Bitter Creek

Wild" Bill Elliott is a cowboy who goes in search of the man who killed his brother, and finds himself in the small town of Bitter Creek, and ends up locking horns with cattle baron Quentin Allen's henchmen, suspecting them of his brother's murder.

An ordinary western featuring a good performance from Wild Bill Elliott and Carlton Young as the main villain. They make this film watchable in an otherwise lukewarm film that just ponders at times. The last 15 minutes, though, has some good gunplay, and there's Claude Akins as the heavy. Nothing earth shattering, but not a bad watch.

Way back in the day when he was Wild Bill Hickok or Red Ryder or any number of other western characters Bill Elliott always got in that tag line that became his catchphrase that he was a peaceable man before committing a whole lot of violence on some villains. By the next to last western film he did, this one for Allied Artists, there was no more pretensions or being a peaceable man.

This Elliott is out for the guy who shot his rancher brother in the back and signs point to Carleton Young who was the owner of the local Ponderosa at Bitter Creek and who moved in on the brother's spread. He's got a mean crew of gunslingers working for him including Claude Akins in one of his earliest films.

And if that isn't enough Elliott's showing an interest in Beverly Garland the prospective bride of Young. I think anyone who's seen even a handful of B westerns back in the days of the studio system knows exactly where this is going.

Allied Artists films aren't known for their production values. Bitter Creek is a lean and mean western in the latter days of Bill Elliott's career when he was specializing in lean and mean.

Clay Tindall (Bill Elliott) is searching for his brother's killers. This Montana town has been controlled by ruthless rancher Quentin Allen (Carleton Young) and his cowboys. Gail Bonner (Beverly Garland) arrives to marry Quentin without knowing the situation.

This is a standard white hat battling black hats western. It doesn't have great style, but it is very solid. The story telling is fair although nothing surprising or special. The acting is generally pretty good. I am looking for some great stunt work, but it is not forthcoming. That is a bit disappointing. This is a solid old fashion western.

This western is forgettable, not worth watching if you have something else to do, for instance painting the fence wall of your house, shopping, cleaning the kitchen.... If you are a die hard fan of Bill Elliott, whom I am not, maybe, I say maybe, you can foresee one hour and fourteen minutes to watch this one. It is bland, flat, with the forever wooden Bill Elliott, who lost in best years back in the late forties at Republic Pictures under the direction of Joseph Kane. But here, Thomas Carr was still a beginner for the company, as also were Harry Keller and RG Springsteen, whilst Joe Kane was already an old timer. I think that under Kane's direction, the result would have been a bit better. I guess.

This was to be Elliott's last western picture. Gone are the slick production values Elliott enjoyed while at Republic, and this entry from Allied Artists is an obvious low budget formula western. Elliott plays the part of the revenge seeking gunslinger to the hilt, but is hampered by pedestrian direction, a soft script, and cheap sets. But somehow the presence of Elliott, as the tight-lipped non-compromising anti-hero shines through, and we are left with a very watchable picture.