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Attila

  • 1954
  • TV-14
  • 1 घं 20 मि
IMDb रेटिंग
5.4/10
823
आपकी रेटिंग
Sophia Loren and Anthony Quinn in Attila (1954)
DocudramaBiographyDramaHistoryWar

अपनी भाषा में प्लॉट जोड़ेंAttila, the leader of the barbarian Huns and called by the Romans "The Scourge of God", sweeps onto the Italian peninsula, defeating all of the armies of Rome, until he and his men reach the... सभी पढ़ेंAttila, the leader of the barbarian Huns and called by the Romans "The Scourge of God", sweeps onto the Italian peninsula, defeating all of the armies of Rome, until he and his men reach the gates of the city itself.Attila, the leader of the barbarian Huns and called by the Romans "The Scourge of God", sweeps onto the Italian peninsula, defeating all of the armies of Rome, until he and his men reach the gates of the city itself.

  • निर्देशक
    • Pietro Francisci
  • लेखक
    • Ennio De Concini
    • Primo Zeglio
    • Frank Gervasi
  • स्टार
    • Anthony Quinn
    • Sophia Loren
    • Henri Vidal
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.4/10
    823
    आपकी रेटिंग
    • निर्देशक
      • Pietro Francisci
    • लेखक
      • Ennio De Concini
      • Primo Zeglio
      • Frank Gervasi
    • स्टार
      • Anthony Quinn
      • Sophia Loren
      • Henri Vidal
    • 11यूज़र समीक्षाएं
    • 11आलोचक समीक्षाएं
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  • फ़ोटो59

    पोस्टर देखें
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    टॉप कलाकार36

    बदलाव करें
    Anthony Quinn
    Anthony Quinn
    • Attila
    • (as Anthony Qvinn)
    Sophia Loren
    Sophia Loren
    • Honoria
    Henri Vidal
    Henri Vidal
    • Aetius
    Claude Laydu
    Claude Laydu
    • Valentiniano Caesar
    Irene Papas
    Irene Papas
    • Grune
    Colette Régis
    • Galla Placidia
    Ettore Manni
    Ettore Manni
    • Bleda - Brother of Attila
    Eduardo Ciannelli
    Eduardo Ciannelli
    • Onegesius - Counselor to Attila
    • (as Eduardo Cianelli)
    Georges Bréhat
    • Prisco
    Christian Marquand
    Christian Marquand
    • Hun Leader
    Guido Celano
    Guido Celano
    • Capo della tribu…
    Aldo Pini
    • Dominicus
    Marco Guglielmi
    • Kadis
    Antonio Amendola
    Richard Bakalyan
    Richard Bakalyan
    Fabio Bellisario
    Fernando Birri
    Mirella Di Lauri
    • निर्देशक
      • Pietro Francisci
    • लेखक
      • Ennio De Concini
      • Primo Zeglio
      • Frank Gervasi
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं11

    5.4823
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    फ़ीचर्ड समीक्षाएं

    6Bunuel1976

    ATTILA (Pietro Francisci, 1954) **1/2

    Knowing of director Francisci’s subsequent contribution to the peplum genre, I fully expected this to be a low-rent version of SIGN OF THE PAGAN (1954) – which I watched the previous day – but the film ultimately proved fairly interesting in its own right. For one thing, the narrative has at least as many differences as similarities vis-a'-vis the Douglas Sirk epic and, once again, we have an imposing Hollywood star (Anthony Quinn) in the lead. Sophia Loren, then, stands in for Ludmilla Tcherina (though her character is ambitious and deceitful) while Henri Vidal – from the best Italian-made spectacular, FABIOLA (1948) – replaces Jeff Chandler (bafflingly, he dies here while Attila is allowed to live!). Another reversal has the Huns fighting amongst themselves – more specifically, Attila and his peace-craving brother: just as Jack Palance in SIGN OF THE PAGAN was forced to kill his daughter for what he deemed treacherous behavior, so does Quinn in this case with his sibling. In support of them, we have: Claude Laydu (from Robert Bresson’s DIARY OF A COUNTRY PRIEST [1951]), a most surprising choice to play the typically wimpish Emperor; Irene Papas, who takes on the role of Attila’s sole wife (and, conveniently, his astrologer as well); and Eduardo Ciannelli, appearing as a wise old Hun. While Sirk tried – with some measure of success – to put his distinctive mark upon the material, Francisci was content to imitate the Hollywood model (and QUO VADIS [1951] in particular). Consequently, the film features intermittent ponderous narration, gratuitous exotic touches (in the form of a dance sequence and Laydu keeping a pet leopard) and an unlikely – if still effective – spiritual conclusion wherein the Huns are finally driven away thanks to the intervention of Pope Leo and his ‘army’ of cross-wielding supporters. Otherwise, the picture has a handsome look (i.e. bearing soft colors), compelling enough confrontation scenes (within both camps), and a long-in-coming but satisfactory climactic skirmish. The main downside is that the version broadcast on late-night Italian TV is the shorter U.K. cut (running a mere 76 minutes in PAL mode), albeit in its native language, as opposed to the official 100-minute print (which probably explains the references to a couple of minor plot points that are not actually shown)! Incidentally, reading through the credits one recognizes the names of several crew members who would later become directors in their own right: Luciano Ercoli, Christian Marquand, Flavio Mogherini, Luigi Scattini and Primo Zeglio...not to mention some heavyweights in the international film industry like Dino De Laurentiis, Carlo Ponti, Giuseppe Rotunno, Karl Struss and Aldo Tonti!
    7planktonrules

