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The Egyptian

  • 1954
  • Approved
  • 2 घं 19 मि
IMDb रेटिंग
6.5/10
4.8 हज़ार
आपकी रेटिंग
The Egyptian (1954)
In ancient Egypt, a poor orphan becomes a genial physician and is eventually appointed at the Pharaoh's court where he witnesses palace intrigues and learns dangerous royal secrets.
trailer प्ले करें2:55
1 वीडियो
99+ फ़ोटो
ड्रामा

प्राचीन मिस्र में, एक गरीब अनाथ मिलनसार चिकित्सक बन जाता है आखिर में फ़िरोन के दरबार में नियुक्त हो जाता है, जहां वह महल की साज़िशों का गवाह बनता है और खतरनाक शाही रहस्यों के बारे में जानने ... सभी पढ़ेंप्राचीन मिस्र में, एक गरीब अनाथ मिलनसार चिकित्सक बन जाता है आखिर में फ़िरोन के दरबार में नियुक्त हो जाता है, जहां वह महल की साज़िशों का गवाह बनता है और खतरनाक शाही रहस्यों के बारे में जानने लगता है.प्राचीन मिस्र में, एक गरीब अनाथ मिलनसार चिकित्सक बन जाता है आखिर में फ़िरोन के दरबार में नियुक्त हो जाता है, जहां वह महल की साज़िशों का गवाह बनता है और खतरनाक शाही रहस्यों के बारे में जानने लगता है.

  • निर्देशक
    • Michael Curtiz
  • लेखक
    • Philip Dunne
    • Casey Robinson
    • Mika Waltari
  • स्टार
    • Jean Simmons
    • Victor Mature
    • Gene Tierney
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.5/10
    4.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Michael Curtiz
    • लेखक
      • Philip Dunne
      • Casey Robinson
      • Mika Waltari
    • स्टार
      • Jean Simmons
      • Victor Mature
      • Gene Tierney
    • 93यूज़र समीक्षाएं
    • 20आलोचक समीक्षाएं
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    • 1 ऑस्कर के लिए नामांकित
      • 1 जीत और कुल 2 नामांकन

    वीडियो1

    Trailer
    Trailer 2:55
    Trailer

    फ़ोटो107

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    + 99
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    टॉप कलाकार99+

    बदलाव करें
    Jean Simmons
    Jean Simmons
    • Merit
    Victor Mature
    Victor Mature
    • Horemheb
    Gene Tierney
    Gene Tierney
    • Baketamon
    Michael Wilding
    Michael Wilding
    • Akhnaton
    Bella Darvi
    Bella Darvi
    • Nefer
    Peter Ustinov
    Peter Ustinov
    • Kaptah
    Edmund Purdom
    Edmund Purdom
    • Sinuhe
    Judith Evelyn
    Judith Evelyn
    • Taia
    Henry Daniell
    Henry Daniell
    • Mekere
    John Carradine
    John Carradine
    • Grave Robber
    Carl Benton Reid
    Carl Benton Reid
    • Senmut
    Tommy Rettig
    Tommy Rettig
    • Thoth
    Anitra Stevens
    • Queen Nefertiti
    Donna Martell
    Donna Martell
    • Lady in Waiting
    Mimi Gibson
    Mimi Gibson
    • First Princess
    Carmen De Lavallade
    Carmen De Lavallade
    • Egyptian Dancer
    Harry Thompson
    • Nubian
    George Melford
    George Melford
    • Priest
    • निर्देशक
      • Michael Curtiz
    • लेखक
      • Philip Dunne
      • Casey Robinson
      • Mika Waltari
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं93

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    फ़ीचर्ड समीक्षाएं

    Snow Leopard

    Several Strengths Make Up For A Slow Pace

    "The Egyptian" has several pluses that make up for a rather slow pace. There is plenty to the story, which involves a lot of action as well as some interesting themes, and there is a lot of good scenery and cinematography. Most of the cast is pretty good, and there is an assortment of interesting characters.

    The setting in ancient Egypt works well and is used to good effect. It makes for many interesting sights, which are filmed nicely and used well in the story. The plot does a good job of weaving the reign of Pharaoh Akhenaten, who tried to bring monotheism to Egypt, into the lives of the main characters. As the central character, Edmund Purdom is all right, but some of the other characters often command more attention. Victor Mature is particularly convincing as the no-nonsense Horemheb, and Peter Ustinov steals more than one scene as Purdom's assistant.

    The only real flaw is the length. While there is plenty to the story, there are times when it moves quite slowly, and it doesn't seem as if it would have been all that hard to shorten some of the scenes. In particular, some of the speeches that summarize the conflict of ideas among the characters would have been more effective if they had not been quite so wordy.

    But overall, this is a good movie, and it works pretty well both as a period piece and as a story.
    9thinker1691

    "Imortality? I hold it in My Hand."

    It happens often, while growing up, a Hollywood movie impresses a youth. It not only lasts a lifetime, but inspire him to study ancient cultures as a career. Such was the case, with the 1954 film entitled "The Egyptian." Audience were awed with the sets, costumes and great acting of this film, so much so, other films soon followed in like vain. This is the story of a young Egyptian boy who was left parent less soon after he was born. With such a dubious beginning, it is not hard to wonder why he will spend his life, asking questions. The boy Sinuhe, (Sin-oh-way) which means, 'He that is alone'(Edmund Purdom) grows to manhood and continues asking why, even as he graduates from The School Of Life to become a physician. During his formative years he acquires a lifelong friend named Kaptah brilliantly played by (Peter Ustinov), and Horemheb (Victor Mature) who raises from a simple officer of the guard to Commander of the Armies. His life offers everything from a quick rise in social status to condemned criminal, to outcast, a wondering healer, and eventually to a station in life he never expected. Fine acting goes to Jean Simmons as Merit, Michael Wilding as Akhnaton, Bella Darvi as the temptress, Nefer, and John Carradine as a memorable Grave robber. Tommy Rettig, plays Thoth, the son of the Egyptian. In his final years, 'He that is alone,' finally discovers the answer he had been seeking all his life, which he bequeathes to his son, now in the care of his lifelong friend. Excellent Film! ****
    7ma-cortes

    Spectacular movie about ancient Egypt history based on historic events

    The picture narrates upon Sinuhe the Egyptian (Edmund Purdom) who works as a medic for paupers and hapless . He meets a good woman (a gorgeous Jean Simmons) and a bad woman called Nefer (a femme fatale Bella Darvi ; Marilyn Monroe lobbied hard to play her , but Darryl F. Zanuck had earmarked the role for his then-mistress Darvi) and an one-eyed , rascally servant (Peter Ustinov). After this , the physician saves and heals pharaoh Amenophis IV (Michael Wilding) from a lion and is appointed as a royal healer . In the palace court from Thebas happens various intrigues with the Pharaoh's sister (Gene Tierney) and the general Horemheb (Victor Mature)and the priest (Henry Daniel) , follower of ¨Amon Ra¨. As Akhenaten tried to bring about a departure from traditional religion, yet in the end it would not be accepted . After his death, traditional religious practice was gradually restored .

    The film is partially based on historic deeds and loosely based on Mika Waltari's novel . It's a slice of ancient history set in 1300 B.C and the 18th dynasty : Amenophis IV (son of great pharaoh AmenophisIII) is known as Akenaton , he was proclaimed maximum priest imposing a sole and only God , Aton (the sun God) pitting to priests worshipping Amon-Ra . Amenophis created a new city (called Ajetaton or Amarna). He was married to Nefertiti and would born Tutankhamon but Horemheb rules over and is proclaimed pharaoh . There is an Italian version about similar events titled ¨Nefertiti queen of Nilo , 1961¨ (by director Fernando Cerchio with Jeanne Crain and Vincent Price) but with lack luster and lesser budget . This adaptation by Michael Curtiz is much better with an impressive control of the crowd and scenarios . The musical score from Alfred Newman and Bernard Herrmann , two greatest cinema musicians is extraordinary with romantic and spiritual chores score . Leon Shamroy's spellbound color cinematography ensure the glimmer spectacle . The casting is of first range , they are mightier than the movie . At a cost of $5 million, the film took two years to research , the designers ultimately cataloging five million items of clothing and properties . As set design , gowns , and production are breathtaking . After shooting was completed, Fox made back some of the film's immense cost by selling many of the set pieces, props and costumes to Paramount, which then employed them in an even bigger epic, Cecil B. DeMille's Ten Commandments . The motion picture will appeal to historical epics buffs. Rating : Good . Well worth watching .
    10Gooper

    An Ancient Saga as Wide as the CinemaScope Screen!

