IMDb रेटिंग
7.3/10
5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंReformed parolee Steve Lacey is caught in the middle when a wounded former cellmate seeks him out for shelter.Reformed parolee Steve Lacey is caught in the middle when a wounded former cellmate seeks him out for shelter.Reformed parolee Steve Lacey is caught in the middle when a wounded former cellmate seeks him out for shelter.
Charles Bronson
- Ben Hastings
- (as Charles Buchinsky)
Nedrick Young
- Gat Morgan
- (as Ned Young)
Dub Taylor
- Gus Snider
- (as Dubb Taylor)
Iris Adrian
- Hastings' Girlfriend
- (बिना क्रेडिट के)
Joe Bassett
- Cop
- (बिना क्रेडिट के)
Charles Cane
- Detective
- (बिना क्रेडिट के)
Timothy Carey
- Johnny Haslett
- (बिना क्रेडिट के)
Tom Clarke
- Salvation Army Singer
- (बिना क्रेडिट के)
Fred Coby
- Cop in Squad Car
- (बिना क्रेडिट के)
Dennis Dengate
- Police Officer
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
An American Cinematheque presentation at The Egyptian.
A great little 'second feature' noir. Hayden is brilliant as the tough and cynical cop willing to break any rule to catch a couple of cop killers, and Phyllis Kirk oozes B-movie sex-appeal as the good-girl caught in the middle. With some genuinely funny dialogue, solid performances all round, and wonderful location filming around downtown Los Angeles, Chinatown and Glendale, the movie is a brilliant testament to the quality of so many cheap post-war crime thrillers. Of particular interest is the location filming inside the LAPD offices and dispatch room in City Hall.
Charles Bronson plays a tough-guy killer in an early supporting role. Timothy Carey shows up to chew the scenery as a bizarre, bog-eyed, dope-fiend, rape-o. And there's a great car chase through the Downtown city streets at night.
A minor classic. Entertaining throughout.
A great little 'second feature' noir. Hayden is brilliant as the tough and cynical cop willing to break any rule to catch a couple of cop killers, and Phyllis Kirk oozes B-movie sex-appeal as the good-girl caught in the middle. With some genuinely funny dialogue, solid performances all round, and wonderful location filming around downtown Los Angeles, Chinatown and Glendale, the movie is a brilliant testament to the quality of so many cheap post-war crime thrillers. Of particular interest is the location filming inside the LAPD offices and dispatch room in City Hall.
Charles Bronson plays a tough-guy killer in an early supporting role. Timothy Carey shows up to chew the scenery as a bizarre, bog-eyed, dope-fiend, rape-o. And there's a great car chase through the Downtown city streets at night.
A minor classic. Entertaining throughout.
And we fans of film noir prize nastiness and cold-heartedness. We also like small movies.
Gene Nelson is very affecting as a parolee who is dragged into a crime against his will. Phyllis Kirk is fine as his wife. She doesn't add much flavor but she's believably loyal.
For flavor, we have none other than Timothy Carey! He is one of the bad guys. Charles Bronson, early in his career, is another. Carey adds a great deal of creepiness to the goings-on.
Sterling Hayden is excellent as the cynical cop who's called in. Though the plot tells us nothing about him other than that he's given up smoking and misses it, he is clearly not a warm human being. His eyes squint and shift. He doesn't trust anyone and it's very possible he doesn't like much of anyone, either.
The movie begins with Dub Taylor as an exceptionally goofy gas station attendant. He's like a character from the "Ma and Pa Kettle" series. But our villains knock him out and rob him, which is a jarring contrast.
The characters are very well drawn in "Crime Wave." It has a tough plot but the people are what elevates it to a high status.
Gene Nelson is very affecting as a parolee who is dragged into a crime against his will. Phyllis Kirk is fine as his wife. She doesn't add much flavor but she's believably loyal.
For flavor, we have none other than Timothy Carey! He is one of the bad guys. Charles Bronson, early in his career, is another. Carey adds a great deal of creepiness to the goings-on.
