The Tell-Tale Heart

An English teacher whose taste I generally respected despised this film. As a word person, she was no doubt bothered by the compression and elimination of so much of Poe's carefully wrought language.

But she overlooked one thing, in my estimation. Poe said everything in a short story should be toward one effect, and certainly, there has been no better attempt on film to achieve the kind of formal and emotional control Poe suggested was the story teller's goal than this animated short. She should have appreciated that.

The control of tone, light and color palette here is complete; the actors are hand-crafted; the voices and music are expertly orchestrated as in great radio drama; best of all, nothing extraneous or distracting seeps through at any point. (We clearly see only one face during this short. We never see the narrator, but see all that happens through a subjective camera.) While there is a ton of ham bone melodrama and story padding in Corman's Poe films, this film achieves just the right pitch, delicate and disturbing, maintains it, and then finishes simply. In today's context, UPA's Tell-Tale seems slightly dry, if not downright academic; Corman's films evoke not only Hollywood, with all that means, but low budget film making and drive-in culture as well.

I believe Poe would have appreciated UPA's effort and encouraged them to try others, like Cask of Amontillado and Masque. Given the chance, I think he'd have liked to tell Corman to just quit it.

10 stars. One of the great cartoons, ever.

Just tonight I saw this short in a presentation of animated films as part of the Milwaukee International Film Festival. I found myself literally watching this with my mouth hanging open in awe. The animation is not groundbreaking in the various techniques used, but the ways they are used, and the ways they are merged to create brilliant, original techniques in their own light, are astounding. The use of numerous versions of a full paintings to animate things like the changing of a light source is shocking in it's simple, yet immense effectiveness. The music is very minimalistic, but very appropriate for the film. James Mason is haunting in his narration. This film is one of the most beautiful, unconventional, and effective uses of the animation art form in American film history. It is a shame that it is not available on video, though it may be that the only way to really experience it fully is in a theater. In that case it is a shame that it isn't played very often.

UPDATE...

The film is now available as an extra on the DVD for the original theatrical version of the film Hellboy. The only reason I can see for this is that Hell Boy director Guillermo del Toro must be a fan of it. The film Hellboy isn't bad, but the DVD is worth it for this short alone. And it can be had quite readily in used shops for a very good price (I've seen them as low as $9.99).

A boarder becomes increasingly horrified by the nasty eye of his landlord, and plans to kill him. However, he hasn't taken the power of a guilty conscience into consideration. One is faced with a challenge when adapting something that is already impeccable in its original form. To make one's work worth producing and, for others, to take in, one must truly do justice to what made it so. Poe's short story has chilled countless people for more than a century, with its downright disgusting descriptions, how direct he is in the rendition of pure terror, and of the immersion into madness. Many of his words are used here, with a pristine performance by James Mason bringing them to life. The sound FX and eerie music further enhance this retelling, and completing the trifecta is the vivid, at times surreal animation. Never a tale of people but one of states of mind, of emotion and mood, this barely shows faces, it is not a clear, chronological narrative, no, rather, you feel what our narrator felt, and while you undoubtedly want to distance yourself from his actions, you can't look upon the situation from the outside, with judgment and clarity, you are pulled in, and drown in the insanity. The dark, dingy colors, the sparse detail, indeed, at one point, even... sheer black. Silence. This is how you adapt this magnificent author, R.I.P. There is disturbing content in this. I recommend this to any fan of Gothic horror. 8/10

United Productions of America, one of the most original and ground-breaking animation studios of the U.S., achieved the peak of their "limited animation" style (an abstract style that champions symbolism over realism) with this short film based on Edgar Allan Poe's famous short story of the same name. With their minimalistic approach to animation and their total dedication to the art, this small company changed American animation forever and the magnitude of its influential was felt many decades after its creation.

"The Tell-Tale Heart" is the story of a man (voiced by James Mason) consumed by a bizarre and sick obsession with his old landlord's "strange" eye. An obsession that will take the man to murder the old man and hide the body, but the horrors are not finished with that. It's a story of madness and obsession told from the point of view of the madman who calmly retells his story and how he reached that state of insanity.

In barely 8 minutes the short film captures the haunting atmosphere of the Gothic novel and Poe's tale of madness becomes vivid with fluid animation and frightening images of chaos reflecting the madman's mind. The limited animation technique used by UPA never found itself more at home that here, where its artistic conception can (and is) explored to its max creating the image of a real painting in movement. "The Tell-Tale Heart" is so beautifully conceived and so perfectly crafted that it feels as if one was truly watching the dark dreams of a psycho.

Now, James Mason's voice-work is what truly takes this film from high class art to masterpiece proportions, as basically the film revolves around his first person narrative. Every line is delivered with a deep emotion that conveys the narrator's frightful experience with amazing believability. Writers Bill Scott & Fred Grable, as well as director Ted Parmelee and the rest of UPA's team crafted one of animation's finest films when they did "The Tell-Tale Heart", a very different animated experience.

Maybe nowadays UPA's achievements have been overshadowed by the many other studios that had more commercial success, but their influence is not forgotten. This terrific short film is without a doubt a classic of animation and a masterpiece of the horror genre, a film that must be seen at least once. 10/10

A madman (voiced by James Mason) tells his tale of murder, and how a strange beating sound haunted him afterward.

The animation of this short is pretty decent and fits the material well without being too grisly. But, of course, the real joy is in the narration. When it comes to telling a story so well-known and often repeated, it pays to get just the right voice. And James Mason is the one for that (though Vincent Price would also work).

I remember this story being longer. Now, that might be my memory or it might be that they abridged it. But I have fond memories of the first time I ever heard the story in an elementary class. (I don't believe I actually read Poe's work until later.) The tape I heard was not Mason, but I wish it had been.