    One of the most pleasurable aspects of movie viewing is to get lost in a film. To have it totally wash over you, so that you absorb it as it is, and thus, experience it to the fullest. Every time I see it, 'The Egyptian' is such a film. Over the years it is a picture critics have loved to hate. Many have thrown darts at its vulnerabilities. But perhaps it is because of the very tone the film brings with it rather than its most obvious characteristics. It is at once forbidding, remote, possibly dangerous; beware of what lies within! The haunting chords of the music, seen over the 20th-Fox logo, usher us into titles of other-worldly turquoise lettering.

    Strange! Archaeological! Decadent! It is as if we are descending into some vault of antiquity, wherein might be great treasures, mixed with uncertain hazards. (One might imagine Darryl Zanuck commanding: 'Make it ancient!') Then, what a darkly dramatic story unfolds, all within the same tone set at the start.

    Of Hollywood's mid-50s 'Egyptian Trilogy', 'The Ten Commandments' portrayed the civilization's sternness, the phenomenal 'Land of the Pharaohs' its nuts and bolts, while 'The Egyptian' shows it all, from glamour to tragedy, for us to wonder at.

    No need to say much about the players here, but I think that, with the passage of time, Bella Darvi is being redeemed. What a perfect face for the role, right out of a Symbolist painting. If her acting does not please some, it might be argued that, in her role as a 'courtesan', she is obviously better in bed than yakking to some poor helpless admirer. I think that Curtiz captured the kinkiness of her sado-masochistic relationship with Edmund Purdom's character with aplomb, censorship being what it was at the time. Sir Peter Ustinov, in his memoirs, was pretty kind to 'The Egyptian', writing that it was 'like being lost in a huge set for 'Aida'. His pronunciation of the word 'beer' I have adopted myself ever after.(One of the film's historically accurate references: the Egyptian's invented beer!) Henry Daniell, egads, what a perfect performance. Gene Tierney, what a screen treasure. Bless DFZ for giving her this 'late' role. C'mon folks, don't be so hard on Victor Mature! He's a cheesemaker's son! Who rose to be pharaoh! Sounds like a peculiarly American opportunity. One of the best moments: John Carradine's existential observations on the sands of time. And Purdom's utterance about dwelling beyond the sunset of the world. If that isn't Grade 'A' epicness, what is?

    Of course, along with everything else, the music is sublime. It is frequently noted that Alfred Newman and Bernard Herrmann created one of the screen's most compelling scores, perfectly harmonious, yet each theme is well developed, with a life of its own. Newman, pressed for time by DFZ, called in Herrmann, someone he could trust implicitly, to take up half the burden.

    Benny, not the easiest guy to work with, obviously respected Newman enough to really deliver inspiring music. They alternated cues, an ingenious approach. No spoilers as to who did what here, but Benny brings an edge with him, mysterious, awesome sounds. Alfred brings fulsomeness, longing, poignancy. Both are consummately epic. Even when seen on a squeezed TV print, the effect of seeing the two composers' names side by side in the main credits, which the ultra-wide anamorphic screen could comfortably accommodate, is spine-tingling.

    Leon Shamroy, the Dean of CinemaScope, does not let us down here. The lurid greens and moody shadows (probably distortions in all the terrible TV prints I've seen through the years) perfectly accompany the multi-dimensional script (by the great Philip Dunne and WB vet Casey Robinson, whom Curtiz must've brought with him to 20th). How remarkable it is that Shamroy, who was as much of an institution of cinematography at Fox as Newman was with music, would lens 'Cleopatra' a few years later, but in the brighter, sharper images of '60s Todd A-O. These old studio guys are really heroes of mine.

    To me, who wants to fret about all the imperfections and criticism opportunities in a picture like this? I'd rather yield entirely to its spell, and dive off into its sea of lavishness, to emerge after the inspiring climax of 'The End' refreshed, moved, and hungry for more.

    And yes, we should cry out to 20th-Fox for a DVD release worthy of DFZ's legacy.
    TheVid

    This splendidly lavish film of Mika Waltari's tediously philosophic potboiler set in ancient Egypt, was ripe pickings for Darryl F. Zanuck's CinemaScope agenda.

    Zanuck had high hopes for this extravagant production, including a major casting coup when Brando signed on for the lead. Alas, Brando dropped out of the project and was replaced by Edmund Purdom, whose acting is the antithesis of "the method". The completed production is more a tribute to the state-of-the-art in mid-century production values and presentation than a high-quality example of epic filmmaking. The script quality ranges from the sublime (the bordello sequences) to the ridiculous (the royal palace scenes); while the performances, even the best of them (Ustinov, Darvi, Tierney), are mundane at best. That's not to say this picture, like most epics of it's kind, isn't a worthy indulgence. It is, if only for the overbearing production design, magnificently intrusive music score (co-written by two legendary screen composers), and sheer extravagance of it all. It's all relative though, since only the largest TV screens and loudest high-end sound systems can provide anything close to the experience of the 2:55-to-1 CinemaScope ratio employed, featuring dialogue-panning, multi-track stereo. An expensive Fox laserdisc is currently the only available option for viewing this picture as closely as originally intended. It must have been quite a big deal when the movie palace curtains opened on this one in 1956!

    इस तरह के और

    Land of the Pharaohs
    6.6
    Land of the Pharaohs
    Demetrius and the Gladiators
    6.6
    Demetrius and the Gladiators
    The Robe
    6.7
    The Robe
    Faraon
    7.3
    Faraon
    Sodom and Gomorrah
    5.7
    Sodom and Gomorrah
    Quo Vadis
    7.1
    Quo Vadis
    Nefertite, regina del Nilo
    5.3
    Nefertite, regina del Nilo
    The Prodigal
    5.2
    The Prodigal
    The Black Rose
    6.2
    The Black Rose
    Solomon and Sheba
    6.2
    Solomon and Sheba
    The 300 Spartans
    6.5
    The 300 Spartans
    The Fall of the Roman Empire
    6.7
    The Fall of the Roman Empire

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      One of the few Hollywood "spectacles" in which top billing went to a woman: Jean Simmons.
    • गूफ़
      Akhnaton was succeeded by Tutankhamen, not Horemheb. Horemheb succeeded Aye, who was the successor of Tutankhamen.
    • भाव

      Nefer: No. I brought you here only to show you the gate in my garden wall. Later, when all of my guests have gone... I will be here by my lotus pool.

      Sinuhe: Why do you tell me this?

      Nefer: Perhaps because I am fond of gifts, and the greatest gift any man can bring to a woman is his innocence, which he can give only once.

    • क्रेज़ी क्रेडिट
      The 20th Century Fox logo plays without the usual fanfare.
    • इसके अलावा अन्य वर्जन
      The version of the film shown in the UK was shorter than the standard print by several seconds. Missing and apparently censored were the two shots of Nefer's head underwater as Sinuhe is attempting to kill her.
    • कनेक्शन
      Edited into Ancient Secrets of the Bible (1992)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is The Egyptian?Alexa द्वारा संचालित
    • Who wrote the book this movie is based upon?
    • Bella Darvi---Was She Suppose to Star With Brando in "Desiree"?
    • Chicago Opening Happened When?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 17 दिसंबर 1954 (पश्चिम जर्मनी)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • यूनानी
    • इस रूप में भी जाना जाता है
      • Sinuhe, der Ägypter
    • फ़िल्माने की जगहें
      • Death Valley National Park, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Twentieth Century Fox
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    बॉक्स ऑफ़िस

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    • बजट
      • $50,00,000(अनुमानित)
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    बदलाव करें
    • चलने की अवधि
      2 घंटे 19 मिनट
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      • Color
    • पक्ष अनुपात
      • 2.55 : 1

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