The Silver Whip

It will not be a mile stone in western history for sure but it presents the advantage to have Dale Robertson, Robert Wagner and Rory Calhoun together. Nothing special to me. But for a B Fox western it is enough for my taste. It is rare, effective, fast but not furious. I prefer more ambiguous, ambivalent characters, as Audie Murphy in NO NAME ON THE BULLET, or Alan Ladd in ONE FOOT IN HELL; here it is a bit too smooth, but entertaining enough to justify the time to waste watching it.

Western novelist Jack Schaefer's follow-up to SHANE, THE SILVER WHIP is turned into a "shaky A" with Dale Robertson, Rory Calhoun, and Robert Wagner in the lead as an ambitious young stage driver. While this black-and-white effort lacks the visual grandeur of George Stevens' masterpiece, and the cast all right. and.... well, this is a good B western, with some nice outdoor photography by Lloyd Ahern Sr.

Director Harmon Jones doesn't seem to push anyone too hard, but it's a well-told story. It's clear they were feeling ambitious with this one. They screenplay is pretty good. I's simply that they chose to tell the story with melodramatic intentions, rather than the simple way that George Stevens' masterpiece did.

This film essentially begins with a young man by the name of "Jess Harker" (Robert Wagner) finally getting the opportunity to prove his mettle by driving the local stagecoach which, in this particular case, is also transporting a valuable shipment of gold as part of its cargo. For that reason, another cowboy named "Race Crim" (Dale Robertson)--who happens to be Jess Harker's friend and mentor-has also been tasked to ride alongside the stagecoach as well. Not only that but Race's girlfriend named "Waco" (Lola Albright) just happens to be riding in the stagecoach as a passenger. So, making sure the stage arrives safely and on time is extremely important to both Jess and Race. However, this becomes quite problematic once news of the gold shipment gets out as some local bandits quickly a devise a scheme to ambush the stage and steal the gold. Unfortunately, while carrying out their plan, they not only steal the gold but also accidentally kill Waco in the process. As might be expected, this infuriates Race who immediately off in search of these bandits with the intention of killing each and every one of them. The problem, however, is that the local sheriff named "Tom Davisson" (Rory Calhoun) wants them all brought back alive to stand trial. That being the case, this not only puts Race at odds with Sheriff Davisson, but it also places Jess in an awkward position as well. Now, rather than reveal any more, I will just say that this was a solid 50's Western which benefited by good performances by all of the aforementioned actors. Admittedly, it is somewhat tame by today's standards but, even so, I enjoyed this film for the most part and I have rated it accordingly. Slightly above average.

Based on a novel from the author of "Shane" and "Monte Walsh" comes a much less substantial of western, but an entertaining one none-the-less. Robert Wagner plays a young cowboy who's getting restless in his small town, so to keep him from becoming a no-good drifter the local stagecoach owner hires him as an armed guard for a large gold shipment. After the stagecoach is robbed, young hotheaded Wagner learns from the stagecoach driver (Dale Robertson) and from the sheriff (Rory Calhoun) there are two kinds of justice and he has to decide which one is right. In the hands of a director like George Stevens, this story had the potential to be something really smart, but instead it's merely a diverting western that will entertain fans of sagebrush tales.

Three of the stars became major television stars as well. And Rory Calhoun, Dale Robertson, and Robert Wagner made an excellent trio.

Accompanied by two of the loveliest ladies, Lola Albright and Kathleen Crowley, as well as by some un-credited high-caliber performers such as the great John Doucette, George Cheesbro, and Edmund Cobb, they give us a tense western drama.

Anger and revenge for cold-blooded killing always make for drama, and usually the audience, the viewers know which side to take. Here, though, there becomes a question of the right and wrong of lynch law. Who will defend the "official" law, and who will support the old "eye for an eye" law?

The denouement is not what we expect.

Until then, we are torn, because all the protagonists are good people and it is hard to decide for whom to root.

Un-billed is Chuck Connors, but billed is the superb James Millican, as is J.M. Kerrigan in an undemanding but literate and important role.

"The Silver Whip" is available at YouTube and I highly recommend it.