Sterling Hayden is excellent as the cynical cop who's called in. Though the plot tells us nothing about him other than that he's given up smoking and misses it, he is clearly not a warm human being. His eyes squint and shift. He doesn't trust anyone and it's very possible he doesn't like much of anyone, either.
The movie begins with Dub Taylor as an exceptionally goofy gas station attendant. He's like a character from the "Ma and Pa Kettle" series. But our villains knock him out and rob him, which is a jarring contrast.
The characters are very well drawn in "Crime Wave." It has a tough plot but the people are what elevates it to a high status.
This is excellent example of film noir: almost everything you'd want in this genre. Right from the opening shot, this had noir written all over it by cinematographer Bert Glennon, and from opening holdup-murder scene at the gas station, you knew you were in for a rough ride.
Speaking of "rough," I can't think of too many actors who were better and more suited for noir than Sterling Hayden, who delivers yet another uncompromising hard-headed, tough- guy character. This time he's a cop, "Det. Lt. Sims," and one with no use for any "con," even if the guy (in this case, Gene Nelson's "Steve Lacey") has cleaned up his act.
It wasn't just the photography and Haden, the entire cast was fascinating, and it's simply a fast-moving, entertaining film. Andre de Toth's direction also was terrific. He directed only one other noir: Pitfall, another great film that we are still waiting to see on DVD. At least this film finally made it to disc.
I had forgotten what classic beauty Phyllis Kirk possessed. Wow, what a face! She starred as "Nora Charles" on the popular "Thin Man" television series in the '50s. In here, she plays Lacey's wife "Ellen." Rather that going through the whole cast, I'll just say it was a hoot to see Timothy Carey again, even if his role was limited. This guy played the most whacked-out minor characters I've ever seen in movies. (See "The Killing" for a good example of what I mean.) Jay Novello as the veterinarian ex-con also was really interesting.
I'll tell you what else was nice: the realistic scenes with actual locations around Los Angeles in the early '50s. This movie had a number of hand-held camera shots. Even the holdup in the bank was done in a real bank. There are few, if any, hokey studio shots in this movie. It's the real deal..... and very much recommended. Combined with "Decoy" on the same disc, it makes for a nice double--feature for a night of noir.
Speaking of "rough," I can't think of too many actors who were better and more suited for noir than Sterling Hayden, who delivers yet another uncompromising hard-headed, tough- guy character. This time he's a cop, "Det. Lt. Sims," and one with no use for any "con," even if the guy (in this case, Gene Nelson's "Steve Lacey") has cleaned up his act.
It wasn't just the photography and Haden, the entire cast was fascinating, and it's simply a fast-moving, entertaining film. Andre de Toth's direction also was terrific. He directed only one other noir: Pitfall, another great film that we are still waiting to see on DVD. At least this film finally made it to disc.
I had forgotten what classic beauty Phyllis Kirk possessed. Wow, what a face! She starred as "Nora Charles" on the popular "Thin Man" television series in the '50s. In here, she plays Lacey's wife "Ellen." Rather that going through the whole cast, I'll just say it was a hoot to see Timothy Carey again, even if his role was limited. This guy played the most whacked-out minor characters I've ever seen in movies. (See "The Killing" for a good example of what I mean.) Jay Novello as the veterinarian ex-con also was really interesting.
I'll tell you what else was nice: the realistic scenes with actual locations around Los Angeles in the early '50s. This movie had a number of hand-held camera shots. Even the holdup in the bank was done in a real bank. There are few, if any, hokey studio shots in this movie. It's the real deal..... and very much recommended. Combined with "Decoy" on the same disc, it makes for a nice double--feature for a night of noir.
Short film that doesn't waste a moment. Life is short and hard in this film. Make one mistake and you're marked for life, at least that seems to be Sterling Hayden's motto. Gene Nelson gives a good performance as a man haunted by his past. Steve Lacey is so scarred by his past that it runs his current life, this eventually leads him into trouble. Andre De Toth keeps most of the film in the shadows and only a few scenes take place during the day. Even the climatic robbery is shot in the dark. The only false note is that Hayden's character doesn't act the same throughout the movie. I found the movie to be pretty brutal for the time and Charles Bronson did a good job portraying most of the brutality. All in all, a worthy entry in the film noir genre.
