The Black Dakotas

President Abe Lincoln would like to make peace with the Sioux Indians so he can transfer troops from the West to the South, where they are needed for Civil War duty. The Rebs hear of this and send a spy, Merrill, to pose as a Yankee and steal the gold that the Indians have promised to the Northerners.

Despite lacking some star power and bordering in average, this is a decent western that stars Gary Merrill as a spy from the South in Civil War days. He lead actor and the villain. I guess that's a unique feature. John Bromfield is actually the hero - a bland one too- but he's second fiddle to the villain. Wanda Hendrix plots to double-cross the double-crosser.

The Technicolor is rich and atmospheric, the plot is not too difficult to follow, and the Indians are treated fairly sympathetically. There's plenty of action. A satisfying twist in the tale which wraps things up nicely.

Complex B-western with shifting loyalties and a few surprises. In the Dakotas, it's Civil War southerners conspiring against northerners for possession of big money, with the Sioux nation as a wild card. Needless to say, you may need a scorecard to keep track. Nonetheless, the screenplay is offbeat and generally unpredictable, always a plus for a western.

There's also some surprisingly graphic violence on-screen, without the usual cut-aways to spare viewer feelings. Merrill's not a typical western lead, but then he's not playing a cowboy. Instead, he's an agent from Washington, but of uncertain loyalty. Watch for Noah Beery Jr. as Gimpy, bringing his usual down-home color to the role. All in all, it's an offbeat little western with some pleasant LA area scenery, which is enough for most of us.

A remarkably ruthless outdoor western set against the backdrop of the Civil War, rather incongruously shot on attractive locations in pretty colours; it features Gary Merrill as an exceptionally venal and self-centred anti-hero supposedly working for the South but actually just in it for himself.

This is the lousy example of what grade B pictures are most of the time. This one makes no exception, standard stuff full of clichés and foreseeable chaarcters and situations. I did my best to find something unusual and surprising but it was useless and also hopeless, a fight lost in advance. Except maybe Gary Merrill's character as a surprising evil dude, but this is not Alan Ladd in ONE FOOT IN HELL either. But because I am a big B movies buff, it remained a comfortable moment. I did not pay attention to check if it was produced by the infamous Sam Katzman; I had not the courage to push the back forward button of my VHS; cause I have this film from a late TNT channel taping off, from the nineties or late eighties. But I recognized the Columbia B department trade mark. Music score for instance.

Ray Nazarro directs from a screenplay written by Ray Buffum and DeVallon Scott. It stars Gary Merrill, Wanda Hendrix, John Bromfield, Noah Beery Junior, Jay Silverheels, Fay Roope and Howard Wendell. Music is by Mischa Bakaleinikoff and Technicolor cinematography is by Ellis W. Carter.

"During the Civil War, Southern sympathisers made desperate efforts to aid the Confederacy by inciting Indian uprisings against defenceless towns along the Western frontier. The objective was to force large withdrawals of Northern troops from the main battlefronts, leaving them more vulnerable to Southern attack. This is the story of one such attempt that took place in Dakota territory in the year 1864."

A colourful and brisk picture that finds the efficient Nazarro cramming as much Oater styled fun as he can into just over an hour of film. The core basics of the story is full of intrigue, with undercover Confederate operatives moving amongst Union denizens as the Sioux argue amongst themselves about the viability of Abe Lincoln's offer of peace. There's a bit of thought gone into the screenplay, even offering up one or two genuine surprises, while it's nice to find that the lead female role played by Hendrix gives us a feisty femme of substance as opposed to the many other dressage characterisations that so dominated other 50s Oaters. California location landscapes a bonus, as is Beery Junior's commitment to his role, and Nazarro knows his way around a violent action scene.

Fun enough while it's on without ever breaking out of its very basic "B" Western worth, The Black Dakotas is regardless above average and worth some viewing time by fans of such high spirited dusters. 6/10