    An uncertain history lesson...but worth seeing.

    It's very hard to make a film about Attila and his times because if you want to make it historically accurate, well, that's not a simple thing. There are many Church traditions about Attila and his eventual sparing of Rome but historians of the day were notorious for shaping it to make themselves or their leaders look best. It is what it is...or was. So, it's difficult to say exactly what Attila did....such as the death of his brother...of which are contradictory accounts. This version of his latter days is based mostly on Church traditions.

    Like many films of the 1950s and 60s, European filmmakers hired a famous American actor to star in the production. In this case, Anthony Quinn plays Attila the Hun...and he also appeared in a few other European films, such as Fellini's "La Strada". And, Quinn was then dubbed into Italian...as most of the actors in the film are Italians (though it's a French-Italian co-production).

    The story is set from the period in which Attila agreed to a substantial bribe by the Romans not to destroy the Empire. Shortly after this, Attila reneged on the agreement and a long strong of bloody battles resulted. This film dramatizes this period and offers a traditional view as to why he spared Rome.

    The film is well made and entertaining....it just isn't perfect history because of all the speculation. But this is NOT a reason to skip the film. It's well worth your time and it's also nice to see Sophia Loren in a supporting role early in her film career.

    By the way, although the acting was generally good, the character Emperor Valentinian III seemed a bit overacted. Perhaps I'm wrong...he just didn't seem all that realistic.
    5bkoganbing

    Passable Peplum with Sophia's Pulchritude

    After starring in La Strada Anthony Quinn went on to do two more films while in Italy, Ulysses where he supported Kirk Douglas and Attila where he starred as the bloodthirsty Hun chief who nearly conquered Rome. This one is possibly the least of the three.

    Attila as Quinn plays it is one dude who only really gets his Mojo going with some hand to hand combat. The Huns have a treaty with Rome and to show how times have changed, the Romans pay them tribute to not attack. But in his view of things that is not quite a legitimate way for conqueror to do things. Quinn who co-rules with brother Ettore Manni murders Manni and puts the Huns on a war footing.

    But Rome by 450 AD has grown soft and futile and ruled by a kid Emperor with Mom issues. The Dowager Empress is French actress Colette Regis and her idiot son is Claude Leydu. She also has a daughter played by Sophia Loren in an early role and Sophia is out to use her considerable charms to cut her own deal with Attila. But she doesn't realize that Quinn just ain't interested when he can go out run people through with sword and lance.

    To General Henri Vidal comes the disagreeable task of saving this worthless bunch. And there is also the Pope who as legend has come down to us got the deed done, but only temporarily.

    Attila is a film I saw half a century ago on WOR TV in New York on Million Dollar movie. Could not appreciate the color on our black and white TV set at the time. I could also not appreciate Sophia Loren who's half the reason for seeing this film.

    It's passable Peplum, not down to the level of Maciste or Hercules later on. But not one of Anthony Quinn's better remembered films.
    5lee_eisenberg

    Hun, they shrunk the story

    An early sword-and-sandal epic from Italy casts Anthony Quinn as Attila the Hun, with dialog that sounds as though it came from a kung fu movie. "Attila" is probably most noticeable as an early appearance of Sophia Loren (she plays Honoria, who marries the vicious warrior). Otherwise, it's the sort of movie that belongs on "Mystery Science Theater 3000". At this point, I have serious doubts as to whether its even possible to make a good movie about a historical figure from that long ago. Maybe they just work best as spoofs in the vein of "Life of Brian".

    Anyway, this is certainly the sort of flick that should be of interest to bad movie buffs. Not terrible, but that year, Anthony Quinn starred in one of Italy's greatest films: "La strada".
    6brogmiller

    "Today Rome. Tomorrow the World!"

    Although not without its unintentionally funny moments, compared to most of the Sword and Sandal films that were churned out by Hollywood on the Tiber, this one is not at all bad.

    Anthony Quinn's testosterone filled, Alpha male performance here certainly fits historian Edward Gibbon's description of Attila as 'a formidable barbarian' whilst the oestrogen of pneumatic Sophia Loren as Honoria practically leaps off the screen. Honoria was a tragic character who had the misfortune to be born the daughter of an emperor and to be treated miserably by her domineering mother but her one-dimensional portrayal here is par for the course in films of this type.

    The year this film was released was notable for both Quinn and La Loren as he also appeared in a little opus entitled 'La Strada' and she was directed for the first time by Vittorio de Sica in the 'Pizza con credito' segment of 'L'Oro di Napoli' in which he brought out the Neapolitan earthiness and innate comedic ability that were to serve her so well through the years, not least in the amusing 'Peccato che sia una canaglia' from the same year which marked the first of her many films with a certain Marcello Mastroianni.

    A good supporting cast, all of whom are adequately 'dubbed' comprises Colette Régis as the wilful Galla Placidia and Henri Vidal as Aetius. The emperor Valentinian III, described by Gibbon as 'feeble and dissolute', is convincingly played by Claude Laydu who will forever be associated with the title character of Bresson's 'Journal d'un curé de compagne'. Mention must be made of the wondrous Irene Papas in the minor role of one of Attila's many wives. She was to go from strength to strength, especially in classical Greek tragedy and utilised what one critic has called her 'elemental nobility' as the widow opposite Quinn's Zorba. For those interested in such things, neither Honoria nor Aetius met their ends in the manner depicted here.

    Designed to warm the hearts of the Faithful, the final scene, complete with heavenly chorus and a crucifix in the sky, shows Attila being persuaded by Pope Leo not to attack Rome. It is not known what was said or indeed what inducements were offered but it is doubtful whether a heathen such as Attila would have been swayed by Leo's eloquence and sacerdotal robes alone and it is more likely that he turned back because of plague in his army, lack of food and the threat of Roman reinforcements from the East.

    Oh well, as the man said, 'it's only a movie.'

    इस तरह के और

    Barabbas
    6.9
    Barabbas
    The Black Orchid
    6.4
    The Black Orchid
    Faibles femmes
    6.1
    Faibles femmes
    Attila
    6.4
    Attila
    Aida
    5.3
    Aida
    Carosello napoletano
    6.1
    Carosello napoletano
    Attila
    6.6
    Attila
    Due notti con Cleopatra
    4.8
    Due notti con Cleopatra
    La donna del fiume
    6.4
    La donna del fiume
    Il segno di Venere
    6.6
    Il segno di Venere
    Attila flagello di Dio
    6.3
    Attila flagello di Dio
    Sign of the Pagan
    5.9
    Sign of the Pagan

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Anthony Quinn worked on La strada (1954) simultaneously with this movie. He remarked that it had a much smaller budget than the Attila epic, but considered it a much better film.
    • क्रेज़ी क्रेडिट
      Although this was an Italian co-production shot in Italy, Eduardo Ciannelli's name is misspelled in the credit.
    • कनेक्शन
      Featured in Soldiers: Cavalry (1985)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल15

    • How long is Attila?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 15 नवंबर 1955 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
      • फ़्रांस
    • भाषा
      • इतालवी
    • इस रूप में भी जाना जाता है
      • Attila, Scourge of God
    • फ़िल्माने की जगहें
      • इटली
    • उत्पादन कंपनियां
      • Compagnie Cinématographique de France
      • Lux Film
      • Producciones Ponti-de Laurentiis
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • ITL 45,00,00,000(अनुमानित)
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    बदलाव करें
    • चलने की अवधि
      1 घंटा 20 मिनट
    • पक्ष अनुपात
      • 1.37 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Sophia Loren and Anthony Quinn in Attila (1954)
    टॉप गैप
    By what name was Attila (1954) officially released in India in English?
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