Aces all around. Too bad this crime drama came along in the twilight of B b&w because it's in the best tradition—fast, tough, and unsentimental. Director deToth is a perfect shaper with his cynical European style. So why do three city slickers stick-up a penny ante filling station, and kill a cop in the process. Because they're prison escapees, it turns out, and on their way to a big score in LA. But first, they have to conscript an ex-con as their flyboy getaway. Meanwhile, of course, the LAPD takes a dim view of such goings on.
Can't help thinking Kubrick caught this flick since so much of the cast, story and LA locations show up in his classic heister, The Killing (1956). Speaking of not getting their due, Hayden is one of the most unusual presences of the period. With his gaunt features, shambling gait, and world-weary air, he towers over movies of the period. Without saying a word, he's clearly not a cop to fool with. But, oddly, it's really Jay Novello who gets a rare chance to shine. A familiar milk-toast presence from a hundred different shows, he rifles the pockets of the dead here, a slimy character until he lovingly takes care of the sick doggie—too bad it's too late for both.
Then there's that combo out of some movie inferno— the real life lunatic Timothy Carey mugging it up mercilessly, along with real life hard case Charlie Bronson getting some practice in. The real life nightmare, however, is leaving your wife with a drooling nut case like Carey as happens here. Now what sane guy would do that. Speaking of girls, I'm wondering where I can find one like the sweater-wearing cutie, Phyllis Kirk. No wonder Carey is drooling.
Anyhow, it's a heckuva good little crime meller with all kinds of colorful touches. I'm just glad deToth held his ground against the studio. Putting stars like Bogart and Ava Gardner in this would have meant the star treatment and not the gritty little sleeper B-movie fans so treasure.
Can't help thinking Kubrick caught this flick since so much of the cast, story and LA locations show up in his classic heister, The Killing (1956). Speaking of not getting their due, Hayden is one of the most unusual presences of the period. With his gaunt features, shambling gait, and world-weary air, he towers over movies of the period. Without saying a word, he's clearly not a cop to fool with. But, oddly, it's really Jay Novello who gets a rare chance to shine. A familiar milk-toast presence from a hundred different shows, he rifles the pockets of the dead here, a slimy character until he lovingly takes care of the sick doggie—too bad it's too late for both.
Then there's that combo out of some movie inferno— the real life lunatic Timothy Carey mugging it up mercilessly, along with real life hard case Charlie Bronson getting some practice in. The real life nightmare, however, is leaving your wife with a drooling nut case like Carey as happens here. Now what sane guy would do that. Speaking of girls, I'm wondering where I can find one like the sweater-wearing cutie, Phyllis Kirk. No wonder Carey is drooling.
Anyhow, it's a heckuva good little crime meller with all kinds of colorful touches. I'm just glad deToth held his ground against the studio. Putting stars like Bogart and Ava Gardner in this would have meant the star treatment and not the gritty little sleeper B-movie fans so treasure.
क्या आपको पता है
- ट्रिवियाAccording to an interview on US DVD, Jack L. Warner originally wanted Humphrey Bogart and Ava Gardner to star in the movie, but André De Toth vehemently protested this. Warner was fed up after a long argument and told De Toth he could make the movie any way he wanted, but it had to be in two weeks, which suited De Toth since he finished under schedule and under budget with his preferred star, Sterling Hayden.
- गूफ़When Gat Morgan comes to Steve and Ellen Laceys' apartment, he brandishes a Smith & Wesson .38 special with a 2.5" barrel. When Steve's parole officer arrives, detective Lt. Sims hands the gun that Steve Lacey took from Morgan to parole officer O'Keefe. The revolver now has a 4" barrel and appears to be a Colt Police Positive. Sims is handling the pistol with a pencil up the barrel to avoid getting his finger prints on it. The pistol is still a snub nosed revolver as the gun sight can be plainly seen on the short barrel.
- भाव
Dr. Otto Hessler: People. They accept the love of a dog, and when it gets old and sick they say put it to sleep.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Crime Wave?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Ciudad en tinieblas
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 13 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें