Toot Whistle Plunk and Boom

Oddly enough I was introduced to Toot Whistle Plunk and Boom as well as Melody through the Disney Sing-a-long-songs series.(that's true of a fair few Disney films and shorts actually) It's been one of my favourites ever since. The animation is done in a very interesting style and looks good. It may look limited to some, but I for one was taken by the colourful abstract look of it, and visuals-wise it does stand out among the rest of the Disney shorts. Toot Whistle Plunk and Boom is also jam-packed with gags, which do brilliantly with teaching us things about music while also entertaining us. The plunk section is and always has been my personal favourite. The simple story has relentless energy, not once did or do I feel bored watching. The music is outstanding, it is catchy and fit perfectly with each gag, the way the harmonies blended was also remarkable and I never tire of the resonant bass voice of Thurl Ravenscroft. The characters are colourful and amusing, and the vocal talents of Bill Thompson are splendidly utilised. Thompson sounds as though he loves what his owl character is teaching and his voice is full of exuberance. All in all, a unique short that is perfect for kids and adults regardless of how knowledgeable they are or not of music. 10/10 Bethany Cox

The best thing about "Toot, Whistle, Plunk, and Boom" is that I actually learned something from it! Who knew I would learn something from a cartoon at the age of 22?! I've never been that involved in musical instruments, but it was very interesting and easy to learn from TWP&B on why horns are shaped the way they are. The short is also hilarious as we see how the caveman learned to make music in their primitive ways and how that music evolved over the ages. It's also fun to see the cavemen collaborate with the modern-day symphonies. There are just some great gags and jokes throughout this jam-packed cartoon.

We're also reintroduced to that school of singing birds from the cartoon short, "Melody." They were fun, but I thought they were a little annoying in this short. I was glad when they made the transition to the cavemen, because those cavemen stole the show! I've even seen them make cameos on the recent cartoon series, "Disney's House of Mouse." Hey, maybe we can even see them in the theme parks!!! That would be fun!

There are a lot of memorable and educational moments from this cartoon, and it will always remain a classic. In my opinion, the only thing holding it back a little are those birds. They've done better! Better just let the cavemen get the show going!!

My IMDb Rating: 9/10

This short, Disney's best in some time, won an Oscar and clearly shows an influence from the animation style of the UPA studios that were doing remarkable work in the 1950s. Disney did a number of shorts that were different stylistically and in tone than the work they had produced in the 1930s and 1940s and this is probably the best of those shorts. I's good to see that it's available, even if it's only on a DVD as additional material. Most recommended.

Oh! It's one of them "educational" films. This is a masterful look at the dynamics and science of musical instruments. It gives a rudimentary history of all things instrumental. The four words in the title refer to horns, wood winds, strings, and percussion, the four sections of the orchestra. It is done in a fun and visually interesting way. I recall seeing "Donald Duck in Mathemagic Land," in my math classes, an excellent teaching tool created by the Disney animators. The only part I had trouble with was that chorus of birds singing in the Andrews Sisters style. Many of the Dr. Seuss cartoons used this choral style and it becomes pretty tiresome at times. But it needed narration and this is they way they got it.

It's the professorial owl who is teaching his class all about musical instruments. It's manna from heaven for an animator as the entertainingly crafted lyrical narration (complete with slightly annoying singing) takes us all on a very basic lesson in musical onomatopoeia! It was the cavemen who started, rather monotonically, with a dead cow's horn. Next, for the Egyptians it's a different kind of "King Toot" who wants something altogether more sophisticated. Trumpets, dear reader. What happens when trumpets get beaten up; the curvy bits and varying lengths give it flexibility and huzzah, the horn was born. You've got the drift by now and as the other three principal sections of the orchestra: woodwind, strings (quite excruciatingly at times) and finally percussion get an the treatment this leads us to the synchronised, and thankfully more tuneful, modern orchestra. It's a bit too long, this, but it is still quite good fun as they even manage to squeeze the bagpipes in there. The singing doesn't get any better, though - sorry.