radio at Mission Control are women.