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Touchez pas au grisbi

  • 1954
  • Not Rated
  • 1 घं 36 मि
IMDb रेटिंग
7.7/10
9.3 हज़ार
आपकी रेटिंग
Touchez pas au grisbi (1954)
Bande-annonce [OV] देखें
trailer प्ले करें3:44
1 वीडियो
28 फ़ोटो
अपराधड्रामा

अपनी भाषा में प्लॉट जोड़ेंAn aging, world-weary gangster is double-crossed and forced out of retirement when his best friend is kidnapped and their stash of eight stolen gold bars demanded as ransom.An aging, world-weary gangster is double-crossed and forced out of retirement when his best friend is kidnapped and their stash of eight stolen gold bars demanded as ransom.An aging, world-weary gangster is double-crossed and forced out of retirement when his best friend is kidnapped and their stash of eight stolen gold bars demanded as ransom.

  • निर्देशक
    • Jacques Becker
  • लेखक
    • Albert Simonin
    • Jacques Becker
    • Maurice Griffe
  • स्टार
    • Jean Gabin
    • René Dary
    • Dora Doll
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    9.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Jacques Becker
    • लेखक
      • Albert Simonin
      • Jacques Becker
      • Maurice Griffe
    • स्टार
      • Jean Gabin
      • René Dary
      • Dora Doll
    • 47यूज़र समीक्षाएं
    • 47आलोचक समीक्षाएं
    • 85मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 1 नामांकन

    वीडियो1

    Bande-annonce [OV]
    Trailer 3:44
    Bande-annonce [OV]

    फ़ोटो28

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 22
    पोस्टर देखें

    टॉप कलाकार28

    बदलाव करें
    Jean Gabin
    Jean Gabin
    • Max
    René Dary
    René Dary
    • Riton
    Dora Doll
    Dora Doll
    • Lola
    Vittorio Sanipoli
    • Ramon
    Marilyn Buferd
    Marilyn Buferd
    • Betty
    • (as Marilyn Bufferd)
    Gaby Basset
    • Marinette
    Paul Barge
    • Eugène
    • (as Barge)
    Alain Bouvette
    • Le chauffeur de taxi
    • (as Bouvette)
    Daniel Cauchy
    Daniel Cauchy
    • Fifi
    Denise Clair
    • Madame Bouche
    Angelo Dessy
    • Bastien
    Michel Jourdan
    • Marco
    Paul Oettly
    • Oscar
    Jean Riveyre
    • Le portier de l'hôtel Moderna
    Delia Scala
    Delia Scala
    • Hughette
    Silvestri
    Lucilla Solivani
    • Nana
    Lino Ventura
    Lino Ventura
    • Angelo Fraiser
    • निर्देशक
      • Jacques Becker
    • लेखक
      • Albert Simonin
      • Jacques Becker
      • Maurice Griffe
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं47

    7.79.3K
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    फ़ीचर्ड समीक्षाएं

    10boardwalk_angel

    A true classic

    "Grisbi" is a true classic...... Highly influential French noir/crime thriller/drama....shamefully obscure & undeservedly overlooked until now...Criterion DVD finally released in January....actually kinda ruined my evening..I had planned on watching another movie after this one..but I didn't want to let this one out of my head yet,..it was that good. 1954 Paris sparkles in glorious black & white..Jean Gabin & the whole cast, including a very young & relatively unknown Jeanne Moreau, is wonderful..Jacque Becker's direction is impeccable.

    The great Jean Gabin stars as Max , an aging gangster, who, along with his longtime friend & partner , Riton , has pulled one last job and intends to retire as soon as it's safe to cash in the millions in gold bullion they have stolen. Max is an anachronism...his style, moral code, honor & ways are caught up in changing times...a theme that fans of some of the best American Westerns will recognize in this film...

    It'a an absorbing , character-driven story...leading to a lonely highway with guns drawn ..trying to keep from losing everything. Highly recommended.
    10pzanardo

    Wonderful gangster-story by Jacques Becker

    It would be nonsense to give an order of merit to the three cinematic masterpieces by director Jacques Becker. However, personally I love "Touchez pas au grisbi" even more than "Casque d'or" or "Le Trou". In "Touchez pas au grisbi" we find all we can ask from a Becker's film: splendid black-and-white cinematography, evocative, romantic atmosphere, brilliant script, stunning excellence of the actors' job. But here we get more: a tough, perfectly written gangster-story, swift pace and action blended with an outstanding psychological design.

    The movie is mainly a story of friendship and honor. We have two old pals, two aged gangsters close to retire: Max (Jean Gabin), smart and clever, well aware that their best years are over, and Riton (Rene Dary), naive and rash, unable to accept the end of their youth, even dumb if you want, but extremely brave and devoted to his friend. Max is constantly grumbling against Riton and the troubles he causes. He scorns Riton's courage... brains and good sense, that's the important thing... But when it's the time for action, we see how deep and touching their friendship is, how ready they are to sacrifice themselves for each other. In other words, there are circumstances when only courage and honor count...

    According to his usual style, Becker describes the world of criminals as a weird parallel of the world of "decent people". To be a gangster appears a job like another: a day at the office. See Max's poise and professional way, when he negotiates the value of the "grisbi" (the swag) with the receiver. And when Max is going to face a last-blood gang-war, he quietly leaves a large sum of money to a trusted bar-maid, in case of need "... to tip somebody (i.e. police or judges)... to fix possible problems... you know better..."

    Inside a story narrated in the most understated way, Becker inserts unexpected explosions of violence. Take the owner of the Night Club, another old pal of Max's and Riton's. Poised, always silent, short, fat, with thick glasses, he seems the less harmful person. Yet, suddenly, and without a single word of comment, he starts to brutally beat a thug from a rival gang. And, with the machine-gun, he shows himself even tougher than Max and Riton.

    Of course, the movie also offers a Gabin's trade-mark scene, when he slaps everybody, men and women as well. Great stuff: toughness mixed with sense of humour. Gabin's performance is at the highest level reached in a glorious career.

    What else to add? "Touchez pas au grisbi" is a fantastic masterpiece. Moreover, I guess that this film is good for all tastes , which probably can't be said for other Becker's cinematic gems.
    9jotix100

    Paris by night

    Jacques Becker 1954 "Touchez pas au grisbi" is a delight to watch. M. Becker was an artist that knew what to give his fans, as he clearly shows in this masterful account about the gangsters operating in Paris during the fifties. Becker and his cinematographer, Pierre Montazel, brought the cameras to the streets as we are taken to savor that underworld they operated from. The jazzy score by Jean Wiener works well in the film. The film shows us the bygone Paris of that period, beautifully photographed by M. Montazel in all its splendor.

    At the center of it all is Max, the older gangster who suddenly begins feeling the toll of his years living dangerously and is contemplating retirement after he, and his partner, Riton, get rid of the gold bars they have stolen from a shipment at Orly airport. Max and Riton are seen at the beginning of the film dining at Chez Bouche with two younger women, Josy and Lola, who are chorus girls in the night club that seems to be the venue where these characters like to frequent.

    Things get complicated when Josie tells the newly arrived Angelo about what Max and Riton have and the trouble starts as he wants to get to the stolen goods for his own benefit. Thus begins a conflict between two different factions of the underground that will end badly. Max's plans for retirement with the proceeds of the sale of the stolen gold will have to wait.

    The best thing about the film is the uncanny way M. Becker and his collaborators reproduce that era for us. The world of the night clubs, restaurants, watering places, apartments, and other places where these characters move, are faithfully recreated for our pleasure in the movie. This film noir influenced a lot of other movies that came after, as Becker's influence inspired future movie makers.

    Jean Gabin, probably the best French actor of all times makes us like his Max, even though we realize he is a criminal. M. Gabin is the whole reason for taking a look at this film that he dominates at all times. Rene Dary, is seen as Max's partner in crime, Riton. Jeanne Moreau in one of her earlier films shows why she went to be one of the stars of the French cinema. Her Josie is excellent. Also in the cast, the fabulous Lino Ventura who plays Angelo. Denise Clair plays Mme. Bouche and Dora Doll is Lola.

    "Touchez pas au grisbi" will not disappoint Becker's fans.
    8evileyereviews

    Classic French noir

    This masterpiece of French noir exemplifies the depth of friendship and honor between thieves in this classic. The protagonist and his partner could not be more different, but through the years they have developed a friendship beyond mere love, a friendship cemented in the trenches of criminal warfare and not to be trifled with. The plot's treachery is utilized to effect as the polar opposite of this eternal bond, a bond which is best elucidated with some of the more mundane aspects of life. This bond is also compared with the superficial love between the sexes, where men love their woman only during the act of love. The acting was sublime, with heavies Jean Gabin, Lino Ventura, as well as some mightily proportioned women to grace the eyes. The direction and camera work were wonderful, and the score was the perfect compliment to the darker side of life. Genruk' Evil Eye Reviews
    8rdoyle29

    influential French film noir

    The title of this French film noir is slang for "loot". Jean Gabin stars as racketeer Max. Seeking out the finer things in life, Max intends to pull one last job and retire. After stealing a fortune in gold, our hero is faced with a crisis of conscience when his best friend (Rene Dary) is kidnapped and held for a huge ransom, the proceeds of this last job. Max manages to turn the tables on the abductors, but his dreams of a life of ease explode in his face. Up-and-coming leading lady Jeanne Moreau plays a pivotal role as the femme fatale who leads Dary into the hands of his kidnappers.

    An intriguing film that inverts many of the film noir cliches. The heist which drives the film's plot has already occurred when the film starts, which has the effect of shifting the film's focus from the crime itself to the consequences of leading a life of crime. The characters are portrayed less like criminals than businessmen, calmly going about the business of earning a living. As a result, the few scenes of violence that occur are more shocking than they would be in a more routine crime film. An intriguing film that clearly influenced subsequent French crime films, especially Jules Dassin's "Rififi" and Jean-Pierre Melville's "Bob le Flambeur".

    इस तरह के और

    Riffraff
    6.8
    Riffraff
    The Undercover Man
    6.6
    The Undercover Man
    Cornered
    6.6
    Cornered
    This Side of the Law
    6.4
    This Side of the Law
    The Gangster
    6.5
    The Gangster
    Razzia sur la chnouf
    7.0
    Razzia sur la chnouf
    The Big Steal
    6.9
    The Big Steal
    Crack-Up
    6.5
    Crack-Up
    Kawaita hana
    7.7
    Kawaita hana
    Casque d'or
    7.6
    Casque d'or
    Bob le flambeur
    7.6
    Bob le flambeur
    Intruder in the Dust
    7.6
    Intruder in the Dust

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Film debut of Italian ex-wrestler Lino Ventura.
    • गूफ़
      When the submachine guns are removed from the wine box, they are Sten Submachine guns. When they are removed from the car after the ambush, they are Sten Guns. When they are finally shot at the retreating gangsters, they have become two different models of Thompson Submachine guns - an early civilian model of a Thompson and a military model (M1 or M1A1) of a Thompson.
    • भाव

      Fifi: [after being thrown out of the car] You're leaving me out here? How will I get back?

      Max: [laconically] Ride on the back of a snail, Daddy-o.

    • कनेक्शन
      Edited into Histoire(s) du cinéma: Une vague nouvelle (1999)
    • साउंडट्रैक
      Le Grisbi
      (uncredited)

      Music by Jean Wiener

      Played on the harmonica by Jean Wetzel

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is Don't Touch the Loot?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 17 मार्च 1954 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • फ़्रांस
      • इटली
    • आधिकारिक साइट
      • Rialto Pictures
    • भाषा
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Grisbi
    • फ़िल्माने की जगहें
      • Avenue Frochot, Paris 9, पेरिस, फ़्रांस
    • उत्पादन कंपनियां
      • Del Duca Films
      • Antares Produzione Cinematografica
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $1,31,548
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $21,674
      • 7 सित॰ 2003
    • दुनिया भर में सकल
      • $1,31,548
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 36 मि(96 min)
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.33 : 1

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